Immer die verflixten Frauen

Great comedy. Typical of the era. I have watched it at least 50 times. Each time you get a different perspective. David Niven and Gig young are brothers in a research firm David Niven (Miles Doughton) does all the work; while Gig Young (Evan Doughton) does all the researching mostly on female subjects. That is until Shirley MacLaine (Meg Wheeler) and David Niven applies the research to Gig Young. To this day, I can still use the proposition lines from Rod Taylor (Ross Tayford). He challenges Meg to have a mature relationship.

David Niven also plays similar characters in "The Statue" (1971), and "Prudence and the Pill "(1968). One of his best performances can be found on Amazon.com is "The Impossible Years"

I forget how damned cute Shirley MacLaine used to be! I saw her in The Trouble with Harry, and loved her, and she is great in this one too! David Niven is wonderfully droll, and the sentimentality of the movie is fun too. Funny, how accepted sexual harassment was in the late fifties...Different world today!

This is the film where I first fell under the spell of the quirky heroines SHIRLEY MacLAINE seemed to embody in her early screen roles--and continued to play long after the charm had worn off.

But here she's refreshingly innocent, naive, quirky, good-natured and easy to like. In fact, she has to carry the film even though she's playing opposite such pros as David NIVEN (rather stuffy here), GIG YOUNG (casual, relaxed performance), and ROD TAYLOR (always good in light romantic comedies).

But it's MacLaine's show all the way as a girl who stumbles into a job at a market research firm run by two brothers, opposite types, one of whom (Niven) decides to shape her into the kind of woman his brother should fall in love with. Naturally, his little scheme backfires and he ends up falling in love with his creation. If you detect a touch of "My Fair Lady" here, you're right.

Passes the time quickly in an era where most films did exactly that, lasting no more than an hour and a half.

Shirley MacLaine made her film debut a scant four years earlier in The Trouble With Harry and in her third film, Around the World in 80 Days, co-starred with David Niven. Reportedly they did not get along on the set, Niven felt she wasn't suited for the part of a Hindu princess and after seeing it I think you would agree.

MacLaine really made her mark in the following year by blowing all the rest of the cast off the screen in Some Came Running. Had it not been the year for Susan Hayward's I Want to Live, Shirley would have gotten her Oscar back in 1958. David Niven had won his Oscar in 1958 for Separate Tables so both of them were box office then.

Seemed only natural team them up again and this time MacLaine is most suitable for her role as a hopeful career girl in Ask Any Girl. Shirley's fresh from the country having made her way to New York in the hopes of getting a career going and/or landing husband. She develops quite a few potential suitors along the way.

Ask Any Girl is a combination of Sabrina plus elements of any number of Doris Day vehicles that came out at that time. Eventually Shirley winds up at an advertising agency run by two brothers. Older brother David Niven runs the agency and younger brother Gig Young views the place as fertile ground for female companionship.

MacLaine exasperates Niven, she's not real good at anything, but he's given up all hope in Young just settling down and tending to business. He sees maybe MacLaine just might be what Young needs, or maybe just what the elegant, but stuffy Niven needs.

The principal players go through roles they were all seasoned veterans at handling. Ask Any Girl is pleasant enough entertainment though looking back I wonder just what the very outspoken feminist Shirley MacLaine thinks of this husband hunting woman she plays here.

This is one my favourite early Shirley Mc Claine films which didn't really tap her enormous acting talents, but gave the viewer a pleasant look at her comic talent. David Niven is the star of this film and is wonderful as the uptight, sexually oblivious brother of Shirley's love interest, who is of course a complete womanizer and twit. This movie also explores the different personalities of woman and how men react to them and vise versa. Rod Taylor also makes a good and memorable cameo

in the role of Shirley's boyfriend. The soundtrack is nothing special but is forgotten in the wake of the zany events of this film. I definitely recommend this movie to all lovers of predictable and sweet romantic comedies.