Die Reise zum Mittelpunkt der Erde

I can attest to the feelings expressed by the last couple commentators about 1959's "Journey To The Center Of The Earth." This is a wonderful family film from the bygone Eisenhower-era of the 1950s. Even though I've been watching it on TV since I was a kid in the sixties, I'd only seen pan&scan versions, and it wasn't until I got it letterboxed on laserdisc that I finally saw what a big-screen entertainment this movie was meant to be. It has wonderful scope and a score by Bernard Herrmann that takes you right down into the bowels of the earth. Listen to it and you'll notice what I mean, as the movie progresses the music keeps going into a lower and lower register. Five organs were used, including one meant for a Cathedral. (The complete original recordings of the score are available on CD from Varese Sarabande.) This movie also has the great James Mason in it, so you know it's got to be good. Sure it's long in the telling and takes a while to get you down that extinct volcano in Iceland, but it's fun all the way with great special effects work by L.B. Abbott and matte paintings by Emil Kosa Jr. The only way to watch this movie is in wide-screen and it's long past due that 20th Century Fox puts this out on DVD in a letterboxed anamorphic transfer. Let's hope that they do it soon.

"Journey to the Center of the Earth" was produced at the height of studio dominance in the film business. 20th Century Fox would soon be nearly bankrupt from the red ink of "Cleopatra" (later saved by the success of "The Longest Day" and "The Sound of Music"). Consequently, every department contributed tons of production value and I would say the matching of studio sets with actual locations in Carlsbad Caverns was pretty flawless. Like a lot of fantasy adventure films of the 1950s and 1960s (ie. Jason and the Argonauts, The Seventh Voyage of Sinbad and The Wonders of Aladdin), "Journey to the Center of the Earth" focuses firmly on the characters and the special effects support the performances. Today, sadly, so much effort and time is spent in designing the special effects that the human characters suffer and become clichés (with the exception recently of Tobey Maguire's wonderful "Spiderman" and the recent "Superman"). Those of us who grew up in the 1950s, think of this film fondly as a perfect Saturday matinée entertainment. I can still remember sucking on my giant cherry lollipop, flipping popcorn boxes against the screen and enjoying that very ominous Bernard Herrmann musical score. For a singer, Pat Boone plays drama and adventure quite well and even looks good with his shirt off. Arlene Dahl is sexy in her tight bodice and Peter Ronson also performs well considering he had zero acting experience. James Mason's Professor Lindenbrook ties it all together nicely - it was probably his most physical role ever. And, of course there was Gertrude, who, unfortunately, probably ended up on someone's plate, rather than be retired to the Motion Picture Home for old ducks. Kai aye professor, indeed.

I first saw this on TV as a kid in the early 60's and it became a TV staple being shown on network prime time before it went to the Saturday afternoon or late night route. Even as a kid I found this highly implausible and accepted it as escapist fantasy. It's a fun movie and is truly a classic. Director Henry Levin's most ambitious assignment as a director to go up against popular Disney fantasy films of the time, capture the imagination of Jules Verne and make it palatable enough for an adult audience. The unlikely cast of dramatic veteran James Mason, singer Pat Boone, beautiful Diane Baker, sexy Arlene Dahl and Iceland born jock Peter Ronson come together surprisingly well. Veteran screenwriter Charles Brackett who wrote for the screen such classics as Sunset Boulevard, Ninotchka, The Lost Weekend, Niagra and The Bishops Wife adapts the Jules Verne novel. Nominated for three Academy Awards for Art Direction, Special Effects and Sound. This movie is probably more fun to people like me who grew up with it from the time when it was made but it's still a good movie and I've seen it many times as an adult. It would be nice to see in it's Technicolor big screen splendor. I would give it an 8.0 out of 10.

This movie is one of the best examples I can think of for how one can stun the audience just by making the right use of the essence of cinema: pictures. They vary between being threatening, funny, amazing, beautiful and bizarre but all are highly imaginative. In fact, this movie is one of the most imaginative ever made, imagination being a quality that has disappeared almost completely from Hollywood over the last 40 years. It drags you into the world of its superb settings just the way for example "King Kong" did in 1933. This is just the kind of movie cinema was meant for, up from the days of its beginning (see for example "Le Voyage Dans La Lune" by Georges Méliès, 1902). "Journey To The Center Of The Earth" is pure cinema at its best.

After reading some of the comments on this film I feel I have to spring to it´s defense. You see I am born and bred in Iceland and as I write this I am in front of my computer in Iceland, so you can believe me when I tell you that ALL THE ICELANDIC IN THIS FILM IS REAL. I understood almost everything that the Icelandic character in the film said and I can assure you that it was particularly articulate and well pronounced. Why someone said that it was fake, I don´t know. I am guessing that he did not hear it well because the sound can be pretty bad in these golden oldies. While we are on the subject let me also add that some of the facts concerning Iceland were wrong. The horse carriage used to transport the group to the volcano is out of place. The interior design of the hotel and the maitre d´hotel´s costume was a bit off. But it´s described like that in Verne´s novel as well so it´s no big deal. And besides every ethnic group is portrayed in a very stereotypical manner; Scots, Italians, everybody. Such nitpicking is therefore dull and unnecessary and people should just enjoy the film for it´s imagination.