Auf euren Hochmut werde ich spucken

When his younger brother is lynched for dating a white woman in Memphis, Tennessee, a light-skinned African-American named "Joe Grant" (Christian Marquand) decides to relocate to a small Southern town to get his revenge on his own terms. More specifically, since his brother's murder was driven by the racist culture in the South during this particular time, his goal soon becomes to have sexual relations with as many local White women as he can. And as luck would have it, the small town he chooses just happens to have a number of young, sexually promiscuous women who soon fall head-over-heels for the new stranger that just arrived. One particular problem, however, is that all of these women just happen to have boyfriends who are members of a youth gang which pretty much controls everything in town--with their leader "Stan Walker" (Paul Guers) being especially ruthless. It should also be noted that Stan just happens to be engaged to an attractive young lady named "Lizbeth Shannon" (Antonella Lualdi) who lives in a large mansion just outside of town and comes from a rich, aristocratic family. To that effect, Lizbeth becomes Joe's prized sexual target. Now, rather than reveal any more, I will just say that this film was a French production, and because of that, it bears little similarity to the actual culture and mannerisms of the people in the South during this particular time in American history--other than the overt racism, of course. To make matters even worse, the local terrain looked nothing like that part of the American South either. Likewise, the translation from French to English also left something to be desired as well. Be that as it may, although this movie certainly had some potential, the obvious faults just mentioned were much too obvious to be ignored and, for that reason, I have rated it accordingly. Average.

I've not read his novel,so I will not argue,but all that I can say is that the film is a complete disaster ;today in France everybody's forgotten all about the movie .Director Michel Gast has made only four movies in total.

The leads ,Antonella Lualdi and Christian Marquand ,had teamed up the precedent year in Astruc's excellent "Une Vie";but Gast left them to their own devices and it has to be seen to be believed.How could we believe Marquand is a black man with a white skin? (Vian's book was a pastiche ,they say)How could we believe that Daniel Cauchy (see Melville's "Bob le Flambeur") and Jean Sorel (Jean Sorel?) are "rebels without a cause "James Dean style?(the electric chair scene takes grotesque to new limits).And this macho racist man played by Paul Guers?And the old man played by veteran Fernand Ledoux ,the best actor in the whole movie,but in his worst part ever.

The script is so poor (I do not speak of the lines,particularly those when Guers tells Lualdi she is restive and he will take pleasure in taming her) it's difficult to catch up with the plot.The form is Nouvelle Vague style complete with jazz with borrowings from the American movies (the ending recalls Lang's "You only live once" and too many chase movies).If it's a plea against racism,then it thoroughly fails in its purpose.

Not one person sexually assaulted or any balls cut off!

I finally saw «I'll Spit on Your Graves» tonight and I cannot say it is a good movie... but it is a good movie! It is wonderfully trashy and sordid, yet it is truthful, direct, and daring even by today's standards, elegantly enhanced by Marc Fossard's black-and-white photography, Alain Goraguer's jazz score, and Michel Gast's direction.

Based on a novel by Boris Vian (who died on the opening night of a heart attack), it is one of those typical Northern stories about slightly light-skinned people, whom many call blacks, but go through life as whites. Joe Grant, the protagonist (Christian Marquand), is one of those people. In Memphis, his black brother Johnny is murdered for allegedly raping a white woman (in fact, they were lovers planning to get married). Joe's reaction is violent, he has an incendiary temperament, so he moves to another town, just as racist and virulent, where he looks for a way to avenge Johnny's death, seducing white women who, on several occasions, he is about to kill. However, Joe falls in love with the richest girl in town (the beautiful Antonella Lualdi) and tragedy...

What I find amazing is how director Gast decided to recreate places of the American South in France and got away with it, not because of the details, precision or elaboration of environments and sets, but because of the atmosphere he was able to create, a sensation of oppression and racism with a strong American seal, which I, for example, who am not white, could feel when entering the Panama Canal Zone, when it was under the regime of the United States Armed Forces. (Racism is better or only identified by or known to those of us who have experienced it).

«I'll Spit on Your Graves» is, for me, a very good industrial job, in which I do not find any pretense of making an art film, but rather of competing in the international film market with an effective product. The motion picture was successful everywhere, including Panama. I could not see it at the time, because I was 8 years old, but I heard people talk about it, because of its open frankness about sexuality. Despite all its flaws, I believe this film is a French classic on its own terms, an important piece in the evolution of French commercial cinema.

I Spit on Your Grave is a French film about the problems of crime and race in America. It seems to be made by people who have learned about crime and race strictly by watching other movies. Is this a bad thing? Not if one watches I Spit on Your Grave in the right frame of mind.

Joe Grant (Christian Marquand) is a (very) light-skinned African-American from Mississippi who finds his brother dead from a lynching. He decides to go to Trenton (presumably N. J.), pass for white, and avenge his brother. Trenton is a crime ridden city under the influence of a bike gang led by a smooth-talking scoundrel who plans to marry the local rich girl, Elisabeth Shannon (Antonella Lualdi). Joe goes to work for a bookseller (Fernand Ledoux), promptly upturns the criminal status quo, and falls for the rich girl.

The script is somewhat hard to swallow at times. It seems that every hot looking, young woman wants to go to bed with Joe. He constantly obliges in spite of the fact that he supposedly loves the rich girl. Also, the film wears its references rather loudly. Joe is dressed similarly to Marlon Brando in On the Waterfront. The bike gang is out of The Wild One or some juvenile delinquent B-picture. The rich girl's fancy estate suggests a Southern melodrama. The climatic run to the Canadian border (from Trenton, N. J.?) suggests a lot of westerns and gangster films. It is clear the filmmakers have watched many other movies.

At its best, I Spit on Your Grave has an in-you-face energy that reminds me of Samuel Fuller. I enjoyed the film for that reason. As a pulpy crime movie, I Spit on Your Grave is a lot of fun. As some sort of statement about race and crime in America, the film misses by a wide margin.