In Colorado ist der Teufel los

Although "The Sheepman" is full of comic moments, none of them could quite be considered to be of the parody or even the self-reflexive variety. George Marshall's 1958 western was produced a few years before the genre began imitating television westerns by moving in that direction with films like "Cat Ballou" and "Support Your Local Sheriff". Most of this film's humor comes from the off-kilter nature of Glenn Ford's cowboy hero Jason Sweet. He is my all-time favorite Ford character, alternating between standard western hero and detached manipulator. His scenes with Mickey Shaughnessy (as town bully Jumbo) are funny because they totally break genre conventions. The Coen Brothers have used a similar technique in many of their films, writing dialogue totally mismatched with what one expects from a particular movie stereotyped character. The effectiveness of the device (and its novelty in 1958) led to William Bowers & James Edward Grant receiving an Oscar nomination for the screenplay.

The story gets moving right away as the title character (Sweet) hits the town of Powder Valley, seemingly on a mission to alienate every citizen with whom he comes into contact. This also serves as a quick introduction to most of the supporting cast as he insults the railroad station master (Percy Helton), gives unsolicited advice to a young lady (Shirley MacLaine), tricks the livery stable owner (Edgar Buchanan of "Petticoat Junction" fame); and gets the better of the general store proprietor (Harry Harvey). He then picks a fight with Jumbo (Shaughnessy) and ends the day by announcing his intention to graze sheep on the nearby public lands. This puts him into conflict with a local cattleman named "The Colonel" (a very young and uncharacteristically serious Leslie Neilsen).

MacLaine's often exasperated heroine would serve as inspiration for the Suzanne Pleshette and Joan Hackett characters in "Support Your Local Gunfighter" and "Support Your Local Sheriff".

"The Sheepman" is refreshingly different; witty, unpredictable, and extremely entertaining.

Then again, what do I know? I'm only a child.

This is a very special western ,very tongue in cheek ,which was very unusual in the fifties where the masters produced unsurpassed classics (Ford,Daves ,Walsh,Mann....)Till the moment when Glenn Ford tells the story of his former fiancée to Shirley McLaine ,there's absolutely nothing dramatic in this plot which involves a Sheepman who has got problems with the inhabitants of a cattle village .Sheepman has to battle for sheep herds and for the "colonel"'s fiancée, a tomboy who was ahead of her time ,as far as woman's lib is concerned ,at least till her very last lines ;Glenn Ford ,Shirley McLaine and Leslie Nielsen do not take their roles seriously and it's much fun watching them battling against each others ;one can regret that Georges Marshall should have introduced drama in the second part .It should have stayed a comedy till the end!The scenes of the ball and the night train tooting alone are worth the price of admission.

Didn't Jason get the Golden Fleece?

The Sheepman is directed by George Marshall and written by William Bowers, James Edward Grant and William Roberts. It stars Glenn Ford, Shirley MacLaine, Leslie Nielsen, Mickey Shaughnessy, Edgar Buchanan, Willis Bouchey, Pernell Roberts, and Slim Pickens. Music is by Jeff Alexander and cinematography by Robert J. Bronner.

Utterly delightful semi-comic Oater, The Sheepman pitches Ford as sheep farmer Jason Sweet, who arrives in Powder Valley - a place ruled by cattle ranchers only - and upturns the applecart by announcing he intends to let his sheep graze on the lands there. Trouble, motives and back stories will out!

With the exception of some poor rear projection work, this is a pic that's constructed with style and humour. The opening is a doozy as Sweet quickly puts down a marker in the town, with a glint in his eye and a punch of some force. It's an irresistible characterisation by Ford, deftly blending humour with machismo, setting up the rest of the film by firmly pulling us viewers onto his side. Supporting cast are bang on the money, doing justice to well written characters (the screenplay was Oscar nominated), with the writing also having some nous via twists and a commitment to never let the story be boring or twee.

An absolute must see film for fans of the irrepressible Glenn Ford. 8/10

It's hard not to like Glen Ford. He made some terrific westerns. Some call this one a comedy. Light hearted yes, perhaps in the same vane as McClintock. But not a comedy. The real charm is the script I reckon. It's natural, clever and kind of real. Sweet is a cool character who can be ruthless instantly. The pacing is good thanks to the script and the actors are engaging. I have to say, there's not a great deal of chemistry between McClaine and Ford and her personality is too "modern" for me; if that makes sense. Anyhow, it's not a film that requires too much analysis. It's just a really enjoyable flick.

"The Sheepman" is a comedy-drama...with an emphasis on either that changes throughout the course of the movie. It begins with Mr. Sweet (Glenn Ford) arriving in a new town and thoroughly ticking off almost everyone he meets. Why would be behave so? Apparently, he expects to be hated and he's just speeding up the process. And, the reason to hate him? He's planning on raising sheep in the range--a place where cattle is king and folks hate sheep! The rest of the film is about how the town tries to get rid of Sweet and how the clever Sweet takes to this unkindness.

Aside from some amazingly crappy rear projection used throughout the movie, it's a rather unusual and enjoyable film. The mood is odd however...at times a bit funny and at others deadly serious.