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The Price of Silence

  • 1960
  • 1 Std. 13 Min.
IMDb-BEWERTUNG
6,3/10
170
IHRE BEWERTUNG
The Price of Silence (1960)
DramaKriminalität

Füge eine Handlung in deiner Sprache hinzuRoger Fenton has been released from prison and started to build a new life. But his past catches up when an elderly visitor is murdered in his office.Roger Fenton has been released from prison and started to build a new life. But his past catches up when an elderly visitor is murdered in his office.Roger Fenton has been released from prison and started to build a new life. But his past catches up when an elderly visitor is murdered in his office.

  • Regie
    • Montgomery Tully
  • Drehbuch
    • Maurice J. Wilson
    • Laurence Meynell
  • Hauptbesetzung
    • Gordon Jackson
    • June Thorburn
    • Maya Koumani
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    170
    IHRE BEWERTUNG
    • Regie
      • Montgomery Tully
    • Drehbuch
      • Maurice J. Wilson
      • Laurence Meynell
    • Hauptbesetzung
      • Gordon Jackson
      • June Thorburn
      • Maya Koumani
    • 13Benutzerrezensionen
    • 2Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos30

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    Topbesetzung20

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    Gordon Jackson
    Gordon Jackson
    • Roger Fenton
    June Thorburn
    June Thorburn
    • Audrey Truscott
    Maya Koumani
    • Maria Shipley
    Terence Alexander
    Terence Alexander
    • John Braine
    Mary Clare
    Mary Clare
    • Mrs. West
    Victor Brooks
    • Supt. Wilson
    Joan Heal
    • Ethel
    Llewellyn Rees
    • H.G. Shipley
    Olive Sloane
    Olive Sloane
    • Landlady
    Annette Kerr
    • Miss Collins
    Sam Kydd
    Sam Kydd
    • Slug
    Henry B. Longhurst
      Norman Shelley
      Norman Shelley
      • Councilor Forbes
      Norman Mitchell
      Norman Mitchell
      • Landlord
      Gordon Boyd
      • Police Sergeant
      • (Nicht genannt)
      Ian Colin
      • Prison Governor
      • (Nicht genannt)
      Arthur Hewlett
      Arthur Hewlett
      • Police Commissioner
      • (Nicht genannt)
      Lindsay Hooper
      • Barman
      • (Nicht genannt)
      • Regie
        • Montgomery Tully
      • Drehbuch
        • Maurice J. Wilson
        • Laurence Meynell
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen13

      6,3170
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      Empfohlene Bewertungen

      9clanciai

      Excellent understatement of a criminal thriller

      Gordon Jackson is released from prison after a one year's sentence for embezzlement by mistake and tries to start a new life, but no one wants to employ a former jailbird, so he changes his name, and is lucky enough to actually get a good job, doing well and earning the confidence of his employer, an aged man past his prime with a young slender wife who actually tries to seduce Jackson out of sheer boredom in her sexless marriage. Jackson is thoroughly straightforward and resists her a number of times - this is a modern case of the wife of Potiphar. When he gets into trouble because of a blackmailer, gradually involving even murder, that wife betrays him lying to the police, and so the jam gets thicker. It's a fine little thriller with excellent cast, and I have never seen Gordon Jackson better. All the three women, all opposites to each other, gives the drama balance, and the male characters, also quite opposite types, makes the film more than worth while.
      5boblipton

      Some Ineffective Editing

      Gordon Jackson comes out of prison with the intention of living an honest life, but for an ex-con, there aren't many opportunities. After being fired from several jobs, he changes his name by deed poll and starts over again at a real estate agency run by Llewellyn Rees. He's doing well, with a budding romantic relationship with June Thornburn, and increased responsibilities in the office, but there are flaws. Rees' wife, Maya Koumani, is bored, and keeps trying to get Jackson interested, despite his lack of interest, and a fellow ex-con, Sam Kydd, starts to blackmail him.

      It's a good story, but there's something off and occasionally abrupt in the way editor Douglas Myers puts things together.; certainly there's a bit of idiot plotting in it; Jackson could simply come clean with Rees at any point, but his reluctance to do so is understandable. Still, the sloppiness of the story and the way it's all resolved seems o be pulled out nowhere for the convenience of ending it.
      2gavin-83

      Disappointing story, badly written, badly edited, poorly executed.

      I don't often write negative reviews but I have just watched this film and was surprised at its high rating.

      On the positive side, Gordon Jackson pulled out a convincing portrayal of an erstwhile ex-con who had been in prison because of one foolish decision. A couple of other actors gave solid performances, some just read their lines and picked up the pay packet.

      In the film, Sam Kydd plays a blackmailer and former inmate of Jackson, quite a hefty part for him, sadly here we get a clue as to why he rarely got a major role. He makes a good effort at the character but cannot decide on what personality he has veering between just some bloke needing the cash to occasionally something darker. At no point does he give one a sense of threat.

      The film seems heavily edited (yet still drags) with characters appearing in places rather than entering them. One character (a friend of GJ) appears as a witness at the police station sitting confidently astride a chair "a la Christine Keeler" (thankfully clothed) assertively telling detective what he knows.

      I found the denouement unbelievable with nothing backing it up, an ending that felt tagged on, a script that meandered and somehow reached its mooring, the port of call unsurprising for a film of this period.
      8richardchatten

      I've Just Met a Girl Called Maria

      Various plot elements - an ex-con hero, a femme fatale, a blackmailer ("Where in God's name would I get £600?") - quickly emerge, but where they're all leading keeps you guessing in this taut little crime drama based on a novel by Laurence Meynell, historically notable as the final film of perennial eccentric Mary Clare.
      6daoldiges

      Worth the Price of Admission

      The Price of Silence is a taught little British 'B' film that packs a fair amount of story into its short 72 minutes run time.

      I've always kind of liked Gordon Baxter and find that he does a very fine job here as well. The remainder of the cast are also fairly solid and play their respective parts well. There is some suspin The Price of Silence is the way they wrap it up, unfortunately the end feels a little abrupt and a little tacked on.

      Overall, The Price of Silence is a very pleasant film that I enjoyed spending some time with and is worth checking out for those of you who might be curious.

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      • Wissenswertes
        Released in the UK in July 1960 on the ABC circuit as supporting film to Die Nervensäge (1959).
      • Patzer
        When Roger Fenton drinks the full bottle of whisky in his office, from one angle it's empty and, from another, two-thirds full.

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      Details

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      • Erscheinungsdatum
        • 17. Juli 1960 (Vereinigtes Königreich)
      • Herkunftsland
        • Vereinigtes Königreich
      • Sprache
        • Englisch
      • Drehorte
        • Walton Studios, Walton-on-Thames, Surrey, England, Vereinigtes Königreich(studio: produced at Walton Studios, Walton-on-Thames.)
      • Produktionsfirma
        • Eternal Films
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      Technische Daten

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      • Laufzeit
        1 Stunde 13 Minuten
      • Farbe
        • Black and White
      • Seitenverhältnis
        • 1.37 : 1

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