Der Herrscher von Kansas

I would say that this film is for Melvin Frank what THE TRAP was for his former buddy Norman Panama, both who earlier in their careers made comedies, only comedies, light ones. It could have been far far worse for those directors whose this was their first try in the western, crime, action genre. Of course, this is not John Ford nor Howard Hawks or even Delmer Daves nor hank Hathaway, ut Jeff Chandler is here and helps a lot. Good western.

A fun to watch western containing Fess Parker's best performance, the show is stolen by Jeff Chandler's performance as the baddie you hate to see taken down. However, as outstanding as Chandler is, the real star of the film is Jerome Moross' pulse-pounding score, which predates his legendary music for THE BIG COUNTRY. It's every bit as good, if not better. Henry Silva is (of course) scuzzy as a hired gun.

Catch it. Any western fan won't regret it.

Shortly before the start of the American Civil War rebel Kansas leader Luke Darcy (Jeff Chandler) plans a new independent Republic of Kansas and craving for loot . His vigilante group is called The Jayhawkers and their depredations contributed to the descent of the Missouri-Kansas border region into some of the most vicious guerrilla fighting of the Civil War. Their mission is to end slavery by force but degenerating so completely into a squalid, murderous, slugging match . However, rebel leader Darcy uses The Jayhawkers for his own bid for absolute control of Kansas. Darcy's actions do not sit well with the military governor of Kansas, William Clayton (Herbert Rudley) , as the government command instituted martial law due to "the crime of armed depredations or jay-hawking having reached a height dangerous to the peace and posterity to the whole State (Kansas) and seriously compromising the Union cause in the border counties of Missouri. As William Clayton supposedly wants Darcy captured and brought to justice. For this aim the governor hires an ex-renegade rebel , Cam Bleeker (Fess Parker) , to join Darcy's group and capture their leader . Bleeker has a personal reason for wanting to see Darcy hanged and he's craving for revenge . Darcy was responsible for Bleeker wife's death while Bleeker was in prison .

Exciting film inspired by historical facts set during pre-American Civil War (1861-1865) in which the Jayhackers use guerrilla warfare to destroy targets and led by men set on revenge, invading peaceful towns , making violent raids in Kansas territory . The picture efficiently describes the atmosphere of violence and confrontation among bands and bloody assaults . Stars the known hero Fess Parker-pre Daniel Boone- as the ex-con and an ex-raider whom the military governor sends to capture Darcy well played by Jeff Chandler . Along with this excellent duo there are various notorious actors and familiar faces accompanying them such as : Nicole Maurey , Henry Silva , Herbert Rudley , Frank DeKova , Don Megowan , Leo Gordon , Jack Kruschen , Glen Stange , and Harry Dean Stanton. The motion picture was well directed by Melvin Frank.

The picture was based on historical events , these were the following ones : Jayhawkers and red legs are terms that came to prominence in Kansas Territory, during the Bleeding Kansas period of the 1850s ; they were adopted by militant bands affiliated with the free-state cause during the American Civil War . These gangs were guerrillas who often clashed with pro-slavery groups from Missouri, known at the time in Kansas Territory as "Border Ruffians" or "Bushwhackers." After the Civil War, the word "Jayhawker" became synonymous with the people of Kansas, or anybody born in Kansas. Today a modified version of the term, Jayhawk, is used as a nickname for a native-born Kansan. The meaning of the jayhawker term evolved in the opening year of the American Civil War. When Charles Jennison, one of the territorial-era jayhawkers, was authorized to raise a regiment of cavalry to serve in the Union army, he characterized the unit as the "Independent Kansas Jay-Hawkers" on a recruiting poster. The regiment was officially termed the 7th Regiment Kansas Volunteer Cavalry, but was popularly known as Jennison's Jayhawkers. Thus, the term became associated with Union troops from Kansas. After the regiment was banished from the Missouri-Kansas border in the spring of 1862, it went on to participate in several battles including Union victories of the Battle of Iuka and the Second Battle of Corinth. Late in the war, the regiment returned to Kansas and contributed to Union victory in one of the last major battles in the Missouri-Kansas theater, the Battle of Mine Creek. The Jayhawker term was applied not only to Jennison and his command, but to any Kansas troops engaged in punitive operations against the civilian population of western Missouri, in which the plundering and arson that characterized the territorial struggles were repeated, but on a much larger scale. For example, the term "Jayhawkers" also encompassed Senator Jim Lane and his Kansas Brigade, which sacked and burned Osceola, Missouri. In the first year of the war, much of the movable wealth in western Missouri had been transferred to Kansas, and large swaths of western Missouri had been laid waste, by an assortment of Kansas Jayhawkers ranging from outlaws and independent military bands to rogue federal troops such as Lane's Brigade and Jennison's Jayhawkers. In February 1862, the Union command instituted martial law due to "the crime of armed depredations or jay-hawking having reached a height dangerous to the peace and posterity to the whole State (Kansas) and seriously compromising the Union cause in the border counties of Missouri.

The Jayhawkers! is directed by Melvin Frank and Frank shares writing duties with A. I. Bezzerides, Frank Fenton and Joe Petracca. It stars Jeff Chandler, Fess Parker, Nicole Maurey, Henry Silva, Leo Gordon and Frank DeKova. Music is by Jerome Moross and cinematography by Loyal Griggs.

Territory of Kansas . . . Shortly before the Civil War.

In short order form the plot finds Chandler as a driven empire builder Luke Darcy, who is taking advantage of Bleeding Kansas. Insinuating himself into Darcy's gang is Cam Bleeker (Parker), who has a very personal ulterior motive for doing so.

The Ace of Spades!

It's one of those films that has some great literary ideas, with some stoic characterisations and deft hints at the turmoil hitting this part of American history, and yet it never truly delivers on its powerful potential. Action is in short supply so we are very much asked to invest fully in the key players, their motives and drives, reasoning's etc, with the Darcy/Bleeker relationship and the shades of grey holding the attention whilst simultaneously holding the play together.

Love-And-Death. That's everyone's fortune my friend.

Bonus point also are the tactics used by Darcy to build his empire, which coupled with his beliefs - and Bleeker's growing conflicted values (Bromance does that to a guy apparently) - marks it out as a good try at something more deep and meaningful. Filmed in Technicolor/VistaVision, pic looks lovely, but not enough is made of the outdoor locations, while Moross provides a big bold booming score - which is great - it's just in the wrong film as it belongs in a ripper of an action piece.

All told it's a very mixed bag, and stripped down it's a undercover story dressed up in familiar Western attire. It works for those who enjoy well written speeches and simmering tensions/passions, but it's a trick film to recommend with confidence. Oh and serious history buffs should give it a wide berth. 6/10

If you're going to watch a Jeff Chandler western, this is the one to see. I'd hestitate to call it a masterpiece, but it's a damn good try. Produced and directed by the team of Norman Panama and Melvin Frank, it is a tale of conflicting loyalties, megalomania, love, hate and a number of other issues I can't remember, in pre-Civil War Kansas on the eve of the Civil War. Star Jeff Chandler, who portrays the megalomaniacal but withal personally decent and charismatic bad guy, is quite good here. He had spent a decade in action pictures and romances, with an occasional comedy thrown in for good measure, and yet had not achieved major stardom. A mid-level star of the kind of medium grade movie that was going out of fashion, he was on the verge of becoming an anachronism; and had he not died a couple of years after this film one wonders what would have happened to him and his career. In The Jayhawkers he shows what he might have become: a fine, commanding, aristocratic character actor.

As the second-billed good guy, Fess Parker, fresh from his triumph as Davy Crockett a few years earlier, was attempting a mainstream, post-Disney career. Low-key and phlegmatic, and not without appeal, he lacks the edge of a Mitchum that might have propelled him into the big leagues, and is for the most part an uninteresting hero. Nicole Maurey is the incongruously Gallic love interest, and one can't help be curious as to why she was cast in this film. She was a lovely young woman, but way out of place here.

Loyal Griggs color photography is as good as his work in Shane, and far less mannered. The music of Jerome Moross is stirring and in its way as good as anything Dimitri Tiomkin ever did. With its larger than life good-bad guy, and reasonable (for a movie) historical accuracy, this could have been a major film. The problem with it is that though Panama and Frank were quite good at light comedy, they were inexperienced in the western genre. Frank does a good, derivative job of drawing from Ford and Hawkes; and there are some breathtaking vistas. There is even a touch of Nicholas Ray in his creative and interesting use of interiors, especially the main hideout. And Chandler gives an at times daring performance, with occasional lapses into mild effeminacy in his vocalizing and posture, his work is well-rounded and sophisticated, suggesting that his character's feeling for Parker is more than just friendship. Alas, this daring aspect of the story is never gone into with any depth or insight, and the result the movie is a near-miss, but a fascinating one.