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Li'l Abner

  • 1959
  • Approved
  • 1 Std. 54 Min.
IMDb-BEWERTUNG
6,7/10
1575
IHRE BEWERTUNG
Li'l Abner (1959)
As Sadie Hawkins Day approaches, Daisy Mae hopes to win the hand of Li'l Abner by catching him in the traditional race.
trailer wiedergeben2:22
1 Video
29 Fotos
SatireFamilieKomödieMusikalisch

Füge eine Handlung in deiner Sprache hinzuAs Sadie Hawkins Day approaches, Daisy Mae hopes to win the hand of Li'l Abner by catching him in the traditional race.As Sadie Hawkins Day approaches, Daisy Mae hopes to win the hand of Li'l Abner by catching him in the traditional race.As Sadie Hawkins Day approaches, Daisy Mae hopes to win the hand of Li'l Abner by catching him in the traditional race.

  • Regie
    • Melvin Frank
  • Drehbuch
    • Melvin Frank
    • Al Capp
    • Norman Panama
  • Hauptbesetzung
    • Leslie Parrish
    • Stubby Kaye
    • Peter Palmer
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    1575
    IHRE BEWERTUNG
    • Regie
      • Melvin Frank
    • Drehbuch
      • Melvin Frank
      • Al Capp
      • Norman Panama
    • Hauptbesetzung
      • Leslie Parrish
      • Stubby Kaye
      • Peter Palmer
    • 62Benutzerrezensionen
    • 15Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 5 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 2:22
    Official Trailer

    Fotos29

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    Topbesetzung86

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    Leslie Parrish
    Leslie Parrish
    • Daisy Mae Scragg
    Stubby Kaye
    Stubby Kaye
    • Marryin' Sam
    Peter Palmer
    Peter Palmer
    • Li'l Abner Yokum
    Howard St. John
    Howard St. John
    • General Bullmoose
    Julie Newmar
    Julie Newmar
    • Stupefyin' Jones
    Stella Stevens
    Stella Stevens
    • Appassionata Von Climax
    Billie Hayes
    Billie Hayes
    • Pansy ('Mammy') Yokum
    Joe E. Marks
    • Pappy Yokum
    Bern Hoffman
    • Earthquake McGoon
    Al Nesor
    • Evil Eye Fleagle
    Robert Strauss
    Robert Strauss
    • Romeo Scragg
    William Lanteau
    William Lanteau
    • Available Jones
    Ted Thurston
    • Senator Jack S. Phogbound
    Carmen Alvarez Block
    • Moonbeam McSwine
    • (as Carmen Alvarez)
    Alan Carney
    Alan Carney
    • Mayor Daniel D. Dogmeat
    Stanley Simmonds
    • Rasmussen T. Finsdale
    Diki Lerner
    • Lonesome Polecat
    Joe Ploski
    Joe Ploski
    • Hairless Joe
    • Regie
      • Melvin Frank
    • Drehbuch
      • Melvin Frank
      • Al Capp
      • Norman Panama
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen62

    6,71.5K
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    Empfohlene Bewertungen

    8bekayess

    A classic from the golden age of musicals

    L'IL ABNER is a minor classic from the golden age of musicals. Dogpatch and its denizens are stylistically realized in this comic-strip of a film. Peter Palmer (Abner), Billie Hayes (Mammy Yokum) and Stubby Kaye (Marryin' Sam), among others, bring the eccentric citizens of this burg to musical life with humor and vitality. Among the best songs are "Jubilation T. Cornpone," "The Country's in the Very Best of Hands," and the "Rag Off'n the Bush" dance. Put your Sondheim sophistication aside and enjoy this wonderfully down-home parody of government and backwoods folk.
    domerrb2

    Great Movie!!!

    This is one of the finest musical comedies around! It's an eclectic mix of political satire, music and wry humor. Al Capp's satirical genius comes through loud and clear. Listen to the words of "Jubilation T. Cornpone"! You can't help but appreciate this show in light of the political climate in the past decade. Al Capp's insight into the political machinery is as relevant today as it was over 50 years ago. The satire in this movie may be lost on Generation X'ers, but those of us who have lived through more than 3 national elections can appreciate it's relevance. It crosses all political boundaries and indiscriminately pokes fun at both sides of the aisle. Give this movie a chance, and look at it with the right frame of mind, and you're in for a real treat!
    westegg

    Oh Yeah???

    Li'l ABNER is among the most exuberant '50s musicals around. What is possibly wooden about the performances? Just look at Julie Newmar! The cast and music is first rate from start to finish. It's so easy to trash a film; this one does not deserve such treatment. Li'l ABNER has high energy, a stylish production design and certainly worth a look.
    blapro

    A Product of the Cold War: Humor Changes Over Time

    Humor is subjective and "Li'l Abner" on film is a product of the Cold War world society of 1955. Time is the greatest enemy of a show like this containing then-contemporary gags and satire that for the most part today, make no sense to anyone under 60. Hey, it's no "My Fair Lady" or "Music Man", and the lyrics aren't like shows today where the singers sound like tobacco auctioneers. If you like dated humor, gorgeous women and some of the most lively dance numbers ever filmed, rent it cheap or get it at your library. There's no deep message here, so turn off your brain, sit back and enjoy Stella Stevens; breathtakingly stunning in her first film appearance as "Appassionata Von Climax", and the magnificent Julie Newmar who IS "Stupifyin' Jones" with a body that won't quit. Fun bits for Robert Strauss, Bern Hoffman, and Howard St. John as General Bullmoose who plays it to the hilt. Look for future TV stars Donna Douglas, Valerie Harper, and Beth Howland in the dance line.
    heathentart

    it may take a soupcon of sophistication...

    as well as a knowledge of history to appreciate the political satire of this film. But I believe all it takes is an understanding of human nature, which is immutable. "Li'l Abner" does reflect the mores of its time, but so does everything. To judge it against today's work is useless and immature.

    Al Capp was a satirist, and this movie is the best visual representation we have extant today of his genius. His books are mostly out of print; a sad lack for us. But this film contains timeless and true reflections of life. The one that tickles me most is "Put Them Back," when women wanted "perfect" men (buff, cut and all those other adjectives of current popularity) only to realize that people who are self-absorbed in their own perfection have nothing to provide to others. Talk about a telling statement of today!

    The production design was perfect for its goal: to recreate the cartoon-like atmosphere of Capp's strips. The colors, costumes and sets draws one into the strip itself.

    I'm an unabashed fan of the American musical as an artform. "Li'l Abner" fills all the slots of the musical in a superior achievement. Is it dated? Of course it is - it's over 40 years old. Is it obsolete? Absolutely not, just as human nature in all its good and bad can never be obsolete.

    If you don't take the time to learn about the ebbs and swells of the human tide, you'll never understand what life is about. Instead of being negative about a time and place you didn't experience, try learning about it. After all, those who don't learn from history are doomed to repeat it. (Can we say "weapons of mass destruction?"

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    Handlung

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    • Wissenswertes
      The success of "Li'l Abner" (1959) ushered in the popularity of the TV sitcom "The Beverly Hillbillies" (1962-71). A then-unknown Donna Douglas appeared briefly in this film (about a half hour in) with the lines: "Yeah Mammy, we wants to get citified... we wants to broaden our horizons." She went on to play the role of Elly May Clampett, a character modeled in part after L'il Abner's Daisy Mae, in the TV show. The Dogpatch influences also extended to another "Beverly Hillbillies" character, Granny, played by Irene Ryan, who had much in common with "Mammy" Yokum.
    • Patzer
      In several shots in the film the top of the backing can be seen, which reveals some of the top of the sound stage and lighting grids.
    • Zitate

      Pansy ('Mammy') Yokum: [talking about going to the city] You gals are going to have to go through a before-marriage custom called *engagement*.

      Moonbeam McSwine: Engagement, what's that?

      Pansy ('Mammy') Yokum: That's the part before the gal says "Shore do!" and the preacher says "Go to!"

      Moonbeam McSwine: How long this engagement thing last?

      Pansy ('Mammy') Yokum: Sometimes a whole month.

      Moonbeam McSwine: A whole month? What are they, insecure?

    • Verbindungen
      Featured in Biography: Julie Newmar: The Cat's Meow (2000)
    • Soundtracks
      It's a Typical Day
      Music by Gene de Paul

      Lyrics by Johnny Mercer

      Performed by Peter Palmer, Leslie Parrish (singing dubbed by Imogene Lynn), Stubby Kaye, Carmen Alvarez Block, Billie Hayes, Joe E. Marks, Bern Hoffman and Chorus

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 2. Juni 1960 (Vereinigtes Königreich)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Knallhatten
    • Drehorte
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Triad Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 54 Minuten
    • Seitenverhältnis
      • 1.85 : 1

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