One Step Beyond

This is a very worthy program that deserves revival, (preferably on DVD from 35 mm stock or original negatives). Comparisons with "The Twilight Zone" are really not terribly helpful inasmuch as they each have separate entertainment objectives.

"One Step Beyond" purports to dramatize actual psychic experiences. In this sense, its writers would have been working to depict (allegedly anyhow) first hand experiences with ESP etc.

Irrespective of the truth of this, the show possesses a very singular, outre quality, quite unlike "TZ". Anyone seriously interested (academically or otherwise) in the paranormal would likely find this show of interest.

A great deal of the oppressive mood of the episodes can be credited to Mr. Lubin's music, (some of which was released on LP--this is definately a record you should seek out)most especially the title theme.

Mr. Newland made for an urbane and elegantly clad host, whose nebulous persona fit the mood of the episodes snugly. Not only was he personally interested in the paranormal, but he had a long stage, TV and film career already underway by 1959. Amongst other things, he was frequently featured on the excellent, "Loretta Young Show," and directed a film starring John Beale as a heart attack victim, (sorry the title escapes me at the moment).

At all events, "Alcoa Presents One Step Beyond" merits reappraisal.

One commenter offered the proposition that "The Twilight Zone" was not a very good show and "One Step Beyond" was much better. There is truth to the latter statement. Step was a truly wonderful show, and I might add, MUCH freakier and scarier to a little kid. "The Burning Girl" episode killed me. And the one they did about the San Francisco earthquake was awesome. Suffice it to say that I spent a few nights awake wondering about this stuff. Unlike the Twilight Zone, Step featured stories that were somewhat based in fact, or at least believable to people who believe. But I have to take the original poster to task. He made it sound as if Twilight Zone sucked. I can assure you, it did not.

These shows aired when television was still in it's infancy. As was the writing, the directing, the acting and all that goes with it. In both cases, there were experiments. Nobody knew how it would turn out. But one thing is certain. BOTH shows helped to create the sci-fi dramas we accept as so commonplace today. There was NOTHING commonplace about the "Willoughby" episode of the Twilight Zone. Nor was there anything commonplace about the Burning Girl episode of One Step Beyond. They were both wonderful shows that broke ground for the future. That being said, when are the One Step Beyond episodes coming back for viewing? I sure miss them.

I'm a huge fan of "One Step Beyond". I've been watching it since the early 70's in syndicated reruns and own all 96 episodes on VHS. I can safely say, adjusting the rocks in my head of course, that "OSB" is easily televisions greatest supernatural series.

I don't want to knock "The Twilight Zone" because, while that show was not scary or nearly as eerie and atmospheric as "OSB", it certainly deserves it's place in television history. To say however that "OSB" was merely a "spook" show and that "TZ" was the trend-setter, well that is just as inaccurate as it is crazy. That's just looking at things through "TZ" colored glasses. Putting aside the fact that "OSB" premiered 10 months before "TZ" and putting aside the fact that when "TZ" finally started airing it was trounced in the ratings by "OSB" and putting aside the fact that Rod Serling called John Newland to meet him for lunch to explain that he was doing a show like Newland's and that it would be purely fiction and not a rip-off of Newland's already established hit, consider this, or better yet, think about the following.

Watch "OSB's" "The Vision" which aired 3/24/59 and then take a look at Serlings "The Purple Testament" which aired 2/12/60. Watch "OSB's" "The Devil's Laughter" which aired 3/31/59 and then watch Serlings "Execution" which aired 4/1/60. Or, in one of the more blatant "coincidences", take a look at "OSB's" "The Haunted U-Boat" which aired 5/12/59 and then watch Serlings "The Thirty-Fathom Grave" which aired 1/10/63. See what I am getting at folks? Seems that a lot of "TZ's" stories have a striking resemblence to episodes aired a lot earlier on "OSB". And these are just a few of many examples. Hmmm! Rod, where did those ideas come from afterall? Watch "OSB's" "The Burning Girl" and tell me that it isn't a dead-on, early version of Stephen Kings "Carrie"! Again, I don't mean to knock "The Twilight Zone" but my point is that "One Step Beyond" was much more then a "spook" show or some golden age TV fodder. It was truly the father of all supernatural television series that followed and the true trend-setter. And obviously, an inspiration to all the shows that followed, "TZ" included. Those who don't know about "OSB" simply aren't true television fans.

This "spook" show television sidebar, as "TZ" maniacs call it, boasted some great talents in lead roles. Some veterans and some soon to be stars. Cloris Leachman, Warren Beatty, Jack Lord, Christopher Lee, Elizabeth Montgomery, Donald Pleasence, Ross Martin, William Shatner, Robert Loggia, Mike Conners, and Charles Bronson, just to name a few. How about writers like Don M. Mankiewicz, Charles Beaumont(yes, the very same), Larry Marcus and Collier Young. Surely talent like this elevates this program from "spook" show status. There isn't a person I have come across that doesn't remember it. And the key is that this is a show who's episodes stay with you for a lifetime and that, to me, is one of the marks of excellence.

John Newland was not only the perfect host, but a very gifted and talented director. The use of light and shadows to create an intense feeling of unease, spookiness and a downright eerie feeling. The inventive close-ups and overhead shots. Quite simply, Newland and this show were quite ahead of it's time. Take a look at "Ordeal On Locust Street" and tell me straight faced that you don't see "The X-Files". Watch "The Hand" and tell me you don't feel like your watching a film noir. Just fantastic. Quite simply, there wasn't anything like it before and nothing like it since.

If your looking for a real, honest to goodness spooky half-hour, look no further then "One Step Beyond". Just goes to show that true commitment, love and doing something you believe in can produce something unique and magnificent.

I do not understand the debate about the Twilight Zone and One Step Beyond. Both were excellent in their own rights. If both were on at the same time, I would watch one and tape the other. True horror fans of the anthology shows would see that these are two entirely different beasts. OSB is fictionalized accounts of supposedly true events. The creepiest One Step Beyond episode that I ever saw involved some German young people who were into gliders before WWII. One gets jealous and kills one who kissed his girlfriend before taking off in the glider. He stabs him and the glider disappears. The made a pact before hand to meet back after the war.Lo and behold the glider returns on that day with the survivors there. That was creepy!The horror wasn't really shown on screen which is a testament to the writing and creativity of the stories and the show. I just wish I could find old episodes to buy or rent. The show was just that good.

There have been so many comparisons between this show and The Twilight Zone I may as well add my own two cents on the subject. These two shows were both hosted and created by men who had been active in live television. Rod Serling had been one of the top writers of the live so-called "golden age" of TV drama in the fifties, while John Newland had been a prominent actor on the small screen during the same period. Alcoa Presents (rerun as One Step Step Beyond, and best-remembered by this title) actually preceded the Zone by half a second, and ran for less than three full years. TZ has a bigger cult audience, but OSB (as I prefer to call it), has its admirers, of which I am one.

The Zone was liberal in tone, dark and moody in its photographic style. Its set designs, particularly its street scenes, were reminiscent of film noir. While the Zone's stories were all fiction, many adapted from short stories, OSB's producers claimed that its stories were all based on fact. The different styles of the two shows can be seen in the way their hosts presented themselves. Serling was dark, intense, urban and verbose. Newland was light, mild, laconic and somewhat effete. While Serling seemed like the sort of guy you'd see at the ballpark or at the fights, Newland was the kind of guy one might expect to turn up at the opera. Serling came off as very American in all respects, while Newland could almost pass as British.

OSB presented each episode as if it were the truth, only slightly dramatized. There was nothing on the surface to suggest that the show was in any way about the supernatural or ESP. The sets were unimaginative, prosaic, and often seemed flooded with light; as the overall visual style of the series was not that different from a commercial,--or an episode of the Loretta Young Show. What made the shows creepy were the acting, which was often excellent, and Harry Lubin's eerie, otherworldly music, which kicked in whenever something weird was happening. The actors tended to react to the strange goings-on realistically,--as it they were choking to death, had just seen a ghost, talked to a dead person or had witnessed a murder that had happened twenty years earlier--and the "startle reactions" on the faces of the players, plus Lubin's beyond the grave music, could send chills down one spine. This was a million miles from the often sentimental and didactic Zone, which seldom went for straight horror, straight sci-fi or straight anything unless there was a "meaning" (i.e. a point, a lesson), while the only lesson one learned from OSB was that "such things exist, such things happen". Chilling television, this was, and story-telling with a vengeance. "You want meaning?", Newland seemed to ask the viewer after each episode, "Go find it for yourself. My job is to give you the facts".