Nazarin

In a poor and backward community in Mexico, the Catholic Priest Nazario (Francisco Rabal) follows the Christian principles and lives a humble life without possessions in an old hostel owned by Chanfa (Ofelia Guilmáin) and used by prostitutes. When the prostitute Andara (Rita Macedo) kills he coworker Camilla that had stolen her buttons of shells, she is wounded and seeks shelter with the priest. Meanwhile, the disillusioned dweller of the hostel Beatriz (Marga López) is lured by her boyfriend Pinto (Noé Murayama) and tries to commit suicide. However, Chanfa convinces her to return to her village. When the police discover that Andara is hidden in the room of Nazario, she flees and Nazario undresses his cassock and wanders in the poor countryside, helping the destitute and begging for food. When Nazario reaches a very poor village, he meets Beatriz that is living with Andara and asks him to help a child that is very ill. Nazario prays for the child and on the next morning she is healed. Andara and Beatriz believe he is a saint and become his followers. Along their journey, Nazario and Andara are arrested and the priest is humiliated and beaten by common people and by the church.

"Nazarin" is an ironic criticism to the hypocrisy of church and society by Luis Buñuel. Francisco Rabal has an awesome performance in the role of a priest that lives in accordance with the principle of the catholic apostolic roman church and is betrayed, humiliated and hated by the people that he helps and by the church that he serves. One of my favorite sequences is when Nazario is protected by a criminal in jail and the man concludes that Nazario is a good man, he is a murderer and they are in the same place. My vote is seven.

Title (Brazil): "Nazarin"

Spanish director Luis Buñuel career spanned almost 50 years, from 1929 to 1977. Arguably, his best films were those he made during his exile in Mexico - from the late forties to the early 60s. There he had to deal with very cheap budgets, and work in an industry interested mainly in churning commercial movies to unsophisticated audiences, yet he somehow managed to make interesting, thought provoking movies that have stand the test of time. This movie is based on a novel by Spanish author Benito Perez Galdos - and the adaptation is quite faithful, even if the setting is now early 20th century Mexico instead of early 20th century Spain. The protagonist, Nazarin, is a priest who tries to live a life that is as faithful as it can be to the one prescribed by Christ. The question many would ask is whether such endeavor would be possible, without incurring in the hostility, incomprehension and mockery of your fellow human beings. As it happens, he suffers a lot of indignities, yet he remains stubborn (until the controversial final shot) to this objective. I think Buñuel wanted to show Nazarin as a somewhat ridiculous figure, but perhaps inadvertently, his stubbornness (at least to this viewer) comes out as admirable. In any case, a great film.

When you look at Mexico's best movies you will more than likely find that the Photography was performed by Gabriel Figueroa. He is recognized in the world as one of the best that have ever existed. His master control of the cameras gave an added asset to the movies he was part of. If added to his participation we add the direction of Luis Bunuel, you will never find such a pair of aces anywhere else in the world. This story, Nazarin, was written by Spain's greatest writer besides Miguel de Cervantes(Don Quijote de la Mancha). The story in itself is superb: Nazarin a priest that lives by his beliefs tries to live a very Christian life, but as always there are people that do not accept this. He wanders through many places preaching his Christianity but finding, most of the time, people that do not accept him. But besides the splendid story, it is always interesting to try to interpret the enigmatic messages that Bunuel sends us throughout the picture in scenes that make you shiver.

Nazarin is some kind of saint,he wants to live in life exactly how Christ taught man to do.But it's too late:now the Catholic Church is in the hands of a wealthy bourgeoisie,the bishops live in luxury and don't give a damn about the poor and the sick.That's why our hero can't follow the way his hierarchy asks him to follow.So he divests himself of everything,and on his way to purity,he's joined by some kind of Mary Magdelene and a woman who's attracted by him sexually (the scene between this girl and her fiancé is telling).In Spain (it was the late fifties),they thought Nazarin was a Christian movie!Knowing Luis Bunuel,it was downright incongruous:all his work is anticlerical to a fault.Comparing Nazarin and his "holy women" to Jesus is a nonsense.On Nazarin's way,only brambles and couch grass grow.His attempt at helping working men on the road is a failure,he's chased out as a strike-breaker.All his words amount to nothing.At the end of the journey,he's arrested and offered a pineapple by a woman(Bunuelian sexual symbol). Thanks to "Nazarin" ,Bunuel was allowed to return to Spain (where the censors had not got a clue ) and to direct "Viridiana".

Octavio Paz, Mexican poet, writer, and diplomat, who received the Nobel Prize for Literature in 1990, said about "Nazarin": "Nazarin follows the great tradition of mad Spaniards originated by Cervantes. His madness consists in taking seriously great ideas and trying to live accordingly". A humble and spiritual priest (Francisco Rabal in a wonderful performance) attempts to live by the principles of Christianity but is cast out of his church for helping a local prostitute by giving her a shelter after she had committed a murder. Nazarin wanders the country roads of the turn of the 20th-century Mexico, offering help to poor and begging for food. His two followers, a murderous prostitute Andara and her sister Beatriz who is a failed suicide desperately searching for love, consider him saint but it does not prevent him from hatred and humiliation from both the church and the people he meets on the road. He ends up beaten in prison and begins to question his faith for not be able to forgive his attacker.

Bunuel tells the story in a manner of a Christian parable masterfully and uniquely combining admiration and irony for the main character and strong criticism of formal religion and hypocrisy. The film is simple and profound as well as beautiful, ironic, and heartbreaking.

I consider Bunuel one of the best filmmakers ever. I've seen twenty of his films and they all belong to the different periods of his life but they have in common his magic touch, the masterful combination of gritty realism and surrealism, his curiosity, his inquisitive mind, his sense of humor, and his dark and shining fantasies. With great pleasure I am adding little seen and almost unknown but amazingly candid and touching surrealistic tragic-comedy "Nazarin" to the list of my favorite films.