[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Verdammt sind sie alle

Originaltitel: Some Came Running
  • 1958
  • 16
  • 2 Std. 17 Min.
IMDb-BEWERTUNG
7,2/10
7888
IHRE BEWERTUNG
Frank Sinatra, Shirley MacLaine, Dean Martin, Nancy Gates, Martha Hyer, and Arthur Kennedy in Verdammt sind sie alle (1958)
Official Trailer ansehen
trailer wiedergeben3:50
1 Video
78 Fotos
DramaRomanze

Nach einem feuchtfröhlichen Zug durch die Gemeinde, an den er sich nicht mehr erinnern kann, landet Kriegsveteran Dave Hirsh im Bus und fährt in eine Richtung...Nach einem feuchtfröhlichen Zug durch die Gemeinde, an den er sich nicht mehr erinnern kann, landet Kriegsveteran Dave Hirsh im Bus und fährt in eine Richtung...Nach einem feuchtfröhlichen Zug durch die Gemeinde, an den er sich nicht mehr erinnern kann, landet Kriegsveteran Dave Hirsh im Bus und fährt in eine Richtung...

  • Regie
    • Vincente Minnelli
  • Drehbuch
    • James Jones
    • John Patrick
    • Arthur Sheekman
  • Hauptbesetzung
    • Frank Sinatra
    • Dean Martin
    • Shirley MacLaine
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    7888
    IHRE BEWERTUNG
    • Regie
      • Vincente Minnelli
    • Drehbuch
      • James Jones
      • John Patrick
      • Arthur Sheekman
    • Hauptbesetzung
      • Frank Sinatra
      • Dean Martin
      • Shirley MacLaine
    • 101Benutzerrezensionen
    • 48Kritische Rezensionen
    • 68Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 5 Oscars nominiert
      • 3 Gewinne & 10 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 3:50
    Official Trailer

    Fotos78

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 72
    Poster ansehen

    Topbesetzung59

    Ändern
    Frank Sinatra
    Frank Sinatra
    • Dave Hirsh
    Dean Martin
    Dean Martin
    • Bama Dillert
    Shirley MacLaine
    Shirley MacLaine
    • Ginnie Moorehead
    Martha Hyer
    Martha Hyer
    • Gwen French
    Arthur Kennedy
    Arthur Kennedy
    • Frank Hirsh
    Nancy Gates
    Nancy Gates
    • Edith Barclay
    Leora Dana
    Leora Dana
    • Agnes Hirsh
    Betty Lou Keim
    Betty Lou Keim
    • Dawn Hirsh
    Larry Gates
    Larry Gates
    • Professor Robert Haven French
    Steve Peck
    • Raymond Lanchak
    • (as Steven Peck)
    Connie Gilchrist
    Connie Gilchrist
    • Jane Barclay
    Ned Wever
    • Smitty
    Jan Arvan
    Jan Arvan
    • Nightclub Manager
    • (Nicht genannt)
    Arthur Berkeley
    • Club Patron
    • (Nicht genannt)
    George Brengel
    • Ned Deacon
    • (Nicht genannt)
    John Brennan
    • Wally Dennis
    • (Nicht genannt)
    Tom Buening
    • Student
    • (Nicht genannt)
    George Calliga
    George Calliga
    • Club Patron
    • (Nicht genannt)
    • Regie
      • Vincente Minnelli
    • Drehbuch
      • James Jones
      • John Patrick
      • Arthur Sheekman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen101

    7,27.8K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    7ma-cortes

    Overlong and sprawling drama with passion and romance , being set in smalltown America

    A garish , extreme drama about thunderous relationships , complex love stories and tragic events . Madison, Indiana , 73 miles from Cincinnati , suddenly found itself elevated to more than just an insignificant spot on the American map due to this film . Dealing with a burn-out writer called David Hirsh : Frank Sinatra returning from the war to the small town he grew up, and along the way , he is chased by a vulgar , neurotic woman : Shirley McLaine who fell in love for him . Concerning the dramatic curve of Sinatra's agonising voyage of self-discovery and as a result ends in his self-acceptance . Other central characters are Arthur Kennedy as his brother , Dean Martin as a compulsive card player , the wealthy teacher Martha Hyer , among others

    An intense, spectacular drama about snobbishness with thrills , brawls , emotion , tragic romances and anything else . It provides a contrived plot with superbly orchestred intensity of the feelings the main roles generate in their numerous clashes . Producers financed a big budget and star-studded cast to carry out this great production in which 80 actors and location workers moved in overnight to make the movie of James Jones' massive novel. Madison bore a remarkable resemblance to Jones' description of the fictional town of Parkman. Main and support cast are pretty good . Frank Sinatra is frankly well as Dave Hirsh returning serviceman meets all shorts of prejudices and problems, and Shirley MacLaine provides overacting as a silly street girl , while Dean Martin gives surprisingly one of his best interpretations as a stubborn gambler . And support cast is frankly magnificent , such as : Arthur Kennedy , Nancy Gates , Leora Dana , but was durable blonde Martha Hyer who grabbed the movie's nomination .

    Colorful cinematography in Technicolor by William H Daniels , showing splendidly cheap-neon lit bars and cold houses . Moving and stirring musical score by Elmer Bernstein in his usual style. This brawling and attractive motion picture was competently directed by Vincente Minnelli . Vincente was one of the best Hollywod professionals , shooting a lot of films with penchant for Musical , Drama and Comedy , such as : Cabin in the Sky, Meet me in St Louis , Yolanda and the Thief, The Clock , Ziegfeld Follies , The Pirate , Undercurrent , Madame Bovary , Father of the Bride, An American in París, The Bad and the Beautiful, The Band Wagon, The long long trailer , Brigadoon , Kismet, The Cobweb , Tea and sympathy , Gigi , Bells are ringing , Two weeks in another town, The Four Horsemen of the Apocalypse , Goodbye Charlie , The Sandpiper , A matter of Time , among others. Rating 7/10 . Better that average . Worthwhile watching .
    david-greene5

    Powerful, stylish Minnelli gem!

    Vincente Minelli was a master at creating powerful cinematic imagery that made unforgettable many a film which, in other hands, might have been quite ordinary. So many aspects of the story he deals with in "Some Came Running" had to be compromised because of the censorship issues that governed movies of that era. This led to some very awkward scripting, suggesting but never explicitly spelling out much that was central to the story. As a result, the drama veers into a rather dated soap-opera feel from time to time.

    The wonder of this picture lies in how the director draws consistently strong performances from his cast and then, using striking visual compositions, magical lighting, stunning use of color, delivers a startlingly powerful result. Like so many of his films, this is the sort of richly satisfying visual experience that you want to re-visit again and again.

    Serious home theater buffs should loudly protest that such Minnelli masterpieces as "Some Came Running", Home from the Hill" and "Lust for Life" are still unreleased as widescreen DVD's. This seems so shamefully, incomprehensibly neglectful!
    7claudio_carvalho

    Melodramatic Soap Opera about Hypocrisy and Love

    In the post-war, the alcoholic and bitter veteran military and former writer Dave Hirsch (Frank Sinatra) returns from Chicago to his hometown Parkman, Indiana. He is followed by Ginnie Moorehead (Shirley MacLaine), a vulgar and easy woman with whom he spent his last night in Chicago that has fallen in love with him. The resentful Dave meets his older brother Frank Hirsh (Arthur Kennedy), who owns a jewelry store and is a prominent citizen of Parkman that invites him to have dinner with his family. Dave meets his sister-in-law Agnes (Leora Dana) that hates him since one character of his novel had been visibly inspired on her, and his teenage niece Dawn (Betty Lou Keim). Frank introduces the school teacher Gwen French (Martha Hyer) to him and Dave feels attracted by the beautiful woman that is daughter of his former Professor Robert Haven French (Larry Gates) and idolizes his work as writer. However, his unrequited love with Gwen drives Dave back to the local bar where he befriends the professional gambler Bama Dillert (Dean Martin) and meets Ginnie again with the Chicago's mobster Raymond Lanchak (Steven Peck) that was her former lover and has followed her from Chicago. The unconditional love of Ginnie for Dave leads to a tragedy in the calm Parkman.

    "Some Came Running" is a melodramatic soap opera about hypocrisy and love in a small American town by Vincente Minnelli. Every character in the story is flawed, bitter, hypocrite, insecure, gossiper, false and the unconditional love of Ginnie with Dave is probably the most beautiful and pure feeling in this romance despite the reputation of Ginnie. This character is magnificently performed by the lovely and sweet Shirley MacLaine and the dialogs are witty and harsh. This story recalls "Peyton Place" that also shows the stereotypical lifestyle of a small town in America in the late 40's. The false morality and intolerance rules the relationships among the dwellers, with gossips, sexual repression and snobbery are very similar. My vote is seven.

    Title (Brazil): "Deus Sabe o Quanto Amei!" ("God Knows How Much I Have Loved")
    7bkoganbing

    Shirley steals the show

    In any other year Shirley MacLaine would have walked off with the Best Actress Oscar, but NO ONE was going to take it from Susan Hayward in 1958.

    In fact the film is filled with nominations, Arthur Kennedy for Best Supporting Actor, Martha Hyer for Best Supporting Actress and these were great performances. Dean Martin does a great follow-up to The Young Lions in playing Bama Dillert here. This was no stretch for Dino however. This is exactly the kind of background he came from, so the part fit him like a comfortable old shoe.

    The flaw is Sinatra. To his credit, he really tries hard and succeeds in spots. But he's miscast in a part that either Paul Newman or Montgomery Clift might have taken an Oscar home for.

    But the acting honors go to MacLaine. The high point of the movie is her scene with Martha Hyer in Martha's classroom at the college. This poor pathetic Ginny Moorehead trying to assess her situation vis a vis Dave Hirsch pulls all the stops out. You have to be made of stone not to be moved by her pleas to Martha Hyer and Hyer's reactions in this scene probably got her, her nomination.

    If you can get past a miscast Frank Sinatra, then this film is a gem.
    9telegonus

    Florid Dreams

    A product of the Eisenhower fifties, Some Came Running, adapted from a James Jones novel, stars Frank Sinatra as a footloose writer returning to his Midwestern home town right after World War II. Directed by Vincente Minnelli, in a grand, florid manner, it is essentially a smart soap opera, with some very deep emotions, shot in garish color, that can at its best bear comparison with the films of Douglas Sirk, and is in some ways better, more imaginative. The story matters less than the characters, which aside from Sinatra's artist-in-uniform, include an alcoholic Southern gambler, played by Dean Martin, who's also his best friend; a pathetic floozie from Chicago who followed Sinatra home (Shirley MacLaine); Sinatra's brother, a frustrated if successful businessman (Arthur Kennedy); and a prim, somewhat stuffy school-teacher (Martha Hyer), who admires Sinatra as a writer but cares little for him as a man. Sinatra is torn between bad girl MacLaine and good girl Hyer; and though the former is easy to be with, if not much of a conversationalist, the latter is an ice princess, and proud of it. Understandably, Sinatra reverts to gambling, drinking and carousing with friend Dean Martin, but is clearly not happy with it. He would like to find a place in society, but how? Where?

    This one could have been a classic, and the cast is for the most part excellent. MacLaine's Method-ish performance is the only jarring note, but it's a loud one. A number of things keep the film "down", or at any rate in second gear. First of all Minnelli was as man and director such an aesthete that he spends much of his time painting with his camera. Aided in no small measure by the excellent photography of William Daniels, his compositions and color create an often surreal effect, almost hallucinogenic, ultimately anti-realistic, though fascinating to watch, and this in the end detracts from the story. On the other hand Minnelli was good with people, and his more intimate scenes between people who really know each other,--Sinatra and Martin, Sinatra and MacLaine--show a genuine understanding of human behavior. Back and forth the movie goes. That its setting is Indiana make both the movie and the characters seem out of place in this most conservative of midwestern states. There is none of the wholeness here that one gets from, for instance, Kazan's On the Waterfront, where everything comes together beautifully and nothing is out of place. Here everyone seems to belong either elsewhere or nowhere, to be thinking or dreaming of other things, to not really care much for their surroundings. There is also a strong undercurrent of Tennessee Williams and William Inge-inspired textbook Freud, with the characters either sexually obsessed, sexually frustrated or sexually avoidant. I doubt the word sex is ever actually used in the movie, but it's everywhere. The Elmer Bernstein score, jazzy and doubtless influenced by Alex North's music for Streetcar Named Desire, tends to telegraph, often hilariously, how one ought to feel about what's going on, especially the raunchy, down-dirty greasy horns he deploys whenever the story moves to the wrong side of the tracks or to a card game, as if to say, "Okay Middle America, this is NOT the way to be".

    For all its flaws, the movie has many grace notes, some of them even musical, as Bernstein occasionally redeems himself, especially in his lovely main theme. The compartmentalized, evasive lives most of the characters in the film live are, shorn of the melodrama, not unlike real life. Even when the plot becomes predictable the underlying emotions of the main characters remain authentic, and the result is in many ways a compartmentalized movie that at times seems to take its style from the dreams and fantasies of its various characters, becoming in effect their view of life rather than their actual lives. This feeling of fantasy versus reality becomes the movie's major issue when an old boyfriend of MacLaine's shows up, starts drinking, and begins to stalk her. The danger in the air is palpable, and as many of these later scenes take place literally in a carnival atmosphere, the film becomes simultaneously urgent and otherworldly, like someone coming off a mescaline trip who suddenly realizes that he's standing on the ledge of a twenty storey building. This was very daring of Minnelli, and I'm sure intentional, and the ending is truly heartbreaking, and yet aesthetic also, with the director refusing to give up his florid manner even in the last scene. I sense that the tragedy in the film had a very private meaning for Minnelli, and that he intended for it to have the same effect on the audience; to trigger personal issues in each viewer that he could take away from the movie which were independent of the movie. In this he succeeded magnificently.

    Mehr wie diese

    Der Mann mit dem goldenen Arm
    7,3
    Der Mann mit dem goldenen Arm
    Stadt der Illusionen
    7,7
    Stadt der Illusionen
    Das Erbe des Blutes
    7,4
    Das Erbe des Blutes
    Die Kameliendame
    7,3
    Die Kameliendame
    Immer die verflixten Frauen
    6,5
    Immer die verflixten Frauen
    Viele sind berufen
    6,8
    Viele sind berufen
    In Colorado ist der Teufel los
    6,8
    In Colorado ist der Teufel los
    The Exiles
    6,6
    The Exiles
    Der Agentenschreck
    6,4
    Der Agentenschreck
    Party Girl - Das Mädchen aus der Unterwelt
    7,0
    Party Girl - Das Mädchen aus der Unterwelt
    Mensch oder Teufel
    7,4
    Mensch oder Teufel
    Schicksalsmelodie
    7,0
    Schicksalsmelodie

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Shirley MacLaine thought that Dean Martin turned in his best ever performance, because "he was a lot like Bama, a loner with his own code of ethics who would never compromise, so maybe it wasn't really a performance."
    • Patzer
      Although the movie is set in 1948, several cars from as late as the mid-1950s can be seen in the background in certain scenes.
    • Zitate

      Frank Hirsh: Made up your mind what you're gonna do, now that you're out of the army?

      Dave Hirsh: Sure, never to go in it again.

    • Verbindungen
      Edited into Geschichte(n) des Kinos: Fatale beauté (1994)
    • Soundtracks
      To Love And Be Loved
      Lyrics by Sammy Cahn

      Music by Jimmy Van Heusen

      Performed by unidentified male vocal trio and jazz combo

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ

    • How long is Some Came Running?
      Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 3. September 1959 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • HBOMAX (United States)
      • TCM (United States)
    • Sprache
      • Englisch
    • Auch bekannt als
      • Some Came Running
    • Drehorte
      • Madison, Indiana, USA(as Parkman, street scenes)
    • Produktionsfirma
      • Sol C. Siegel Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 3.151.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 28.594 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 17 Minuten
    • Sound-Mix
      • 4-Track Stereo
    • Seitenverhältnis
      • 2.35 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Frank Sinatra, Shirley MacLaine, Dean Martin, Nancy Gates, Martha Hyer, and Arthur Kennedy in Verdammt sind sie alle (1958)
    Oberste Lücke
    What is the Japanese language plot outline for Verdammt sind sie alle (1958)?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.