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It! Der Schrecken lauert im All

Originaltitel: It! The Terror from Beyond Space
  • 1958
  • Approved
  • 1 Std. 9 Min.
IMDb-BEWERTUNG
6,0/10
6626
IHRE BEWERTUNG
Ray Corrigan, Shirley Patterson, and Marshall Thompson in It! Der Schrecken lauert im All (1958)
The first manned expedition to Mars is decimated by an unknown life form which stows away on the rescue ship.
trailer wiedergeben1:12
1 Video
99+ Fotos
HorrormonsterWeltraum-Science-FictionHorrorScience-FictionThriller

Die erste bemannte Expedition zum Mars wird von einer unbekannten Lebensform dezimiert, die sich auf dem Rettungsschiff einnistet.Die erste bemannte Expedition zum Mars wird von einer unbekannten Lebensform dezimiert, die sich auf dem Rettungsschiff einnistet.Die erste bemannte Expedition zum Mars wird von einer unbekannten Lebensform dezimiert, die sich auf dem Rettungsschiff einnistet.

  • Regie
    • Edward L. Cahn
  • Drehbuch
    • Jerome Bixby
  • Hauptbesetzung
    • Marshall Thompson
    • Shirley Patterson
    • Kim Spalding
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    6626
    IHRE BEWERTUNG
    • Regie
      • Edward L. Cahn
    • Drehbuch
      • Jerome Bixby
    • Hauptbesetzung
      • Marshall Thompson
      • Shirley Patterson
      • Kim Spalding
    • 149Benutzerrezensionen
    • 77Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    Trailer
    Trailer 1:12
    Trailer

    Fotos119

    Poster ansehen
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    Poster ansehen
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    + 113
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    Topbesetzung16

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    Marshall Thompson
    Marshall Thompson
    • Col. Edward Carruthers
    Shirley Patterson
    Shirley Patterson
    • Ann Anderson
    • (as Shawn Smith)
    Kim Spalding
    • Col. Van Heusen
    Ann Doran
    Ann Doran
    • Mary Royce
    Dabbs Greer
    Dabbs Greer
    • Eric Royce
    Paul Langton
    Paul Langton
    • Lt. James Calder
    Robert Bice
    Robert Bice
    • Maj. John Purdue
    Richard Benedict
    Richard Benedict
    • Bob Finelli
    Richard Hervey
    • Gino Finelli
    Thom Carney
    Thom Carney
    • Joe Kienholz
    Ray Corrigan
    Ray Corrigan
    • It
    Stuart Hall
    Stuart Hall
    • Reporter
    • (Nicht genannt)
    Mike Morelli
    • Reporter
    • (Nicht genannt)
    Monty O'Grady
    Monty O'Grady
    • Reporter
    • (Nicht genannt)
    Bert Stevens
    Bert Stevens
    • Reporter
    • (Nicht genannt)
    Pierre Watkin
    Pierre Watkin
    • Spokesman at Press Conference
    • (Nicht genannt)
    • Regie
      • Edward L. Cahn
    • Drehbuch
      • Jerome Bixby
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen149

    6,06.6K
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    Empfohlene Bewertungen

    8Rabh17

    20 years before Ripley told everyone to shut-up

    I dug this one out of the dust bin and was quietly amazed at the simple, yet straight on-target focus of this movie. Yes-- Alien borrowed the basic setup from this 1958 setup. And yes-- Alien did it BETTER, ICKIER, and SCARIER. But hey, this was 1958!

    The script is actually very down to earth and intelligent. The snippets of Sci-Fi Factoids actually made sense for what people popularly knew about Mars back then. The women were still women of that era, but they were intelligent and level headed. No Screaming. No fainting. No Falling down and spraining of slim ankles because of fashionable stiletto heels.

    The fact that the movie is B&W is a plus in terms of the monster and the make-up. Let's face it-- in most scary movies, the scariest moment is when the camera is DARK and there is almost no color. Here, the shadows hide that fact that the monster is a guy in a heavy rubber suit. And in 1966, this movie frightened me enough to keep me awake all night.

    Fun spots:

    1-- Guns, LOTS of handguns, Rifles, grenades, crates of 'em-- gods, they even got a BAZOOKA! And they're shooting them all off inside a tin can in Outer Space. Man, they built them thar spaceships like battleships! And they're ALL good shots because not one single bullet ever sets fire to a VITAL control panel. Wow!

    2-- The women pour coffee and make sandwiches for the men. Ah. . .Heaven!

    If you and your friends are Sci-Fi buff, despite being dated, this 'B' Classic is worth a Saturday Night Oldies Flick.

    Just ask POLITELY: Girls, can we have some sandwiches?
    6jluis1984

    Maybe outdated, but still delivers

    When one watches a 50's space movie, it's very easy to make fun of how outdated they are. Of course, now that we know how to travel to space it is easy to say it, but in those movies, they had to imagine how would it be to do that. It's unfair to judge them with the knowledge we have now.

    With that said, I think that "It! The Terror from Beyond Space" is one of the best 50's space horror b-movies that was done in those long lost years. Sure, under our conception of sci-fi the movie is seriously outdated, but judging it in its time frame, it was a very good movie in its day.

    The story is as follows: In 1973, the first mission to Mars failed, so another spaceship was sent to rescue the crew . Only Col. Edward Carruthers is found alive, and thus is the only suspect of the murders of the rest of his crew. But Carruthers claims that he was not the killer, something else did, and now it is inside their ship.

    Suspense and mystery are handled very well in this movie, with a script that later was used as inspiration for the highly influential "Alien" more than 20 years later. Sci-fi writer Jerome Bixby creates a very well thought plot that, while it has typical 50s odd one-liners, it still moves straight-forward and both the plot and the characters are developed to a good level.

    Certainly, the acting is not the best, and maybe this is were the film lacks quality. Nevertheless, Marshall Thompson as Col. Carruthers, carries the film with grace as the main suspect of the killings.

    The SFX are of mediocre quality even for its age, nevertheless, director Edward L. Cahn does the intelligent thing and keeps the creature in the darkness, making the menace of what lurks in the shadows a more powerful presence. Black and White photography helps with the task, and gives the film a noir beautiful look that in color would not had worked that good.

    To summarize, it is a very outdated film, but if you want to know how were space horrors in the years before Apollo 11, you will be surprised at how good it is. Also, this film is a MUST see for fans of the "Alien" series. Among the best 50s B-movies. 6/10
    6fertilecelluloid

    Low budget, high concept, skilfully realized

    When I first saw this film on late night TV, I was hypnotized by its atmosphere and clean, deceptive surfaces. There was a lot of light and shade and the monster was kept off-screen for as long as possible. The claustrophobia of the situation eventually got to me and I didn't survive my first screening. When the film screened again, I survived it, and I enjoyed the suspense. I liked the monster, too, because at seven year's old, I was oblivious to the zipper up the back.

    Even now, I still like "It The Terror From Beyond Space". Clearly, along with van Vogt's 'Voyage of the Space Beagle' (a great novel from a great novelist) and Bava's "Planet of the Vampires", these three works were the inspiration for "Alien". The architecture of "It" clearly wasn't an inspiration for Scott's film, so Scott went and dirtied his ship up instead. And I'd hazard a guess that Bava's footage of the astronauts on the vampire planet is what caught Ridley's attention.

    The plot of "It" is akin to "Alien" and so are some of the set-ups. The claustrophobic environment in "It" is still impressive, as is the spare sound design and use of simple sonics.

    "It" moves along briskly and features some exciting action sequences as the spaceship's crew members are stalked by the marauding extraterrestrial.

    Low budget, sure, but a high concept skilfully realized.
    jmcd7910

    THis movie scared the hell out of me in 1960

    I haven't seen this movie in 46 years, but the thing I remember about it is the fact that I was so terrified watching it, at nine years of age at the Lincoln Theatre in Kearny, NJ, that I had to leave before it ended. I didn't sleep well for many nights after that.

    There was a scene I remember where a crew member opened an air duct access hatch (or what, as I recall now, looked like one), and a hand fell down in front of him, obviously belonging to a dead colleague of his. The creature had stuffed the body in the ductwork. That was all I could take. I threw my comic book (I always bought one for 10 cents on my way to the movies on Saturday afternoons. My mom would give me 35 cents, 10 for the comic and a quarter for the double feature with cartoons in between) up in front of my face so I couldn't see, and ran up the center aisle, out the doors, and away from that horror. I saw just about every monster/horror/sci-fi movie made in the 1950's on one or another of those wonderful Saturdays at the Lincoln Theatre, and the only other one that made me run out was House on Haunted Hill.

    What I wouldn't give for another chance to see two movies and three cartoons for a quarter, through the unjaded eyes of a nine-year old boy, still able to be scared out of my wits by a guy in a rubber suit.
    7planktonrules

    Sort of a precursor to ALIEN

    In many ways, this film looks as if it was inspired by THE THING and in turn, this film seems to have inspired ALIEN. There are a lot of similarities to each other--and all are excellent and very tense sci-fi thrillers.

    The film begins with an astronaut under arrest and on his way back to Earth from Mars. It seems that his ship was the first on the planet and when a rescue crew arrived, only one man was left from the crew--the others had been murdered or just disappeared. Logically, they assume that the surviving crew member had killed his comrades, so they pack him aboard and take him back for a court martial. However, what no one realizes is that they also have accidentally transported the REAL killer on the ship as well and after a while, its insatiable blood-lust is unleashed. While it looks like they are all about to die, there is a bright side--at least now they know that the guy under arrest is innocent! The rest of the film consists of the crew's efforts to stop the monster and make it back alive--and it sure doesn't look like it will be easy.

    The look of the ship is very much like a 50s sci-fi film, but it looks a little better--larger and less fake than you'd find in a typical rocket film of the day. The acting also is pretty good, as is the script and the monster costume is pretty decent It's obvious that this movie was not just tossed together and is definitely a better than average film of the genre. The only negative, and it's a minor one, is that the film (like the others listed above) is rather claustrophobic. Still, it's dandy and intelligent entertainment.

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    • Wissenswertes
      The mask of the monster suit was altered considerably. When Ray Corrigan was fitted for the suit, the mask was initially too tight. Paul Blaisdell, who made the suit, had to remove and rebuild the monster's lower jaw so the mask would fit better. Unfortunately, Corrigan's chin stuck out through the opening made in the mask. Blaisdell made up his chin to look like the monster's tongue. The mask's original eyes (large and catlike, a Blaisdell trademark) were also removed; the eyes you see behind the mask are actually Corrigan's.
    • Patzer
      Van Heusen opens the reactor shield to try to kill the monster, but it smashes through the door to escape. He doesn't reseal the shield, though. The adjoining space, the one with the man with the broken leg, should have been flooded with deadly radiation ("enough to kill a hundred men" as Van Heusen notes).
    • Zitate

      Lt. James Calder: Mars is almost as big as Texas. Maybe it's got monsters.

    • Verbindungen
      Edited into Invisible Invaders (1959)

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    Details

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    • Erscheinungsdatum
      • 9. November 1958 (Vereinigtes Königreich)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • El terror del más allá
    • Produktionsfirma
      • Vogue Pictures
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    Technische Daten

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    • Laufzeit
      • 1 Std. 9 Min.(69 min)
    • Farbe
      • Black and White

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