Kapo

Quite an excellent character study of what people will do to survive. Although not as powerful as other prisoner of war films such as "Seven Beauties" it stands out because of the performances of all the women and especially Susan Strasberg who does a magnificent job starting out as the young innocent girl, hiding the fact that she is Jewish, a bewildering task, and her agonizing evolution into a hardened guard.

Don't look for huge sets and gruesome scenes of gas chambers and ovens here. It's not that type of film. It's a simple story of the slow chipping away of humanity that dire conditions force. Dignity and nobility give way to cruelty and inhumanity and simple survival becomes a thing to justify as time goes on. By telling this type of story through the eyes of a young impressionable person is excellent.

Although it features two French leads (Laurent Terzieff and Emmanuelle Riva) ,"Kapo" has disappeared from the French dictionaries of films whereas lots of duds are included.

With the exceptions of "Nuit et Brouillard" (which was an exceptional documentary ) and Wanda Jakubowska 's "ostatni etap' (1947) there were few movies which at the time broached the concentration camps subject(the last scenes of Dmytryk's "young lions" ,1958)

Susan Strasberg was impressive ,mainly in the first hour though the evolution of her character is not always believable.Besides,her relationship with Sascha weakens the plot .

Emmanuelle Riva almost outshines Strasberg,maybe because she was a more experimented actress (she was featured in Resnais's "Hiroshima Mon Amour" ) and her scene when she is translating the German words in a voice chocked with emotion may be the strongest in the whole movie.

The "potato" scene is also revealing.I remember what Simone Veil ,a former French minister (secretary) (and herself a former prisoner in a concentration camp),said after watching the last episode of "Holocaust " (the seventies miniseries) : "in the camps ,people were not as helpful ,as kind ,as compassionate as they are in the film" ."Kapo" shows a very harsh world where the women are almost always fighting against their mates:that's the story of Edith /Nicole .

When it was released ,the movie was trashed by Jacques Rivette because of a tracking after Riva 's death ;at the time Nouvelle vague= intellectual dictatorship.Although defended by the Italian masters (including Visconti),the movie was cursed .The IMDb users have restored it to favor.

I've never really liked holocaust flicks because they get well, usually made so that the dumbest of the dumb to 'get it.' Kapo is just a movie that shows, not tells, which of course makes the best story. Thanks to TCM for playing this gem that I'll buy on DVD as soon as it comes out. I'd never even heard of it, and I have seen a LOT of flicks.

Susan Strasburg does an incredible job as Nicollete / Edith. Her transformation from shell-shocked victim to cynical survivor is absolutely gripping. The tension in the movie builds to nearly unbearable level and the end simply leaves you scooping your jaw off the floor.

This is the type of movie I sorely needed after going on a loooong dry spell of celluloid garbage. Why this movie isn't famous, I have no idea, but it should be.

I was not previously aware of this gem. I found it on TCM after it had already been on for about 10 minutes. I kept thinking that the lead actress looked just like SUSAN STRASBERG & for good reason. It was. The fact that it was foreign with sub-titles threw me initially. Very realistic, almost raw, which was surprising considering that this movie was made in 1959.

STRASBERG as 'Nicole' works her way up through a concentration camp to become the woman in charge of her fellow prisoners. Strong language, violent situations, but this is a story about WWII, not the 'Enchanted Forest'. Good storyline, good direction, & a terrific performance by SUSAN STRASBERG that was all the more admirable when you realize that she was all of 20,21 when she made this.

Edith is a Jewish teen whose family is among those loaded onto boxcars and shipped to Auschwitz. This is a story of brutality and Susan Strasberg ("Picnic") plays the central character who struggles to survive the Nazi holocaust machine.

Shot in black and white, of course, the film provides a stark and nearly unrelenting look at the depravity, deprivations, and degradations found in concentration camps. Strasberg is strong in her role, embodying the chameleon-like ability to change that gives her character a chance to survive, though survival has its price.

The action feels real, the locations feel real, and real emotions are evoked by this ambitious attempt to delve into the real human costs of barbarism---the loss of principles, the corruption of dignity, and the subtle shadings of resistance.

The Italian producers of this film pursued Strasberg for this role, somehow knowing that she had the depth within her to bring Edith to life on the screen. Her father, Lee, recommended she accept the role. Luckily, she did.