IMDb-BEWERTUNG
6,6/10
2454
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA TV repair man must care for the newborn triplets of his former hometown sweetheart, now a famous movie star, so her career will not suffer.A TV repair man must care for the newborn triplets of his former hometown sweetheart, now a famous movie star, so her career will not suffer.A TV repair man must care for the newborn triplets of his former hometown sweetheart, now a famous movie star, so her career will not suffer.
- Regie
- Drehbuch
- Hauptbesetzung
Salvatore Baccaloni
- Gigi 'Papa' Naples
- (as Baccaloni)
George Sanders
- Danny Poole
- (Gelöschte Szenen)
Dorothy Abbott
- Secretary
- (Nicht genannt)
Ted Allan
- Still Photographer
- (Nicht genannt)
Sam Bagley
- Nurse
- (Nicht genannt)
Empfohlene Bewertungen
I have seen most of Jerry Lewis' comedies and I wasn't surprised that I liked this film, as it was made during a period in which most of his best films were made--the late 1950s (don't ask me what I think of the ones from the late 60s and 70s...yick). However, I must confess that while I liked the film overall, it was very uneven and about as many gags worked as flopped. As for me, I actually preferred many of the moments when Jerry wasn't trying to be funny-- such as one of the musical numbers where Jerry and the babies' grandfather sing a nice little duet.
The plot to this film is kind of weird. Clayton Poole (Lewis) used to date Carla Naples (Marilyn Maxwell) but now Carla has gone on to better things. She's now a big Hollywood star and her career is about to take a hit because she's pregnant and her husband died after only a day...and no one knows about the marriage. So, to avoid any sort of scandal, she plans on dumping the baby off on Clayton. However, she is surprised when she ends up having triplets. Yet, oddly, Clayton agrees to raise the kids even though they aren't his and he spends most of the rest of the film with the three adorable little girls. But, some rich biddy without kids decides to go to court to try to take the kids away, as everyone back in the 1950s KNEW that a man cannot raise a child by himself. What's next?
The film has lots of jokes that simply fall flat. The ones with the babies tended to work better because they were gentler and seemed less forced. As for the music, Jerry sings a lot of tunes (several of which were poorly chosen, as they were out of his musical range) and his acting is very nice. Overall, a cute little film that Lewis fans will love and others will at least tolerate.
The plot to this film is kind of weird. Clayton Poole (Lewis) used to date Carla Naples (Marilyn Maxwell) but now Carla has gone on to better things. She's now a big Hollywood star and her career is about to take a hit because she's pregnant and her husband died after only a day...and no one knows about the marriage. So, to avoid any sort of scandal, she plans on dumping the baby off on Clayton. However, she is surprised when she ends up having triplets. Yet, oddly, Clayton agrees to raise the kids even though they aren't his and he spends most of the rest of the film with the three adorable little girls. But, some rich biddy without kids decides to go to court to try to take the kids away, as everyone back in the 1950s KNEW that a man cannot raise a child by himself. What's next?
The film has lots of jokes that simply fall flat. The ones with the babies tended to work better because they were gentler and seemed less forced. As for the music, Jerry sings a lot of tunes (several of which were poorly chosen, as they were out of his musical range) and his acting is very nice. Overall, a cute little film that Lewis fans will love and others will at least tolerate.
...but still had more than a few drawbacks. This is a very loose re-imagining of Preston Sturges' MIRACLE AT MORGAN CREEK, but has only a few scenes that relate back to that classic screwball comedy, preferring to showcase star Jerry Lewis doing whatever he felt like doing. It's heavily sentimental (not necessarily a bad thing) and likely because Jerry Lewis was the producer as well as the star, many of the slapstick and physical comedy bits are dragged out long past their amusement factor.
It's also much more of a musical than I'd remembered (including several okay songs sung by Lewis himself plus one by newcomer Connie Stevens), and the "White Virgin of the Nile" movie-musical production number (for Marilyn Maxwell's movie-within-the-movie) is one of the high points of the entire film, along with director Frank Tashlin's hysterical in-jokes about the pernicious influence of television commercials.
Despite some faults, it's still a very entertaining film and very much a time-capsule of the late 1950s.
It's also much more of a musical than I'd remembered (including several okay songs sung by Lewis himself plus one by newcomer Connie Stevens), and the "White Virgin of the Nile" movie-musical production number (for Marilyn Maxwell's movie-within-the-movie) is one of the high points of the entire film, along with director Frank Tashlin's hysterical in-jokes about the pernicious influence of television commercials.
Despite some faults, it's still a very entertaining film and very much a time-capsule of the late 1950s.
A famous movie star has triplets, but doesn't want the public to find out.So she leaves the babies to Clayton Poole (Lewis) to babysit.Bad mistake?I think not.I think he does a pretty good job if you ask me.Rock-a-Bye Baby is a great Jerry Lewis movie from 1958.It has that Jerry's well known slapstick comedy and it's also a warm and touching movie at the same time. It is beautiful to watch Jerry and Salvatore Baccaloni singing Dormi-Dormi-Dormi.This is a movie that makes you laugh and a movie that may make you cry.I didn't cry.I rather laugh when I'm watching a movie.Especially a Jerry Lewis movie.I'm funny that way. But anyway, watch Rock-a-Bye Baby if you want to see a funny and tender Jerry Lewis comedy.
Saw this film in its original release and later on some television re-runs. I like the film because it allows Jerry to face the situations that make for a movie that is a lot of fun. He is called upon to watch twin babies of a girl he thinks he is in love with who is a movie star, so while she goes all over the world filming he gets a crash course in baby rearing. Connie Stevens at her best is also along as a girl who really likes him. Some of the moves she put on him are quite risque for the 50's. Jerry does it all in this film. I like this period of his career after he broke up with Dean Martin. He made some great films until he transferred to Columbia. He seemed to get too much control of what he did and most of these films are quite unfunny. The wonderful Paramount's including this film, Who's Minding the Store, and his best in my opinion The Nutty Professor show him in his heyday. It's hard to imagine a theater full of families laughing so hard but I assure you they did, I was there.
It might be redundant to say that Jerry Lewis did his best work with Frank Tashlin as director, either by himself or with Dino. He was a comic genius, but it took another genius to bring out the best in him.
Paramount dusted off the Preston Sturges classic The Miracle Of Morgan's Creek for Lewis in his early years as a solo entertainer. When he was with Dean Martin, Paramount was always remarking earlier hits for the team so this was in tradition. It took a lot of rewriting because Lewis's raucous type of comedy is far different than Eddie Bracken's more gentle schnook like character. Still Jerry does generate a lot of whimsy and pathos in his character of Clayton Poole.
It seems years ago Lewis had a big old torch for Marilyn Maxwell who left town and became a Hollywood Star. Maxwell's younger sister Connie Stevens is also crushing out on Lewis, but he can't see for the glare in Maxwell's spotlight.
Marilyn is now in a family way expecting triplets as a result of a marriage to a bullfighter who died in the arena after the honeymoon. It was all a blur and she can't remember where she got married, only that she did.
Her agent Reginald Gardiner fixes up the answer, have her go away to quietly give birth, then send them to her old friend Lewis to take care of. Later she can adopt. Hey, it worked for Loretta Young back in the day.
Of course Jerry gets fond of the three and goes to extraordinary lengths to tend to the kids. His scenes with the infants are both Tashlin and Lewis at their best.
The only real criticism I have is Lewis's best comic moment is unfortunately right at the beginning where he gets involved with a some loose chimney bricks, a runaway firehose, and a great deal of chimney soot, wreaking havoc for the whole neighborhood. Something that good should have been saved for last.
Rockabye Baby is not quite the classic of Miracle Of Morgan's Creek, but it's right up there with some of Jerry's best.
Paramount dusted off the Preston Sturges classic The Miracle Of Morgan's Creek for Lewis in his early years as a solo entertainer. When he was with Dean Martin, Paramount was always remarking earlier hits for the team so this was in tradition. It took a lot of rewriting because Lewis's raucous type of comedy is far different than Eddie Bracken's more gentle schnook like character. Still Jerry does generate a lot of whimsy and pathos in his character of Clayton Poole.
It seems years ago Lewis had a big old torch for Marilyn Maxwell who left town and became a Hollywood Star. Maxwell's younger sister Connie Stevens is also crushing out on Lewis, but he can't see for the glare in Maxwell's spotlight.
Marilyn is now in a family way expecting triplets as a result of a marriage to a bullfighter who died in the arena after the honeymoon. It was all a blur and she can't remember where she got married, only that she did.
Her agent Reginald Gardiner fixes up the answer, have her go away to quietly give birth, then send them to her old friend Lewis to take care of. Later she can adopt. Hey, it worked for Loretta Young back in the day.
Of course Jerry gets fond of the three and goes to extraordinary lengths to tend to the kids. His scenes with the infants are both Tashlin and Lewis at their best.
The only real criticism I have is Lewis's best comic moment is unfortunately right at the beginning where he gets involved with a some loose chimney bricks, a runaway firehose, and a great deal of chimney soot, wreaking havoc for the whole neighborhood. Something that good should have been saved for last.
Rockabye Baby is not quite the classic of Miracle Of Morgan's Creek, but it's right up there with some of Jerry's best.
Wusstest du schon
- WissenswertesFilmed on Colonial St. at Universal's backlot, Mrs Van Cleeve's house was cannibalized to build the front of the Bates house for "Psycho", and a house a couple of doors down will be tricked out to become the Munsters' home a few years later.
- PatzerAlthough the streets are always wet in the outdoor shots (a common Hollywood technique), the sidewalks are all dry and there are no clouds in the sky.
- Zitate
Sandra Naples: Carla's first movie is coming on The Late Late Early Late Show.
Clayton Poole: The Creature From The Lower Tar-Pits? You're kidding! Oh boy, I saw that sixteen times remember? Doc Simpkins had to give me special massages.
- VerbindungenFeatured in From Darkness to Light (2024)
- SoundtracksDormi-Dormi-Dormi (Sleep-Sleep-Sleep)
Music by Harry Warren
Lyrics by Sammy Cahn
Sung by Salvatore Baccaloni and Jerry Lewis
Top-Auswahl
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- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- Rock-a-Bye Baby
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 43 Minuten
- Seitenverhältnis
- 1.85 : 1
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By what name was 5 auf einen Streich (1958) officially released in India in English?
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