Auf heißer Fährte

While fans of "My Three Sons" and the Flubber films might not believe it, Fred MacMurray was the star of a wide variety of films up until the 1960s--romances, comedies, Film Noir and even Westerns. So I assume that an awful lot of people would be surprised to see a tough-as-nails version of Fred in FACE OF A FUGITIVE.

The film begins with Fred being under arrest for bank robbery. However, he is in the process of escaping when his brother intervenes and shoots the deputy. Both the deputy and brother are killed in the process and Fred is assumed to be the guilty party--which he is not. So now he's not just on the run for robbery but murder.

When he arrives in a far off town, no one there knows his identity. However, they have heard about the murder and are on the lookout for Fred. But, at least for a couple days, they don't have wanted posters, so they have no idea what he looks like. Unfortunately for Fred, he can't leave town because deputies have the roads out of town covered--in case this killer tries coming in or out of the city. So, he's stuck, at least for now, and begins to make friends in the town--particularly with a pretty lady as well as the sheriff.

Overall, it is an exceptional western--even with "Steve Douglas" in the lead. I particularly like how it ended--it was exciting yet a bit vague--which I enjoyed. Good acting and a good script--this one is a keeper.

Fred MacMurray really stands out in this largely unknown western. MacMurray's character is on the run, but gets tangled up in the deadly affairs of a small town. The love story, which could have been nothing more than a routine plot device, actually works on a very fundamental level. MacMurray is top notch as the film's anti-hero. The rest of the cast is not as good, particularly a wooden Lin McCarthy as the embattled sheriff. Director Paul Wendkos delivers a crisply directed film. A lot of little things which could have been done routinely or sloppily are filmed with gusto and precision. The end-of-the-movie shootout is particularly energetic. Face of a Fugitive is not a great western, but it's very entertaining and should be seen by genre fans.

Jim Larson (soon to be Ray Kincaid) is a thief, during his train transfer to prison his younger brother enacts an escape plan. The US Marshall who was holding him is killed in the commotion, while Jim's brother is fatally wounded. Making his way into a nearby town, Larson acquires a gun and a horse but is unable to leave the town as the sheriff has quarantined it till a delivery of wanted posters arrive, these of course will show the face of the wanted man, that man is of course Jim Larson. Whilst marking his time, Larson gets embroiled in a war between the sheriff and a tough rancher, Reed Williams, finding himself strangely on the good side of the law.

Fred MacMurray is not a name that instantly springs to mind when the talk turns to the Western genre, which is surprising, because although he hardly dominates in the genre pieces he did, he was more than capable of carrying a role in a few of the Westerns he starred in. Such is the case here as Jim Larson, thankfully putting a bit of gritty honesty into the picture and steering it safely to its intriguing conclusion. Face of a Fugitive is a very accomplished piece, not a film to linger long in the memory, but it's thematic redemptive heart is most assuredly of major interest, with the finale excellently fulfilling the shoot out fan's needs. James Coburn turns up in one of his first major roles and hints at what was to come later in his career, and a thumbs up for Alan Baxter who revels in bad guy duties as Reed Williams.

Tight and hugely enjoyable, Face of a Fugitive is one to catch if you are a Western genre fan. 6.5/10

This is another example of a fine 50's B western -- one which in many respects outranks a number of it's "big brother" cousins.

The action begins with Larson (McMurray) escaping from a deputy transporting him to prison for a bank robbery. Larson's kid brother shows up unannounced in the midst of the action and gets fatally wounded in an exchange of gunfire with the deputy as they are escaping. They manage to stow away on a train, where we find out some of the history of these men and their motivations. Along the way the brother dies and Larson takes the alias of Kincaid while plotting how to evade the law, which is now seeking him for murder (of the deputy, which his brother shot). Kincaid ends up in a small town and in short order gets involved in various ways with the locals while needing to escape the roadblocks before the wanted poster with his picture arrives!

On the surface, this is pretty standard fare for a western. It stands apart from the typical film of its genre, however, because of the thoughtful way the characters in the story are handled. One gets a sense of realism, not so much from the clothing or set designs, etc., but from the way the characters in the story respond to circumstances and each other. The people in this story are real, genuine, believable people -- unlike the stereotypical "invincible, tough as nails" western heroes that dominated the genre in this period, or the mysterious, aloof personas found in the spaghetti westerns that followed. For example, there is a barroom fight in the film with the clichéd "one man vs. the group of bad guys". However, instead of the whole group mobbing the protagonist and beating him to a pulp, they allow the fight to be one-on-one between the two who are truly in conflict, preserving their own dignity and that of the ones actually fighting. That is not to say that they have no involvement or investment, but what part they do play is sensible and believable.

It is this interaction and sincere character development along with an engaging plot which makes this a movie that is not only a decent way to pass time, but a true pleasure to watch. Oh, and it has a fun early part by James Coburn and a thrilling climax, too. And if you watch this and enjoy it, I would also highly recommend another similarly forgotten B-western of this era: "Gun the Man Down" with James Arness. I give both this and the aforementioned title a solid 7.5. Easily recommended.

The actor who all of us known from "My Three Sons" also did a few Westerns in his career and this one, Face of a Fugitive, is one of those. Others include Good Day for a Hanging and At Gunpoint. Out of the ones I've seen him in, this is my second-favorite. I like this movie a lot for many reasons. There is a good gunfight at the end, which is worlds better than some of the other ones we see in old 50s movies. The cast is well talented and the plot was very believable. Starring along with Fred MacMurray is Lin McCarthy and Dorothy Green. And there is also the famous James Coburn and an actor who I'm sure none of you have ever heard about, but he played the main villain of the show: the rancher named Reed Williams. Played by a fine actor named Alan Baxter, who, in my opinion, should have gotten a better career fame than what he did. You can see Alan Baxter in a lot of Westerns. He was also in Chisum as the governor, a few "Gunsmoke" episodes, and several other movies. Overall, Face of a Fugitive is a good movie and definitely worth checking out. And if you liked Fred MacMurray's performance in this, then you will definitely like Good Day for a Hanging.