IMDb-BEWERTUNG
5,6/10
224
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe fun starts when a group of A.T.S. girls are posted to a light ack-ack command post on a remote part of the English coast.The fun starts when a group of A.T.S. girls are posted to a light ack-ack command post on a remote part of the English coast.The fun starts when a group of A.T.S. girls are posted to a light ack-ack command post on a remote part of the English coast.
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This wartime army comedy was clearly made to cash in on the success of Carry On Sergeant.The clue being in the trailer on the DVD,which uses the words Carry On.Despite being made in colour this seems to have been made on a smaller budget than the Carry Ons.Most of the film is patently studio bound.There is a reasonable cast struggling to get laughs out of a mind and script.The one exception to this is ABPCs answer to Diana For a,Carole Lesley.Sadly she clearly has no talent for comedy and is wearing a fifties glossy hairdo.Her career ended in the sixties and she committed suicide when she was only 38.Dora Bryan shows her how to give a perfect comedy performance.
As a massive fan of 50s & 60s British films, I love this one. Clearly directed by a man & stereotypical but, hey, it was 1959.
A simple humorous easy-to-watch film. In colour too !
The title of this review should clearly state my overall opinion of this film.
Within the first 5 minutes: the inaccuracies, blatant sexual bias and pure lack of respect for the women who served in the armed forces during WW2 was astounding.
As the male population decreased through injury or death - a new shield had to come to the fore.
Women worked in factories - clothes factories, weapons factories and munitions factories, raised much need funds, worked as farm hands for little or no pay, as labourers and fore(men) on road and rail projects, as nurses, as doctors and a whole myriad of other positions - formerly the sole purview of men - with all the inherent dangers but with so much less recognition.
Factories of any kind were targets for bombing - as were rail yards and most transport infrastructure. Munitions factories were not only a target - but the handling of highly volatile and unstable explosives could and did lead to catastrophic accidents.
This portrayal of women as mere 'decoration' is little short of a slap to the face, to those women who served this country in its time of deepest need - despite its last 5 minute "we're all together in this" ending.
Many would say that I'm over-reacting and that this film is "of it's time" - a puerile phrase that means nothing - but consider this... my mother has been deaf from age 16, the result of an explosion in the munitions factory she worked in and which also killed both her sisters.
Within the first 5 minutes: the inaccuracies, blatant sexual bias and pure lack of respect for the women who served in the armed forces during WW2 was astounding.
As the male population decreased through injury or death - a new shield had to come to the fore.
Women worked in factories - clothes factories, weapons factories and munitions factories, raised much need funds, worked as farm hands for little or no pay, as labourers and fore(men) on road and rail projects, as nurses, as doctors and a whole myriad of other positions - formerly the sole purview of men - with all the inherent dangers but with so much less recognition.
Factories of any kind were targets for bombing - as were rail yards and most transport infrastructure. Munitions factories were not only a target - but the handling of highly volatile and unstable explosives could and did lead to catastrophic accidents.
This portrayal of women as mere 'decoration' is little short of a slap to the face, to those women who served this country in its time of deepest need - despite its last 5 minute "we're all together in this" ending.
Many would say that I'm over-reacting and that this film is "of it's time" - a puerile phrase that means nothing - but consider this... my mother has been deaf from age 16, the result of an explosion in the munitions factory she worked in and which also killed both her sisters.
For its time (1959, film censorship was still quite strong), "Operation Bullshine" is a fairly piquant comedy; it certainly anticipates the bolder sex farces of the 1960s, and even contains some discreet almost-nudity. The Technicolor cinematography is colorful, and the new Region 2 DVD transfer is quite pleasing to the eye. Unfortunately, the film does not have enough big laughs; only a sequence near the end, where all the men and women of the unit must prepare in record time for an upcoming inspection, has a real comic rhythm. There is not much story, either; the film is basically a series of episodes. Painless but not very memorable. ** out of 4.
This witless army farce was presumably shot under the title 'Girls in Arms' (since that's the name of the song bellowed under the opening and closing credits), before they decided it needed something more sophisticated. It also requires a fluffier leading lady than Barbara Murray.
Embellished with Technicolor (which makes the film look less cheap and provides the novelty of seeing Ronald Shiner & Naunton Wayne in colour) and set in wartime; but - apart from a few wartime posters and a gag involving a downed German airman - otherwise making absolutely no attempt to be in period.
If the leering emphasis on young ladies in their scanties hasn't already offended enough people, there's also the 'hilarious' presence of a troop member with a speech impediment!
Embellished with Technicolor (which makes the film look less cheap and provides the novelty of seeing Ronald Shiner & Naunton Wayne in colour) and set in wartime; but - apart from a few wartime posters and a gag involving a downed German airman - otherwise making absolutely no attempt to be in period.
If the leering emphasis on young ladies in their scanties hasn't already offended enough people, there's also the 'hilarious' presence of a troop member with a speech impediment!
Wusstest du schon
- WissenswertesJulie Alexander's debut.
- PatzerThe outside of the carriages suggests that they belong to the LNER (London & North Eastern Railway); the interiors have LMS (London, Midland & Scottish) antimacassars (head rest covers).
- VerbindungenFeatured in Talkies: Remembering Dora Bryan/Our Dora (2019)
- SoundtracksGirls in Arms
Music by Laurie Johnson
Lyrics by Frank Godwin
Sung by The Polka Dots
Played by The Band of H.M. Coldstream Guards (as Band of the Coldstream Guards)
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- 1 Std. 24 Min.(84 min)
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