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Die Nackten und die Toten

Originaltitel: The Naked and the Dead
  • 1958
  • 18
  • 2 Std. 11 Min.
IMDb-BEWERTUNG
6,4/10
1949
IHRE BEWERTUNG
Die Nackten und die Toten (1958)
Set during the Pacific War against the Japanese, this WW2 drama discerns between achieving one's mission at any cost versus preserving the lives under one's command and enforcing discipline through fear as opposed to mutual respect.
trailer wiedergeben2:35
1 Video
32 Fotos
Politisches DramaDramaKrieg

Füge eine Handlung in deiner Sprache hinzuSet during the Pacific War against the Japanese, this WW2 drama discerns between achieving one's mission at any cost versus preserving the lives under one's command and enforcing discipline ... Alles lesenSet during the Pacific War against the Japanese, this WW2 drama discerns between achieving one's mission at any cost versus preserving the lives under one's command and enforcing discipline through fear as opposed to mutual respect.Set during the Pacific War against the Japanese, this WW2 drama discerns between achieving one's mission at any cost versus preserving the lives under one's command and enforcing discipline through fear as opposed to mutual respect.

  • Regie
    • Raoul Walsh
  • Drehbuch
    • Denis Sanders
    • Terry Sanders
    • Norman Mailer
  • Hauptbesetzung
    • Aldo Ray
    • Cliff Robertson
    • Raymond Massey
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    1949
    IHRE BEWERTUNG
    • Regie
      • Raoul Walsh
    • Drehbuch
      • Denis Sanders
      • Terry Sanders
      • Norman Mailer
    • Hauptbesetzung
      • Aldo Ray
      • Cliff Robertson
      • Raymond Massey
    • 29Benutzerrezensionen
    • 17Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Videos1

    Original Trailer
    Trailer 2:35
    Original Trailer

    Fotos32

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    Topbesetzung44

    Ändern
    Aldo Ray
    Aldo Ray
    • Sgt. Sam Croft
    Cliff Robertson
    Cliff Robertson
    • Lt. Robert Hearn
    Raymond Massey
    Raymond Massey
    • Gen. Cummings
    Lili St. Cyr
    Lili St. Cyr
    • Willa Mae aka Lily
    Barbara Nichols
    Barbara Nichols
    • Mildred Croft
    William Campbell
    William Campbell
    • Brown
    Richard Jaeckel
    Richard Jaeckel
    • Gallagher
    James Best
    James Best
    • Rhidges
    Joey Bishop
    Joey Bishop
    • Roth
    Jerry Paris
    Jerry Paris
    • Goldstein
    Robert Gist
    Robert Gist
    • Red
    L.Q. Jones
    L.Q. Jones
    • Woodrow 'Woody' Wilson
    Max Showalter
    Max Showalter
    • Col. Dalleson
    • (as Casey Adams)
    John Beradino
    John Beradino
    • Capt. Mantelli
    • (as John Berardino)
    Edward McNally
    • Cohn
    Greg Roman
    • Minetta
    Henry Amargo
    • Sgt. Julio Martinez
    • (Nicht genannt)
    Alan Austin
    • Lieutenant
    • (Nicht genannt)
    • Regie
      • Raoul Walsh
    • Drehbuch
      • Denis Sanders
      • Terry Sanders
      • Norman Mailer
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen29

    6,41.9K
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    6jamesrupert2014

    Sanitised version of Mailer's searing book

    A platoon of marines led by callow, idealistic Lieutenant Hearn (Cliff Robertson) and battle-hardened, cynical Sergeant Croft (Aldo Ray) are sent on a dangerous recon mission by vainglorious but insecure General Cummings (Raymond Massey). Published shortly after the end of the war, Norman Mailer's book was a crude, unflinching, and critical view of war in the Pacific theatre. The much more superficial movie version, released 10 years later, returns to the usual Hollywood redemptive war narrative in which the good, while they may suffer, are ultimately rewarded, and the bad, while they may seem to succeed, are ultimately punished. The movie limits the book's philosophical dialogue between egalitarian Hearn and rank-conscious Cummings but then tacks on a final 'uplifting' exchange that is not (and could not be) in the book. The marine platoon is a little less stereotypical than in earlier war-era films but the soldiers still seem more like 'characters' than people. Ray is good as hard-assed Sgt. Croft (although the character has been toned down a bit from Mailer's sadistic sociopath). The film's combat scenes are a mixed bag: the scenes of fighting between the platoon and the Japanese defenders aren't bad (although the marines seem to be able to lob a hand-grenade pretty far), but the 'showpieces' rely largely on non-period footage and equipment (with the Japanese using easily recognizable American equipment). While pre-CGI filmmakers can be forgiven for not always being historically correct, I tend to watch these kinds of films for the 'combat' scenes and find the anachronisms distracting and disappointing. By the end of the 1950's, despite the Cold War jingoism, there were a number of good antiwar films but the producers of this film seem to have been unwilling to give vision to Mailer's harsh voice. Note: there are a number of IMDB reviewers more familiar with the book than I who have commented in depth about the differences between the two versions (which inevitably includes 'spoilers').
    Poseidon-3

    Not enough naked...Plenty of dead.

    Reportedly, Norman Mailer's best-selling novel was distilled and sanitized for the screen (what book isn't?!) Many people blame this for the rather weak resultant film. The film IS fairly weak, but the adaptation can hardly be the sole cause. "From Here to Eternity" and "Peyton Place" are just two movies adapted from adult novels that were made around this time and were referred to as "unfilmable", yet the end results were magnificent. This film concerns hard as nails, embittered Ray as an amoral Sergeant who's currently in charge of a motley troop of men in the South Pacific islands during WWII. Massey co-stars as a stern General who thinks of men as little more than beads on an abacus as he tries to figure out the strategies and percentages of war. His assistant Robertson clashes with him on various points and, after one particular battle, finds himself on a deadly mission alongside Ray and his band of not-so-merry men. Ray gives an okay performance in the film, but lacks the sort of leading man magnetism that could have put this over better. Robertson is thoughtful in his part, but doesn't really shine. Massey has a strong part with many nice moments. Several well-known TV and movie actors can be found in the troop including the always reliable Jaeckel, Best (who would later make a fool of himself weekly on "Dukes of Hazzard"), Campbell (famous for a guest role on the original "Star Trek" series), the ubiquitous Jones (who has an embarrassing role as a lovesick soldier) and Rat Pack comedian Bishop (who actually gives a nicely balanced performance.) There are some horrible flashbacks featuring various women. Ray's details his ludicrously presented relationship with trashy Nichols who laughs loudly and inappropriately at the end of it. Robertson has a dream involving a pallette of society girls he apparently had dabbled with, sometimes two at a time. Real life stripper St. Cyr makes a none too impressive appearance in the beginning of the film, inspiring Jones tremendously. The worst fault the film has is it's pedestrian nature. There is very little excitement generated throughout, even when arresting events are occurring. The film suffers from tiresome shots of the soldiers marching, climbing, walking, skulking..... A lot of the momentum gets lost along the way. This is countered somewhat by several bouts of unfunny physical comedy, heated arguments among the men and moments of drunken loudness. There is just a general unfocused quality in the film, possibly caused by shifts in the direction of the plot from the novel. What's worse is that in two hours of film, most of the men don't take their shirts off at all and when a few do it's in long shots. Maybe that's what was missing! The music does little to enhance the film. Bernard Herrman (who did such miraculous things to Hitchcock films) flounders here with unmemorable work. It's not the worst war film ever made, but truly falls short of being a great one.
    7planktonrules

    Much better than I'd expected.

    "The Naked and the Dead" is a film based on a novel by Norman Mailer, which was based on his experiences fighing in the Pacific during WWII. I expected the movie to stink, as Mailer hated the final film and thought it the worst movie he'd seen. After seeing it, I assume he felt that way because they bastardized his story...not because the film was bad in any other way.

    "The Naked and the Dead" is a HUGE counterpoint to the average war film made during WWII. The WWII era movies were all very patriotic...and featured men who were dedicated and loved serving their country. The film, on the other hand, shows that overwhelming patriotism is NOT what all soldiers feel...most just want to do their job and survive. And, in a HUGE departure from the war era films, some are just sadists who love killing!

    The story is set on some island in the Pacific and for much of the film there are two parallel stories. One is about a company of soldiers serving under a competent but sociopathic sergeant (Aldo Ray). He knows is job, is good at it but also is obsessed with killing...even birds, captured prisoners and his commanding officer!! The other is about a lieutenant (Cliff Robertson) who is serving as the adjutant for a sadistic jerk of a general (Raymond Massey). Eventually the two stories intersect.

    I hate films that glorify war or make it look fun...so I appreciated this movie because it never even came close to doing either! The acting and script are very good...though I have no idea what the source novel is like by comparison. Apparently Mailer thought the difference was huge.

    By the way, one part of the film I hated. A man is bitten by a poisonous snake...something that I am sure happened occasionally. First, the men cut open the wound and try sucking out the poison (something you should NEVER do). Second, the guy literally died in a minute or two...something that just doesn't happen...even with the most dangerous of snakes. It was a sloppy scene, that's for sure.
    7verbusen

    Don't Expect The Book and It's Decent

    The Naked and the Dead (1958), my rating 7 of 10. I see why this film has a middling score on IMdb after reading a synopsis of the book. If one comes to watch this film after reading the book and hope for it to be very faithful to the book such as a Cain Mutiny film did, you will not be happy. I watched the film without reading the book, which is considered by many to be one of the greatest novels of the 20th century, so I had no preconceptions of how the tale should unfold. For this reason, I'm happy I was able to enjoy the film on its own merits, I give it a decent score of 7. After reading a synopsis of the book, it contains much more personal information about the characters, especially pertaining to anti-Semitic bigotry and homosexual tendencies. Written in 1948, I bet this book turned some heads, it seems ahead of its time. 10 years later, America has fought in yet another war, and its appetite for war action dramas was changing to a more cynical side. The book mainly focuses on Aldo Ray's character along with some lurid domestic scenes involving soldiers and cheating wives and strippers. Aldo Ray is portrayed as a functioning psychopath, not really all that crazy but definitely a murdering sadist as he cold blooded murders a Japanese prisoner. Besides the Lieutenant/General conflict of Robertson and Massey's characters, two action supporting characters I personally like to watch had some decent screen time, LQ Jones and Robert Jaeckel. LQ's character is married to a stripper who sends him money (silly premise), I thought of a Z budget war film LQ was in, "Iron Angel" where he is in a strip club in Asia and there is a stripper there on the main stage up close and personal, with a very noticeable appendectomy or caesarian scar. Now that's a really good setting of a raunchy strip bar (although I think it had more to do with the film's low budget)! Richard Jaeckel gets some good screen time and shows his "I'm devastated" face he is usually called to perform in his films; hey he was a B movie action film guy and one of the few who consistently was called upon to show some emotion other than being angry. This was made by RKO Radio Pictures who was going out of business soon but the production values are decent. We see large military formations in the film, not just a squad. Perhaps the end footage was lifted from another film but I doubt it as the end says it was filmed in Panama and probably used our Canal Zone military units at the time for the large scenes. Purists may be dismayed that not much of the tank hardware is accurate but it looks better than the Battle of The Bulge and their newer tanks. Based solely as a war action drama and nothing more I am giving the film a 7 out of 10. If you are coming here after reading the book you may get about 40 percent of the character development (guessing) and I'm sure would not enjoy it as much. It should be remade now!
    8Gangsteroctopus

    Never read the book

    And maybe if I had, I might like the movie less. (I read "The Thin Red Line" before I saw that movie and was, as I expected, disappointed despite the fact that that is a very fine film.) As it is, I like this film a lot. For one thing, it's got one of Bernard Hermann's best but least-known scores; I wish it were available on CD. The cast features an amazing array of '50s lead and supporting actors. L.Q. Jones is especially enjoyable as an amiable hillbilly (a role he specialized in) and Aldo Ray gives one of his finest performances as the hate-filled Sgt. Croft. Cliff Robertson is a little milque-toasty, but that's more because the role is underwritten. Raymond Massey is appropriately arrogant and high-handed as the general in charge of the campaign. If you can catch this film on TV, Turner Classic Movies is the place to see it because they letterbox it in its original 'scope aspect ratio, crucial to appreciating this film in all its widescreen glory. Trivia note: this was a favorite film of German auteur Rainier Werner Fassbinder.

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    Handlung

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    • Wissenswertes
      Norman Mailer, the author of the best-selling and critically acclaimed novel on which the film is based, was reported to have said it was the worst movie he had ever seen after viewing the film.
    • Patzer
      A recon team would never be landed behind enemy lines in broad daylight, and from a large, noisy landing craft. Then after they land there is a lot of talking in their normal voices and all the yelling with the snake bite scene, they cross open ground in daylight, and they smoke, which can also be a giveaway.
    • Zitate

      Lt. Robert Hearn: General... I've been thinking about what you said. Especially what you said about the power of fear and the fear of power. I never agreed with your point of view before, but I wasn't sure you were wrong. Now I'm sure. Two men carried me 18 miles through the jungle, a Baptist minister and a wandering Jew, but they didn't do it out of fear. They did it out of love. But they did something else besides save my life, they showed me something I've known all my life but I had forgotten. There's a spirit in man that'll survive all the reigns of terror and all the hardships. Man cannot achieve the authority of God. And no man, whether he's a politician or a general, should try. The spirit in man is God-like, eternal, indestructible.

    • Verbindungen
      Featured in The True Adventures of Raoul Walsh (2014)
    • Soundtracks
      Some Sunday Morning
      (uncredited)

      Music by Ray Heindorf and M.K. Jerome

      Played during Lt. Hearn's dream sequence

    Top-Auswahl

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    FAQ14

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    Details

    Ändern
    • Erscheinungsdatum
      • 24. September 1959 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Naked and the Dead
    • Drehorte
      • Panama
    • Produktionsfirmen
      • Paul Gregory Productions
      • Gregjac Productions
      • RKO Radio Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 3.000.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 2 Std. 11 Min.(131 min)
    • Seitenverhältnis
      • 2.35 : 1

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