Angela Barrows, eine erfahrene Wirtschaftsanalytikerin aus den USA, versucht, die Tweedfabrik des verstorbenen MacPherson zu modernisieren, und erschüttert damit das Fundament eines Unterneh... Alles lesenAngela Barrows, eine erfahrene Wirtschaftsanalytikerin aus den USA, versucht, die Tweedfabrik des verstorbenen MacPherson zu modernisieren, und erschüttert damit das Fundament eines Unternehmens, das nur Männern vorbehalten ist.Angela Barrows, eine erfahrene Wirtschaftsanalytikerin aus den USA, versucht, die Tweedfabrik des verstorbenen MacPherson zu modernisieren, und erschüttert damit das Fundament eines Unternehmens, das nur Männern vorbehalten ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
- Irwin Hoffman
- (as Donald Pleasance)
- Jock Munro
- (as Norman Macowan)
- 'C.J.'
- (as Macdonald Parke)
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Although the title sounds like a sex romp, that's not the right description of this clever comedy with a somewhat dark theme. But BATTLE OF THE SEXES is about a power struggle between a man and woman. Martin is the faithful manager at the House of MacPherson, a Scottish firm that's been turning out tweed the same way for decades. When the new heir (Robert Morley) takes over, he brings in a domineering efficiency expert (Constance Cummings), an American no less, whose ideas threaten to ruin the company.
Martin is forced to act. While he seems like a quiet and unassuming sort, he actually has a lot of guile and cunning beneath his mild-mannered exterior. First he tries to get her fired, but when that doesn't work he decides that more drastic measures are called for - like murder. Martin comes up with what he believes is the perfect plan, and all he has to do is carry it out.
Do yourself a favor and watch it all unfold. Entertaining from start to finish, hilarious in several places, with a good supporting cast, and a plot that has a couple of surprises in store. Sellers proves yet again that he's a true comic genius. Three cheers for that, and four stars out of five for the film.
His murder attempt is perfectly timed comedy, and Sellers at his best. Expect sexism throughout this, based on a James Thurber story and it was 1960 after alll. Films of the 50's and early 60's often strike me as cringe-worthy when it comes to portrayal of women during that bridge period in film history when women are still not liberated but are now treated as overt sex objects. Overall, this is all about Sellers, but Cummings and Morley are in top form as well. There are clever well written characters with a slight eye-roll ending, but still recommended.
The grand House of MacPherson in Scotland has been supplying genuine Scottish tweeds for many years. Tho Woven out in the sticks by the professionals, the tweeds are sold out of the Macpherson HQ in Edinburgh. When Old MacPherson (Ernest Thesiger) dies, his son, Young MacPherson (Morley), takes over but is hardly blessed with business acumen. Things start to get dicey when he brings in Angela Barrows (Cummings) as an efficiency expert, an American lady he met on the train. The ageing staff, led by Mr. Martin (Sellers), is horrified as she starts updating the methods of running a business. To their minds a woman is for making the tea and cleaning up, not for doing away with hundreds of years of tradition with new fangled contraptions and ideas. However, Mr. Martin hatches a plan to rid the company of this meddlesome modern tyrant.
Something of an unknown British comedy featuring the great Peter Sellers, The Battle of The Sexes sees him teamed with Crichton to deliver a smart and very funny piece. The film is dealing in cultural clashes and the battle is not just of the sexes, but also a poignant conflict between the advent of time and its impact on business'. Arcane traditionalists versus the forward thinking modern capitalist: or if you like? British custom versus American progress. Both played superbly by Sellers; as the calm and unhurried Mr. Martin; and Cummings as the get up and at em quickly Angela Barrows. Danischewsky's script is very impressive given that the source was very slight, and Crichton has done wonders to not let the film descend into slapstick or out of place screwball. Much like Mr. Martin, the comedy is very sedate, unhurried or forced. There's some farce in there, with one chase sequence in Angela's apartment wonderfully constructed, but the film never gets out of control and it's all the better for it. As the two rivals try to outwit each other, this brings Morley's (great as usual) oblivious Young Mac into play. The result is a three pronged character piece deserving of a bigger audience. 8/10
Wusstest du schon
- WissenswertesContrary to an earlier post, the clerk at MacPherson's is clearly referred to several times in the dialogue and also in the end credits as Meekie not Mitty. Meekies have been resident in Scotland since the 19th century.
- Zitate
Andrew Darling: You're a gremlin, that's what she said.
Macleod: Who says?
Andrew Darling: Mrs blathering Barrows. You should hear what she's going to do with the house of MacPherson. Here... what's a gremlin?
Macleod: You'd better go and see Mr Roberts. Come on.
Andrew Darling: Ah, Robbie... he's a gremlin.
Robertson: Will you please stop calling me a gremlin?
- VerbindungenFeatured in The Unknown Peter Sellers (2000)
- SoundtracksAll Things Bright and Beautiful
(uncredited)
Lyrics by Cecil F. Alexander and music by William H. Monk
Sung by a choir on the television in Mrs Barrows' apartment
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Mister Miller ist kein Killer
- Drehorte
- Produktionsfirma
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Box Office
- Budget
- 133.060 £ (geschätzt)
- Laufzeit
- 1 Std. 24 Min.(84 min)
- Farbe
- Seitenverhältnis
- 1.66 : 1