Wo der heiße Wind weht

The director Jules Dassin was able to draw well the reality of a small village in Southern Italy, where the existing rules were applied with a double standard. The priest was very much concerned with the attitude of Marietta (Gina Lollobrigida), but not with other situations affecting the town. The game called "la legge" (the law) was not an entertainment instead it was a weapon of intimidation. It appears to be as the behavior of strong animals showing their powers over weak ones. This is an old film, which could be useful to be shown in Italy again. Dassin was able to show various details and characters of the life in the village: the patriarch (Pierre Brasseur), the "pidgeon" (Yves Montand), the man of well-doing (Mastroianni), plus the lady of the family or la Donna(Melina Mercouri) and Marietta, likely to be a kind of spoiled Cinderella. All these ingredients put coherently in an interesting plot made the film attractive to be seen and not only once.

In this heavy Jules Dassin drama, you're treated to an Italian landscape, an Italian-sounding plot, and two popular Italian actors...speaking French. This feels like an Italian movie, but it's in French, so if you like old European dramas, you're going to love this one.

The residents of a poor fishing village are controlled by the powerful Yves Montand. He's menacing, wealthy, and has enough influence to get what he wants by any measure. In the evenings, he plays a drinking game called "The Law" with the men of the town. Whoever is boss for the evening gets to say insulting things to anyone and force the players to humiliate themselves. While this game is the title of the movie, it's more of a symbolic title rather than being the main focus of the plot. Yves may make "The Law" in the evenings, but he also runs the town during the daytime.

I've never been impressed by Yves Montand, but I've only ever seen him in movies where he was forced to speak English. Evidently, the language barrier greatly impeded his acting ability, because in La legge he was fantastic. I didn't even know it was him until halfway through the movie when I remembered who was in the opening credits. He was incredibly frightening, and it was clear he had a love of power and great hopes and dreams for his family. Great villains are not just evil, but they show the audience their motivation. Bravo, and please accept my apology, M. Montand.

The concurrent plot in The Law is Gina Lollobrigida's own power over the men in the town, similar to Yves's control. She can drive a man to madness because her tight dresses and sensual movements make him half-crazed, but in her great power, none of the men who desire her ever force themselves on her. She may not be a frightening force in the town, but she has just as much power. While Yves has his mind set on seducing Gina, she has her heart set on marrying Marcello Mastroianni. This is a pretty racy movie for its time, with love scenes that undoubtedly made Will Hays of the Production Code blush. There's violence, incestuous themes, infidelity, and enough tight dresses to make you forget all about Sophia Loren. Seriously, folks. Gina is so beautiful and distracting in this movie, it's a wonder any other Italian actress ever became popular. And she speaks three languages! Marcello's French accent is also very good, so if you want to see these talented linguists, you'll be in for an extremely entertaining and steamy movie night.

Kiddy Warning: Obviously, you have control over your own children. However, due to sexual content and violence, I wouldn't let my kids watch it.

DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not be your friend. A couple of minutes before the end, after Melina Mercouri asks for a drink, there's an abrupt camera spin and it will make you sick. In other words, "Don't Look, Mom!"

I really enjoyed watching The Law. The storyline was great, and I loved the occasional tidbits that were so unexpectedly hilarious. The theme about who was really considered "the law" and the person with all the power was extremely entertaining. Gina Lollabrigida (Marietta) was fantastic! I loved her character's attitude. She knew what she wanted, and she knew how to get what she wanted. The many different plots and characters were all very enjoyable and interesting. And in the end, it is very clear who the person is that has all the power in the city.

I absolutely loved the movie and was highly entertained! I'm so glad that it's finally being distributed for a wide release in the US! There's love, sex, power, drama, and death! with the occasional hilarity and musical number. What more could you ask for in a movie?

This drama with brief touches of comedy deals with an unfortunate girl called Marietta (Gina Lollobrigida , though both , Carol Baker and Scilla Gabel , had been contacted to play Marietta's part) , servant of aristocrat Don Cesare (Pierre Brasseur) , she is a beautiful woman living in a Sicilian little town where people gather nightly in the tavern for the 'game of the Law' , selecting one by lot to boss and humiliate the others . Marietta , who is pursued by every male in town , is in love with Enrico (Marcelo Mastroianni) , an equally impoverished agricultural engineer . There are various love stories : the judge's wife (Melina Mercouri) chases Francesco (Raf Mattioli) , son of crime mobster Matteo , who is after Marietta . Meanwhile , local boss Brigante (Ives Montand) wants to make sure that his son Francesco doesn't get too involved with the unsuitable Lucrezia , the judge's wife . And Marietta wants engineer Enrico for a hubby , but he claims he's too poor to marry . Marietta then decides to rob herself a dowry from a tourist . Furthermore , there appears the Comissario (Vittorio Caprioli) and her lover Giuseppina (Lidia Alfonsi) , the Judge , Tonio (Paolo Stoppa) and other villagers (Franco Pesce) . All of them are living in a small fishing village near from sea . The whole events lead to disagreeable deeds with fateful consequences .

This film -in which illicit as well as interwoven passions abound- has comedy , drama , emotion , social habits but also contains some embarrassing situations . This ¨Dramedy¨ is pretty well , but sometimes results to be slow-moving and a little bit boring . Director Jules Dassin directs this predominantly romantic drama in which stands out themes about power excesses and various triangular romances that pervade in the Sicilian town . Sympathetic acting by the gorgeous busty Gina Lollobrigida who comes up with an unique way to get money for her dowry , robbing a lot of cash . She is the Bellezza of an Italian town , while Gina is the flame , Ives Montand is the fuse that sets them on fire . Secondary cast is frankly excellent , such as the French Pierre Brasseur and the great Melina Mercouri who co-starred opposite Jules Dassin in his film Never on Sunday (1960) , Rififi (1954) and Phaedra (1961) . In addition , it appears their son : Joe Dassin, who was a popular French singer in the 1960s and 70s . The picture packs an evocative cinematography shot on location in Carpino , Foggia , Apulia, Italy . Atmospheric and appropriate musical score by Roman Vlad .

The motion picture was professionally directed by Jules Dassin , though has some flaws and gaps . At his beginnings Jules became a stage actor and was a member of a Jewish troupe , as he played character roles in Yiddish . At that time , he joined the Communist Party of the United States , but left the party in 1939 , he said , disillusioned after the Soviet Union signed a pact with Adolf Hitler . He subsequently turned into filmmaker , Dassin's best directorial works for Hollywood include such a dated patriotic flag-waver titled Reunion in France (1942) with John Wayne , Joan Crawford ; a fantastic comedy titled The Canterville ghost (1944) , and criminal dramas as The brute force (1947) , starring Burt Lancaster ; The naked city (1948), one of the first police dramas shot on the streets of New York ; and Night in the city (1950) starring Richard Widmark as a hustler in London who is caught up in his own schemes . While he was assigned by producer Darryl F. Zanuck to make the film , Dassin was accused of affiliation with the Communist Party in his past . As Jules was in the ¨Black List¨ during McCarthy time . He left the United States for France in 1953 and struggled during his first years in Paris . He was not fluent in French , and his connections were limited and at his early stay had little success . At that time , the anti-Communist witch hunt in America was fading , and Dassin was accepted again . However , Dassin's low-budget film , Rififi (1955), famous for its long heist sequence that was free of dialog , (1964) , won him the Best Director Award at the 1955 Cannes Film Festival . Dassin received two Academy Award-nominations for directing and screen-writing for Topkapi , his greatest hit smash . Jules , finally , directed two failed movies as A dream of passion (1978) and A circle of two (1980)

The Law exists somewhere in the realm between a Hollywood soap opera and a European art film, with a dash of sexploitation.

This film is all about power--how one gets power, how one can use power (to lay down The Law, or lose power, and how power relates to sex. This film is all about sex. Sometimes, it feels like it's all about Gina Lollobrigida's boobs.

The all-star European cast are all good, especially Lollobrigida and Yves Montand, who has the meatiest role in the film, as a complicated local hoodlum who wants his son to become a lawyer, who wants to be the one to lay down The Law, and who very badly wants Gina Lollobrigida, who doesn't want him in the slightest.

Sometimes, the film approaches high camp, such as a couple of odd and unexpected musical numbers, and when Marcello Mastroianni and Gina Lollobrigida romp in the surf amidst a flock of sheep, or when Gina Lollobrigida is strapped to a table by her mother and a couple of jealous maids and whipped (and with a bowl of hot chilis behind her head that's photographed to look like a halo).

It's a gorgeous film to look at. There's Gina Lollobrigida's boobs. And then there's the quaint, crumbling little backwater Italian fishing village, sumptuously photographed in that deep, saturated mid-century black and white. And there's the sea. It looks straight out of a Fellini film.

Jules Dassin's direction is lively and stylish, and keeps the film eminently enjoyable throughout. He veers effortlessly between the comedic and the sinister and the sexy, often in the same scene.

But, although I found the films very enjoyable to watch, I do have some problems with it. It felt sometimes that Dassin was trying to cram in as much of the material from the novel as possible, even when it didn't best serve the film. There were multiple storylines unfolding, but the film's two-hour running time was not enough to accommodate them in any depth. And so the film meandered back and forth between characters and situations without a great deal of focus. I think Dassin would have done well to trim a couple of the storylines entirely, which weren't fleshed out enough anyway.

Still, though, this was solid entertainment. 8/10