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Barfuß durch die Hölle - 1. Teil

Originaltitel: Ningen no jôken
  • 1959
  • Not Rated
  • 2 Std. 37 Min.
IMDb-BEWERTUNG
8,5/10
10.423
IHRE BEWERTUNG
Barfuß durch die Hölle - 1. Teil (1959)
A Japanese pacifist, unable to face the dire consequences of conscientious objection, is transformed by his attempts to compromise with the demands of war-time Japan.
trailer wiedergeben4:35
1 Video
50 Fotos
EpischHistorisches EposKrieg, epischDramaGeschichteKrieg

Füge eine Handlung in deiner Sprache hinzuA Japanese pacifist, unable to face the dire consequences of conscientious objection, is transformed by his attempts to compromise with the demands of war-time Japan.A Japanese pacifist, unable to face the dire consequences of conscientious objection, is transformed by his attempts to compromise with the demands of war-time Japan.A Japanese pacifist, unable to face the dire consequences of conscientious objection, is transformed by his attempts to compromise with the demands of war-time Japan.

  • Regie
    • Masaki Kobayashi
  • Drehbuch
    • Zenzô Matsuyama
    • Masaki Kobayashi
    • Jumpei Gomikawa
  • Hauptbesetzung
    • Tatsuya Nakadai
    • Michiyo Aratama
    • Chikage Awashima
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,5/10
    10.423
    IHRE BEWERTUNG
    • Regie
      • Masaki Kobayashi
    • Drehbuch
      • Zenzô Matsuyama
      • Masaki Kobayashi
      • Jumpei Gomikawa
    • Hauptbesetzung
      • Tatsuya Nakadai
      • Michiyo Aratama
      • Chikage Awashima
    • 43Benutzerrezensionen
    • 40Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Gewinne & 1 Nominierung insgesamt

    Videos1

    Trailer
    Trailer 4:35
    Trailer

    Fotos50

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    Topbesetzung61

    Ändern
    Tatsuya Nakadai
    Tatsuya Nakadai
    • Kaji
    Michiyo Aratama
    Michiyo Aratama
    • Michiko
    Chikage Awashima
    Chikage Awashima
    • Tôfuku Kin
    Ineko Arima
    Ineko Arima
    • Shunran Yô
    Keiji Sada
    Keiji Sada
    • Kageyama
    Sô Yamamura
    Sô Yamamura
    • Okishima
    Akira Ishihama
    Akira Ishihama
    • Chin
    Kôji Nanbara
    Kôji Nanbara
    • Kô
    • (as Shinji Nanbara)
    Seiji Miyaguchi
    Seiji Miyaguchi
    • Kyôritsu Ô
    Tôru Abe
    Tôru Abe
    • Watarai Gunsô
    Masao Mishima
    Masao Mishima
    • Kuroki Shochô
    Eitarô Ozawa
    Eitarô Ozawa
    • Okazaki
    Kôji Mitsui
    Kôji Mitsui
    • Furuya
    Akitake Kôno
    Akitake Kôno
    • Kôno Taii
    Nobuo Nakamura
    Nobuo Nakamura
    • Honsha Buchô
    Kyû Sazanka
    Kyû Sazanka
    • Meisan Chô
    Eijirô Tôno
    Eijirô Tôno
    Yasushi Nagata
    • Regie
      • Masaki Kobayashi
    • Drehbuch
      • Zenzô Matsuyama
      • Masaki Kobayashi
      • Jumpei Gomikawa
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen43

    8,510.4K
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    Empfohlene Bewertungen

    10Quinoa1984

    catching the humanism train...

    Masaki Kobayashi's dream project was the Human Condition adaptation, and he pulled it off as a brilliantly told and filmed epic that tells of a man trying to cling to his humanity in inhuman circumstances. All three films have wonders in various supporting performances and set-pieces that astound with their moments of poetic realism, and the sum of it all makes Lord of the Rings look like kid's stuff. In the case of the first feature on the trilogy, No Greater Love, we're introduced to and see the young, idealistic and essentially good-hearted Kaji (Tatsuya Nakadai) as he gets a job as a labor supervisor at a POW camp in Manchuria following an impressive paper presentation. He wants to do his best, but the 'powers-that-be', which include the stalwart boss and particularly the fascistic Kempeitai (army personnel on site), keep things always on edge with tension, and as new Chinese POW's roll in and he finds himself torn: how to keep production up of the ore while also not becoming a monster just like the other "Japanese devils" to the POW's.

    While the story has an immediate appeal (or rather connection-to) the Japanese public as a piece of modern history- the occupation/decimation of Manchuria and its people- none of its dramatic or emotional power is lost on me. Kobayashi is personally tied to the material very much (he himself fought in the war and immediately bought the rights to the 6-volume series when first released), but he doesn't ever get in the way of the story. Matter of fact, he's a truly amazing storyteller first and foremost; dazzlingly he interweaves the conflicts of the prisoners (i.e. Chen, the prostitutes, Kao) with Kaji's first big hurdle of conscience at the labor camp as he sees prisoners treated in horrible conditions, beaten, abused, and eventually brought to senseless deaths thanks to Furyua and his ilk, and finds himself brought to an ultimate question: can he be a human being, as opposed to another mindless monster?

    Kobayashi creates scenes and moments that are in the grand and epic tradition of movies, sometimes in beautiful effect and other times showing for the sake of the horrors of wartime (for example, there will never be as harrowing an exodus from a half-dozen cattle cars as seen when the Chinese POW's exit from there to the food sacks), and is able with his wonderful DP to make intimately acted scenes in the midst of wide scapes like the outside ore mines and the cramped living quarters or caves. And damn it all if we don't get one of the great scenes in the history of movies, which is when the six "escapees" are put to execution with the prisoners, and horrified Kaji, watching in stark, gruesome detail. Everything about that one scene is just about perfect.

    But as the anchor of the piece (and unlike the other two films, he's not even in every scene of this part), Tatsuya Nakadai delivers on his breakthrough performance. Kobayashi needed a bridge between pre and post-war Japan, and Nakadai is that kind of presence. But aside from being an appealing star- the kind you don't want to avert your eyes from- he's mind-blowingly talented be it in subtle bits of business or when he has to go to town in explosive emotional scenes (or, also, just a twitch under his eye in a super-tense exchange). This goes without saying other actors right alongside him- Aratama, Yamamura, Manbara- are perfectly cast as supervisor, prisoner, prostitute, wife alike to Kaji. And yet, for all the praise worth giving to the film, one that gets even better in its second half than its first, this is only the first part!
    10crubpni

    A simple soldier's view of this film.

    Hello, my name's Jacob. I'm a 21 year old guy, from Israel, forced to join the army at the age of 18 as nearly all people of my country have to, forced to waste 3 years of my life doing things I'd never want to do if only I was allowed to choose. I'm not a great movie buff. I'm a simple person, and I'd rather play a video game to kill time, but I do like action and war films which is how I got to see "The human condition" on some list here on IMDb. Sounded interesting, and so I decided to watch the 3 films. So this is a review about all 3...

    The films accurately demonstrates, maybe to the extreme, what it is to be a peace-loving, good human being, in a place where fascism and cruelty reigns supreme. Some people may say that Kaji's character is too unbelievable. Too saint-like, to the point where it becomes frustrating. I say it's not true- It's a movie, not real life. Kaji's behaviour might not be realistic, he faces humanity's worst traits with his own altruist ideals of pacifism and equality, as if he's some sort of WW2 superhero. Saying one cannot identify with him is wrong, however, in my humble opinion, because even if maybe you wouldn't act the way he did when put in the same situations, you can appreciate the way he handled himself, you can admire him and aspire to be like him. He isn't a saint though, he makes mistakes, born out of the cruelty and misery that surrounds him, betraying at times the "code" that he is supposed to protect and follow, but even then, you know that ultimately deep down he's the same person, no matter how things go.

    Seeing many many irrational things in my military service, I can relate to Kaji in many ways. Seeing people who dedicate their lives to controlling others for the sake of getting promoted, to get appreciated by their superiors who actually appreciate them about as little as they appreciate their own soldiers. People who care for their own interests far more than they care for the interests of those they are in charge of, crushing their wants and needs and deeming them unimportant in the blink of an eye, while their own interests take much higher priority... People who enforce and follow strict rules that are unbending and unreasonable, with such a passion, that it makes you think any reasonable man would dismiss those people as insane, yet still, those are the people who are in charge, because they are the ones who stay in the army and dedicate their lives to it and to it's incredible stupidity, while the real reasonable people go on to dedicate their lives to do something that might actually be beneficial to humanity. This has now officially become somewhat of a rant of how terrible military life and discipline is, maybe more so than it is a review of this series of movies. But why I am saying all of this? because these observations of mine- they are accurately depicted in this movie. If only these real life people that I know were just trying to be a bit better, a bit more human, more like Kaji, maybe my impression of what the army is like wouldn't have been so gloomy as they are now. Kaji, in the films, tries-everywhere he goes-to set things right for those around him, he goes through so many terrible things, scenes that are so... Vile, and so distorted from what you think of human nature as it is in our usually comfortable modern life, and with sheer willpower, he triumphs, even if his triumph is just in him, staying alive while everything else is gone. But ultimately, does it do him any good? If he were to die in the first movie, would that have been better? saved him the suffering of everything he went through later? Well, that is for you to decide. What these films have taught me, is that no matter how it ends, it is important for a person to do what he sees as the right thing to do, and to never lose sight of what the right thing to do is... I'd define a good movie as one that makes you think at the end. It doesn't have to be a cool plot twist at the end that makes you think, it just has to be a movie complex enough but also engaging enough to make you think at the end, because you didn't have time to figure out everything you wanted while you were watching it. At the end of the third movie however, I didn't have to think of anything. I had already absorbed everything. All I wanted was to sleep, and just couldn't. My mind was empty, and I could feel only one thing- awe. And that is why I rate "The human condition" 10/10.

    I'm terribly sorry if what you just read sounded like a bunch of drivel. Maybe this review is not for you, and maybe the movie is not for you. But regardless, I thank you for reading it to the very end. Have a nice day.
    9Tequila-18

    Spellbinding filmmaking

    This is an excellent film about one man attempting to change the system. Kaji brings his youthful enthusiasm, idealism, and humanism against a cruel, unjust machine. The acting, direction, and cinematography are all world class. This is a gripping film which will leave you yearning for part two. This is just the start of a stunning epic.
    7KFL

    Powerful anti-war statement, with a few false notes

    This film was hugely popular when it came out around 1960, reflecting the fiercely anti-war sentiment of the Japanese at the time. I have read that for a time when it came out, all three parts of The Human Condition (totaling nine and one-half hours) were shown in a single sitting at theaters in northern Tokyo, starting around 10 pm and ending in time for people to catch the trains home the next morning.

    While it is a powerful film which portrays much of the suffering and brutality visited on the Chinese in Manchuria by the Japanese war machine, it is not without some rather unlikely plot twists. In particular, Kaji seems somewhat too saint-like to be believable.

    It is worth mentioning that the title "The Human Condition" is perhaps misleading. The Japanese word "jouken" corresponding to "condition" is not normally used in a descriptive sense, but rather, as a condition to be fulfilled or satisfied. Thus the title might be better rendered "The Conditions for Being Human"--the implication being that in wartime, the conditions for remaining fully human are elusive at best.
    matrac

    A masterpiece.

    The greatest film ever made! And I've seen many, many films. This even supercedes The Seven Samurai which I consider a masterwork. The Human Condition is 10 hours and in 3 movies. A stunning performance by Tatsuya Nakadai. Find the 3 parts, hie yourself off to a monastery and watch them, with a bit of a breather between each movie. Stroheim's Greed was about 10 hours before the Hollywood hacks cut it back. This one is intact. It is subtitled and not dubbed.

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    Handlung

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    • Wissenswertes
      According to Tatsuya Nakadai, a marathon screening of the entire nine-and-a-half-hour "Human Condition" trilogy is held once a year in Japan, and he has once or twice attended these screenings, which are always sold out.
    • Patzer
      At one point a Japanese guard begins to whip Kao, yet the motions he makes are just a flailing of his arms, visibly missing the actor. Kao retaliates by throwing a rock at the guard, but the rock never strikes the guard. However, the actor playing the guard overreacts as if he has been struck.
    • Zitate

      Kuroki Shochô: You know, Kaji, theory may be correct and yet not always apply to reality.

      Kaji: Then either the theory is wrong or it was incorrectly applied.

    • Verbindungen
      Followed by Barfuß durch die Hölle - 2. Teil: Die Straße zur Ewigkeit (1959)

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    Details

    Ändern
    • Erscheinungsdatum
      • 6. Juli 1961 (Westdeutschland)
    • Herkunftsland
      • Japan
    • Sprachen
      • Japanisch
      • Mandarin
    • Auch bekannt als
      • The Human Condition I: No Greater Love
    • Drehorte
      • Hokkaidō, Japan(Exterior scenes of the Manchurian mine)
    • Produktionsfirmen
      • Toho
      • Bungei Production Ninjin Club
      • Shochiku
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 37 Min.(157 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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