IMDb-BEWERTUNG
3,7/10
4606
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA giant lizard terrorizes a rural Texas community and a heroic teenager attempts to destroy the creature.A giant lizard terrorizes a rural Texas community and a heroic teenager attempts to destroy the creature.A giant lizard terrorizes a rural Texas community and a heroic teenager attempts to destroy the creature.
Empfohlene Bewertungen
Enjoyed viewing this old time classic film with the old Hot Rod cars of the 1930's with rumble seats and the 1959 Dodge car which the Sheriff (Fred Graham),"Mom & Boy",'72 was able to acquire from his town. Don Sullivan(Chase Winstead),"The Rebel Set",'59 helped the Sheriff try to solve all the strange happens with people and their cars, especially their Hot Rod leader. Lisa Simone(Lisa),"Missile to the Moon",'58 added some romance to this black and white film. This is one of the films that were made during the period when Monsters were animated and then magnified because of the low budget the film producers had to work with. A few of these pictures that followed this same procedure were: "Attack of the Crab Monsters",'57 and "The Black Scorpion",'57. If you like old classic films from the late 1950's this is a film to view and enjoy!
The Giant Gila Monster is another creature feature from Ray Kellogg (The Killer Shrews) that usually gets passed over with bad reviews. The story is about a giant, people-eating gila monster, which usually lurks in the thick brush near an isolated community. The main character, Chase Winston, (Don Sullivan) is a teen leader, car mechanic, and rockabilly/folk singer who sort of reminds me of singer Jimmie Rodgers. The acting is fine to passable for this type of low-budget movie, and the film is well shot. The Giant Gila Monster may be too slow for younger audiences used to today's action-packed fare, but for older audiences it might be a fun reminder of the era in which it was made. The music is creepy and nicely captures the mood of the isolated areas. The special effects (like the gila monster attacking a wrecked train) may bring on some good laughs. Throw in some rock & roll, teen lingo, a French exchange student (Lisa Simone, who was also in Missile To The Moon), a big city disc jockey, and some hot rods, and you've got a late 50's, drive-in flick which can be easily enjoyed for the type of movie it is.
When I was a kid in the early 1960s, this movie came on TV and I watched it with my mother. She said she was an extra in the scene where the dance hall is torn down by the monster. There's a fairly good shot of her for a second or two.
She told me that Don Sullivan hit on her. Not bad for a mother of 4. When he asked her out, she said, "I'll have to ask my husband first", and he just walked away.
She told me that Don Sullivan hit on her. Not bad for a mother of 4. When he asked her out, she said, "I'll have to ask my husband first", and he just walked away.
Well... maybe I'm in strong like.
The Giant Gila Monster is undeniably idiotic, but it is also a thoroughly enjoyable fusion of stereotypes - the '50s sci-fi craptacular, the 1950s teen rebel film complete with really sexy hot rods and a modern day Tex-western - all genres well overdue for retro movements.
The film features some of the most inept special effects of all time, vast continuity chasms, and shockingly good characterization. Regardless of how sub-cretinous the script sometimes becomes, the characters are actually well developed human beings with interesting relationships to one another - united by their existence in a town where nothing interesting ever happens, until a giant gila monster starts terrorizing a long, lonely stretch of highway on the outskirts of town.
Don Sullivan is likable but sickeningly sweet as the bad-boy Texas drag racer turned responsible budding good-boy rock-a-billy star. His acting is not too bad, and some of the rest of cast act as well, but generally, the performances are a bit ridiculous. Nevertheless, the film really does develop its characters and its plot in somewhat unique and original ways. And besides, when you're not being entertained by the virtual variety show which passes by between the action scenes, you can laugh at the tonka toys getting walked on, the flaming toy train, and the giant sand grains (almost as large as the grain of salt you should take this film with) that appear near the camera in most of the scenes featuring the gila monster.
If films are supposed to entertain, this will certainly satisfy fans of pulpy sci-fi like me. I can't honestly recommend it for those who do not enjoy camp and kitsch. Enjoy!
The Giant Gila Monster is undeniably idiotic, but it is also a thoroughly enjoyable fusion of stereotypes - the '50s sci-fi craptacular, the 1950s teen rebel film complete with really sexy hot rods and a modern day Tex-western - all genres well overdue for retro movements.
The film features some of the most inept special effects of all time, vast continuity chasms, and shockingly good characterization. Regardless of how sub-cretinous the script sometimes becomes, the characters are actually well developed human beings with interesting relationships to one another - united by their existence in a town where nothing interesting ever happens, until a giant gila monster starts terrorizing a long, lonely stretch of highway on the outskirts of town.
Don Sullivan is likable but sickeningly sweet as the bad-boy Texas drag racer turned responsible budding good-boy rock-a-billy star. His acting is not too bad, and some of the rest of cast act as well, but generally, the performances are a bit ridiculous. Nevertheless, the film really does develop its characters and its plot in somewhat unique and original ways. And besides, when you're not being entertained by the virtual variety show which passes by between the action scenes, you can laugh at the tonka toys getting walked on, the flaming toy train, and the giant sand grains (almost as large as the grain of salt you should take this film with) that appear near the camera in most of the scenes featuring the gila monster.
If films are supposed to entertain, this will certainly satisfy fans of pulpy sci-fi like me. I can't honestly recommend it for those who do not enjoy camp and kitsch. Enjoy!
As a monster movie, this is far from the best, but as a look at life in 50's rural Texas, it's top notch. The settings are authentic and realistic and the people talk like real people. Especially good is Fred Graham as the kind-hearted Sheriff...the opposite of the way most cops were portrayed in teen movies. Don Sullivan is not bad at all as hero Chase, a decent kid who just happens to love racing fast cars. With the exception of the rich Dad, everybody in the movie seems decent.
As for our title monster, he's pretty sleepy looking, but I always thought Gila Monsters were pretty cool. The somber, eerie background music helps this one a lot. Speaking of which, some of Sullivan's singing is OK, but "Laugh, Little Children" should be taken out and shot.
If the effects had matched the rest of the movie, it would have been a minor classic. As it is, it's a fun "time capsule" type movie.
As for our title monster, he's pretty sleepy looking, but I always thought Gila Monsters were pretty cool. The somber, eerie background music helps this one a lot. Speaking of which, some of Sullivan's singing is OK, but "Laugh, Little Children" should be taken out and shot.
If the effects had matched the rest of the movie, it would have been a minor classic. As it is, it's a fun "time capsule" type movie.
Wusstest du schon
- WissenswertesThe voice heard on the other end of the phone, when Chase eavesdrops on a phone call to the police department, is that of Ken Curtis, who served as producer on this film. He is more famous for having played scruffy deputy Festus Hagen on Rauchende Colts (1955).
- PatzerChase is seen taking white wall tires off a wrecked car and putting them on his own. In the next scene, he has black wall tires on his car. The white wall tires change back and forth several times from scene to scene after that. (additional info) During the making of the film, several times Chase's car broke an axle. It was common for this car because of its high speed. Also due to rough country roads. This may be why the frequent tire changes noticed in the movie.
- Zitate
Sheriff Jeff: I ask you what time it is and you tell me how to build a clock, just answer the question!
- Crazy CreditsThe title "The GIANT GILA MONSTER" is printed in letters covered with reptile scales
- Alternative VersionenA colorized version was released in 2007, as part of a double feature with Die Nacht der unheimlichen Bestien (1959).
- VerbindungenEdited into Hookers in a Haunted House (1999)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Giant Monster Gila
- Drehorte
- Lake Dallas, Texas, USA(outdoor scenes filmed at Cielo Studios)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 138.000 $ (geschätzt)
- Laufzeit
- 1 Std. 14 Min.(74 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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