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Gejagt

Originaltitel: Nowhere to Go
  • 1958
  • Approved
  • 1 Std. 29 Min.
IMDb-BEWERTUNG
6,8/10
1182
IHRE BEWERTUNG
Maggie Smith and George Nader in Gejagt (1958)
In London, a Canadian serving prison time for grand theft escapes prison and attempts to retrieve his loot, kept in a bank safety deposit box, but his accomplice takes the security key while he only has the pass code.
trailer wiedergeben1:41
1 Video
11 Fotos
DramaKriminalität

Füge eine Handlung in deiner Sprache hinzuIn London, a Canadian serving prison time for grand theft escapes prison and attempts to retrieve his loot, kept in a bank safety deposit box, but his accomplice takes the security key while... Alles lesenIn London, a Canadian serving prison time for grand theft escapes prison and attempts to retrieve his loot, kept in a bank safety deposit box, but his accomplice takes the security key while he only has the pass code.In London, a Canadian serving prison time for grand theft escapes prison and attempts to retrieve his loot, kept in a bank safety deposit box, but his accomplice takes the security key while he only has the pass code.

  • Regie
    • Seth Holt
    • Basil Dearden
  • Drehbuch
    • Donald MacKenzie
    • Seth Holt
    • Kenneth Tynan
  • Hauptbesetzung
    • George Nader
    • Maggie Smith
    • Bernard Lee
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    1182
    IHRE BEWERTUNG
    • Regie
      • Seth Holt
      • Basil Dearden
    • Drehbuch
      • Donald MacKenzie
      • Seth Holt
      • Kenneth Tynan
    • Hauptbesetzung
      • George Nader
      • Maggie Smith
      • Bernard Lee
    • 27Benutzerrezensionen
    • 8Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 1 BAFTA Award
      • 1 Nominierung insgesamt

    Videos1

    Official Trailer
    Trailer 1:41
    Official Trailer

    Fotos11

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    Topbesetzung36

    Ändern
    George Nader
    George Nader
    • Paul Gregory
    Maggie Smith
    Maggie Smith
    • Bridget Howard
    Bernard Lee
    Bernard Lee
    • Victor Sloane, alias Lee Henderson
    Geoffrey Keen
    Geoffrey Keen
    • Inspector Scott
    Bessie Love
    Bessie Love
    • Harriet P. Jefferson
    Harry H. Corbett
    Harry H. Corbett
    • Danny Sullivan
    • (as Harry Corbett)
    Andree Melly
    • Rosa - Cocktail waitress
    Beckett Bould
    • Gamekeeper
    • (Nicht genannt)
    Eddie Boyce
    • Man in Ice Hockey Crowd
    • (Nicht genannt)
    Jim Brady
    Jim Brady
    • Prison Officer
    • (Nicht genannt)
    Pauline Chamberlain
    Pauline Chamberlain
    • Woman at Hockey Match
    • (Nicht genannt)
    Michael Collins
    • George - Store Detective
    • (Nicht genannt)
    Aidan Harrington
    • Man in Ice Hockey Crowd
    • (Nicht genannt)
    Barbara Hicks
    Barbara Hicks
    • Agnes the Maid
    • (Nicht genannt)
    George Hilsdon
    George Hilsdon
    • Sullivan's Chauffeur
    • (Nicht genannt)
    George Holdcroft
    • Man in Ice Hockey Crowd
    • (Nicht genannt)
    Glyn Houston
    Glyn Houston
    • Box Office Clerk
    • (Nicht genannt)
    Arthur Howard
    • First Mr. Dodds
    • (Nicht genannt)
    • Regie
      • Seth Holt
      • Basil Dearden
    • Drehbuch
      • Donald MacKenzie
      • Seth Holt
      • Kenneth Tynan
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen27

    6,81.1K
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    Empfohlene Bewertungen

    8JohnSeal

    Stone cold classic

    If this film had been made in 1950s France by directors named Clouzot or Melville, this Ealing production would be a regular on the revival circuit and in film school classrooms. Sadly, it's a completely unheralded film. Directed expertly by Seth Holt, who co-wrote the film with critic Kenneth Tynan, the film features an on-his-way-to-Europe George Nader as an American con man in London, looking to score by stealing a valuable coin collection (the owner is played by American expatriate and silent film star Bessie Love). His companion in crime is the docile but dangerous Bernard Lee, and there are double crosses and dirty dealings aplenty. The star of the film is Paul Beeson's amazing cinematography, always artistic but never too showy. Beeson also did sterling work for Ealing's The Shiralee (1957), and it's hard to understand how his career ended up on Harry Alan Towers scrap-heap. Dizzy Reece's outstanding jazz score (his only film work) fits the story like a glove and Maggie Smith makes her film debut as Nader's love interest. This is a great film and a true work of art.
    8mossgrymk

    nowhere to go

    Sort of reminded me of an earlier noir about a morally challenged Yank adrift in postwar Britain, "Night And The City". Not quite as good, though. A bit too much time is spent on the prison escape and the con that the morally challenged American is running rather than on the good stuff, namely the serial betrayals Paul Gregory experiences from various false friends and the consequent sense of entrapment that he feels, a mood that mirrors the film's bleak title and which all great noirs must have in abundance, in my opinion.

    Still, it's fun to see Maggie Smith, in her first movie, effectively playing a sexy yet vulnerable gal. And George Nader, who should have had a bigger career (homophobia, perhaps?), is quite good as a doomed man on the run. I also liked director Seth Holt's handling of tone, action and, with exception of act one, pacing. Once we emerge from the long back story, the film finds its footing and moves at a good clip. Give it a B.

    PS...Considering that the screenplay was co written by one of England's more pompous theatre critics, it's surprisingly unpretentious.
    8howdymax

    The Best Laid Plans

    This is an offering from Michael Balcon at Ealing Studios which was probably not one of the premier British studios. That is one reason I was so surprised at the quality of the story and the production values. It was made during a period where the Brits tended to imitate most things American. The cars, the clothes, the movies, even the music. And then came Carnaby Street and the Beatles.

    The story revolves around a American thief in London, played by George Nader, who was probably at the nadir of his career. I checked his credits and about this time he drifted into TV and then on to Germany and the rest of Europe, keeping busy in forgettable movies. His performance in this movie was low key, but really slick. He plays a professional who cons an old lady out of a valuable coin collection and spends the rest of the movie trying to cash it in and split. One by one his shady friends turn on him until he ends up a hunted man ducking for cover at every turn. He is eventually forced to rely on a virtual stranger he meets accidentally. She is played by a young and very interesting Maggie Smith. In fact I didn't even recognize her until the credits rolled.

    This story was well written. Tight and tense. The performances were top notch, and the atmosphere had a very noir feel to it, even though a lot of it was shot in daylight. I don't know why George Nader's star waned. You couldn't predict it from his performance here.
    7planktonrules

    A very good British noir pic.

    When the film begins, Paul Gregory (George Nader) escapes from prison. Soon after, you see a flashback to learn what brought him to prison. It seems that he recently came from the US to the UK and expected to get a light sentence when he steals a coin collection. He then expects to be able to escape, retreive the stolen collection and beat it out of the country. He definitely is a cool character....and you wonder if he is quite as clever as he thought he was when his plan starts to unravel!

    George Nader was a handsome actor who left the US in the late 1950s to make films in Europe, such as the Jerry Cotton spy films. This is because he was outed in the press in the States and felt he had more options for work in Europe...which he apparently did. Here he is quite good in the lead...one of his few leading roles of this period in his career.

    This is an interesting example of British film noir. While it lacks the cool camera angles of the best of the noir, its amoral sensibilities and coldness of the main character are classic noir all the way. Well worth seeing and it's a quiet, brooding sort of film.
    9andyrobert

    Nice To See Maggie Smith In One Of Her Early Roles

    A tense and exciting thriller from Ealing Studios - it is hard to believe that they once made very funny, classic comedies, which are still enjoyed all over the World today.

    Nowhere To Go is an unusual British film where the star of the show is actually a smooth but uncompromising villain. He is a convicted housebreaker and embezzler who has escaped from prison and is played by George Nader. The reason why the studio chose an American actor was possibly to appeal to audiences on both sides of the Atlantic.

    It was nice to see Britain's very own Maggie Smith looking delightful in one of her earlier films. She plays a woman that tries to help George Nader escape from both the villains and the police.

    Steptoe and Son fans, after some "wondering-where-have-I heard-that-voice-before", will also recognise Harry H. Corbett playing the part of a shrewd and unfriendly London mob boss, who does not like other criminals operating on his "patch".

    Bessie Love, a fine actress from the Golden Age of Hollywood, also had a small part at the beginning of the film, playing a rich, aristocratic American widow living in Britain, who succumbs to the nefarious and disguised charms of the hero - sorry - villain, played by George Nader.

    The ending seemed to leave audience to their own imagination. I suppose "Crime Does Not Pay" always has to be the message.

    Handlung

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    • Wissenswertes
      Originally cut to one hour and 29 minutes and was the second feature on a double-bill with Torpedo los! (1958). For a DVD release in 2013, it was restored to a running time of one hour and 40 minutes.
    • Patzer
      When Gregory is talking to Sloane after the heist, and changing his shoes, a moving shadow of the boom microphone is visible behind Sloane.
    • Zitate

      Pet Shop Clerk: You know what's the matter with this fish of yours, don't you? He's dead. Why don't you get yourself something that'll last a little longer? Like a kangaroo, or something?

    • Alternative Versionen
      Originally cut to one hour and 29 minutes and was the second feature on a double-bill. For a DVD release in 2013, it was restored to a running time of one hour and 40 minutes.
    • Verbindungen
      Featured in Tea with the Dames - Ein unvergesslicher Nachmittag (2018)

    Top-Auswahl

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    FAQ16

    • How long is Nowhere to Go?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 12. Februar 1960 (Westdeutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Nowhere to Go
    • Drehorte
      • Wandsworth Prison, Heathfield Road, Wandsworth, London, England, Vereinigtes Königreich(prison)
    • Produktionsfirma
      • Ealing Studios
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    Box Office

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    • Budget
      • 468.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 29 Min.(89 min)
    • Farbe
      • Black and White

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