Der Tod kommt auf leisen Sohlen

Selected for an important contract killing due to his detached and unemotional approach towards murder, an arrogant young assassin questions his own skills after discovering that his next target is a woman in this slick thriller. Vince Edwards is excellent as the confident contract killer who simply sees murder as a great way to supplement his income. Along the lines of 'Strangers on a Train', he also professes that "the only type of safe killing is when a stranger kills a stranger" and the film has some fun comic relief moments as he often unsettles two goons sent to accompany him. Solid as Phillip Pine and Herschel Bernardi are as the goons though, their purpose is never clear and film veers close to being a comedy at times with the goons and his failed attempts to kill the woman from afar. Generally speaking though, this is an intense and riveting thriller. The film benefits from a catchy, taunting music score inspired by 'The Third Man' and Edwards has an undeniably fascinating character. Is he worried about killing her because he has more moral fibre than he would like to admit or is it genuinely harder to kill a woman? Whatever the case, this is a fascinating look into a dangerous mind.

A B-movie and something of a small classic comparable to Melville's "Le Samourai" which it may have influenced. Vince Edwards in his pre-Ben Casey days is the young man who actually wants to be a contract killer and the movie is about his somewhat clinical initiation into the job. Superbly written by Ben Simcoe, brilliantly photographed in black and white by Lucien Ballard and with a terrific yet simple score by Perry Botkin this movie comes close to perfection. It was directed by Irving Lerner who up to then hadn't really done anything of note, (perhaps he was just waiting for the right material). Edwards is superb as the almost overly confident killer who comes undone when he has to kill a woman. It's a very simple picture, in which almost all the killings are kept off-screen concentrating instead on the killer's psychology and how he goes about his work. Never a commercial success it has now build up a considerable cult following.

This little gem has dialogue to die for. Production values? We don't need no stinking production values. Not with lines like "You know what you have to be to get a gun like that, George? A civilized country. Are you a civilized country?" Vince Edwards is awesome. I am convinced this is an ancestor of "Pulp Fiction".

Entertaining, low budget crime thriller.

Vince Edwards was tailor made for the role of Claude, a cool and calculating hit-man who has to bump off a beautiful woman before she spills the beans to the authorities about a certain criminal King Pin.

Edwards starred in several of these well crafted bargain basement efforts just before he became an international TV star as Dr Ben Casey.

Stylish direction and some interesting camera work compliment a thoughtful script. Be watching for one particularly unsettling scene which unfolds in a barber shop. Masterfully underplayed but makes a lasting impact.

Just like a sling - shot, this excellent little film is simple but highly effective.

I first saw this movie when I was a kid and had a crush on Vince Edwards as Ben Casey. Well I am all grown up, no longer have a crush, and still think this movie was excellent for its time. The cold blooded approach of Edwards character Claude, his lack of affect, makes him more menacing than those shouting gun waving villains you usually see in film. This guy knows his job and that's all it is, a job. The music is so monotonous it fits the characters attitude (or lack of one). Even the other bad guys in the film know there is something not quite right about their hired gun. I liked it. Whenever it's on I make it point to try and catch at least some of it.