IMDb-BEWERTUNG
6,9/10
4065
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn ill-behaved, lovably scruffy painter, Gulley Jimson, searches for a perfect canvas, determined to let nothing come between himself and the realization of his exalted vision.An ill-behaved, lovably scruffy painter, Gulley Jimson, searches for a perfect canvas, determined to let nothing come between himself and the realization of his exalted vision.An ill-behaved, lovably scruffy painter, Gulley Jimson, searches for a perfect canvas, determined to let nothing come between himself and the realization of his exalted vision.
- Für 1 Oscar nominiert
- 5 Gewinne & 6 Nominierungen insgesamt
Renee Houston
- Sara Monday
- (as Renée Houston)
John Adams
- Police Officer
- (Nicht genannt)
Chris Adcock
- Workman
- (Nicht genannt)
Andy Alston
- Workman
- (Nicht genannt)
Timothy Bateson
- Clerk to Borough Surveyor
- (Nicht genannt)
Victor Brooks
- Foreman
- (Nicht genannt)
Peter Bull
- Man in Taxi
- (Nicht genannt)
Empfohlene Bewertungen
Confession time, I first saw 'The Horse's Mouth' around ten or twelve years ago, one afternoon on British television and hated it. Alec's "Gulley Jimson" seemed to me to be very un-likable and I found myself unable to get the point of the film. However, re-watching this on DVD, I found it to be far, far better than I remembered and something of a revelation.
I found myself identifying with "Gulley" this time around and appreciating Alec's subtle performance (to the extent that I was genuinely sad to see the film end). Guinness is backed by two astonishingly fine performances by Walsh and Houston (it's Rene's finest performance, for someone with a tendency to play 'broad' here she is remarkably subtle).
All in all, a wonderful if sadly under-rated film and one equal to Alec's best Ealing work.
I found myself identifying with "Gulley" this time around and appreciating Alec's subtle performance (to the extent that I was genuinely sad to see the film end). Guinness is backed by two astonishingly fine performances by Walsh and Houston (it's Rene's finest performance, for someone with a tendency to play 'broad' here she is remarkably subtle).
All in all, a wonderful if sadly under-rated film and one equal to Alec's best Ealing work.
This is probably my favorite movie. It may be overstatement to call a mere British comedy a timeless classic, but this outstanding movie, beneath its raucously madcap surface, has some very serious things to say about what it means to be an artist, to be driven by visions while living in a society that doesn't care. I think Guinness is the greatest actor of the century, and that his performance here as the maddening, irascible, impossible Gulley Jimson is the zenith of his movie roles. Kay Walsh, who partnered with Sir Alec in Tunes of Glory, is equally brilliant.
Having said that, I recently read Joyce Cary's novel, on which the movie is based, and I have to say that the book is much darker than the movie, which plays up the darkly comic scenes of the novel while diminishing - or even omitting - some of the darker moments. Still, the movie stands well on its own, even if it is a somewhat different entity than the book.
Having said that, I recently read Joyce Cary's novel, on which the movie is based, and I have to say that the book is much darker than the movie, which plays up the darkly comic scenes of the novel while diminishing - or even omitting - some of the darker moments. Still, the movie stands well on its own, even if it is a somewhat different entity than the book.
Ingenious, fun, silly, playful, entertaining, strange. All of these things represent not only the movie, but of Alec Guinness' portrayal of Gully Jimson, a grainy, foul mouthed old artist, trying to make it in life through his paintings. We're introduced to him from jail, and it unfolds in the sense where learning about him is also either liking or hating what life has brought him to be. Just make sure that you're not going to be an artist, or his protégé (who takes an awful lot of bullying). This is another forgotten film in time in that it's perfect casting, and perfect direction. It's an effortless viewing movie that will bring much satisfaction to viewers of any age, who aren't familiar with Alec Guinness' work besides the obvious. His passionate, sometimes surly characterization of a brilliant painter is one that should last for the ages.
Alec Guinness not only stars in what amounts to a one-man show as aging, struggling London painter Gulley Jimson, he also wrote the script. Funny he got an Oscar nomination for the writing, and not for the acting.
As Jimson, Guinness is a memorably growly, seedy type, testament to the artistic impulse of man running afoul of polite society. Even his nasty Fagin from "Oliver Twist" was affable company; Jimson tells off his young admirer Nosey (Mike Morgan) with a convincingly hoarse "Go do something sensible, like shooting yourself." It's all for laughs, of course, except when "The Horse's Mouth" gets mildly serious, mostly when Jimson holds forth on his vision of art.
"Half a minute of revelation's worth a million years of know-nothing," he tells his companion Coker (Kay Walsh).
"Who lives a million years?" is her sharp reply.
"A million people every 12 months."
"A Horse's Mouth" isn't always so smart. Walsh plays her part too shrill, Morgan his too moony, and the artist who provided Jimson's paintings, John Bratby, uses too much red. After establishing Jimson, Guinness's script doesn't do much with him. He paints some walls, gets into some trouble, and sails away, leaving others to bear witness to his "genius".
What I like most about this film, other than Guinness's fine acting and occasional scenes here and there that feature his character to good effect, is the vivid picture you get of London circa the late 1950s, double-decker buses with hoardings for Gordon's Gin and Ty-Phoo Tea on their sides. Also, director Ronald Neame finds interesting angles to frame the film from in order to give the on-screen action (rarely painting itself, but frequently static conversation shots) a bit of vitality, and often outside with lively streetscape backdrops.
This is like a David Lean movie once removed. Neame was Lean's cinematographer in his early days, Guinness was Lean's favorite actor, and Walsh was Lean's ex-wife. Even Anne V. Coates, later the Oscar-winning editor of "Lawrence Of Arabia", snipped this as well.
She deserved her Oscar; not so Guinness his nomination here. As a comedy, "The Horse's Mouth" is a bit of a miss. A scene of Jimson ruining a rich couple's penthouse apartment is painfully unfunny, especially when a sculptor friend of Jimson (Michael Gough) arrives out of nowhere to add to the mess. Most of the other business in the movie, like a struggle between Jimson and his ex-wife for a portrait of her he needs for painting money, feels like chopped-down scenes from Cary's novel mined for easy laughs, at some expense to story.
I didn't care much about Jimson by story's end, but I did enjoy his company, or rather that of Guinness playing Jimson, staring at a charwoman and fixated by her feet, "...old women's feet...thin, flat, long...clinging to the ground like reptiles". Like much else in regard to the movie, I'm at a loss to what it means, but I value the experience. That counts for something with art.
As Jimson, Guinness is a memorably growly, seedy type, testament to the artistic impulse of man running afoul of polite society. Even his nasty Fagin from "Oliver Twist" was affable company; Jimson tells off his young admirer Nosey (Mike Morgan) with a convincingly hoarse "Go do something sensible, like shooting yourself." It's all for laughs, of course, except when "The Horse's Mouth" gets mildly serious, mostly when Jimson holds forth on his vision of art.
"Half a minute of revelation's worth a million years of know-nothing," he tells his companion Coker (Kay Walsh).
"Who lives a million years?" is her sharp reply.
"A million people every 12 months."
"A Horse's Mouth" isn't always so smart. Walsh plays her part too shrill, Morgan his too moony, and the artist who provided Jimson's paintings, John Bratby, uses too much red. After establishing Jimson, Guinness's script doesn't do much with him. He paints some walls, gets into some trouble, and sails away, leaving others to bear witness to his "genius".
What I like most about this film, other than Guinness's fine acting and occasional scenes here and there that feature his character to good effect, is the vivid picture you get of London circa the late 1950s, double-decker buses with hoardings for Gordon's Gin and Ty-Phoo Tea on their sides. Also, director Ronald Neame finds interesting angles to frame the film from in order to give the on-screen action (rarely painting itself, but frequently static conversation shots) a bit of vitality, and often outside with lively streetscape backdrops.
This is like a David Lean movie once removed. Neame was Lean's cinematographer in his early days, Guinness was Lean's favorite actor, and Walsh was Lean's ex-wife. Even Anne V. Coates, later the Oscar-winning editor of "Lawrence Of Arabia", snipped this as well.
She deserved her Oscar; not so Guinness his nomination here. As a comedy, "The Horse's Mouth" is a bit of a miss. A scene of Jimson ruining a rich couple's penthouse apartment is painfully unfunny, especially when a sculptor friend of Jimson (Michael Gough) arrives out of nowhere to add to the mess. Most of the other business in the movie, like a struggle between Jimson and his ex-wife for a portrait of her he needs for painting money, feels like chopped-down scenes from Cary's novel mined for easy laughs, at some expense to story.
I didn't care much about Jimson by story's end, but I did enjoy his company, or rather that of Guinness playing Jimson, staring at a charwoman and fixated by her feet, "...old women's feet...thin, flat, long...clinging to the ground like reptiles". Like much else in regard to the movie, I'm at a loss to what it means, but I value the experience. That counts for something with art.
"Horse's Mouth" certainly stands up well in it's advanced age; at 45 years old it has remained as timeless as any of the great comedic films.
One IMDb writer has tagged Gully as a "vulgar" painter, which goes to show that the sensitivities this film violated are still around. Pinching your loving ex's bum and tickling the rich lady's knee (shades of Groucho), though, are pretty tame today.
Gully Jimson is a rich character, Chaplin-like, who single-mindedly pursues painting while disillusioning aspiring young Nosey about the artist's life. All growled on tiptoes by one of film's classic great actors.
Jimson is a man who's given up all else, including health, wealth, conventional relationships, to live in a leaky houseboat with a vision. But as the story develops it, like all great literature, manages to puncture almost all of life's rationalizing balloons. Jimson is valorized as is Don Quixote, without suggesting that his hero's journey is a painless one.
All is set in a colorful environment with a delightful if conventionally unpolished cast, all the improbably gleeful turns that make the Marx movies so delightful, and a director who contrives seamlessly with Guiness to create a clever and hilarious marvel that can be enjoyed over and over.
Heck yeah, there's even a chase scene! And pull your socks up!
The DVD version includes a short by Pennebaker that feels as fresh and contemporary, accompanied by a Duke Ellington tune, which played along with "Horse's" original release.
One IMDb writer has tagged Gully as a "vulgar" painter, which goes to show that the sensitivities this film violated are still around. Pinching your loving ex's bum and tickling the rich lady's knee (shades of Groucho), though, are pretty tame today.
Gully Jimson is a rich character, Chaplin-like, who single-mindedly pursues painting while disillusioning aspiring young Nosey about the artist's life. All growled on tiptoes by one of film's classic great actors.
Jimson is a man who's given up all else, including health, wealth, conventional relationships, to live in a leaky houseboat with a vision. But as the story develops it, like all great literature, manages to puncture almost all of life's rationalizing balloons. Jimson is valorized as is Don Quixote, without suggesting that his hero's journey is a painless one.
All is set in a colorful environment with a delightful if conventionally unpolished cast, all the improbably gleeful turns that make the Marx movies so delightful, and a director who contrives seamlessly with Guiness to create a clever and hilarious marvel that can be enjoyed over and over.
Heck yeah, there's even a chase scene! And pull your socks up!
The DVD version includes a short by Pennebaker that feels as fresh and contemporary, accompanied by a Duke Ellington tune, which played along with "Horse's" original release.
Wusstest du schon
- WissenswertesWhen Nosey offers Bisson a bowl of stew, Michael Gough's voice on the soundtrack says "Buzz off!" but his lips form the words "Drop dead!" Presumably the line was changed when Mike Morgan died suddenly before the movie was released.
- PatzerWhen Nosey tries to feed Lolley while she's posing nude for Abel's sculpture, it's briefly revealed that the actress is in fact wearing a top.
- Zitate
Gulley Jimson: Go and do something sensible, like shooting yourself! But don't be an artist!
- SoundtracksLieutenant Kijé Op. 60
Written by Sergei Prokofiev (as Prokofieff)
Arranged by Kenneth V. Jones
Conducted by Muir Mathieson
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Horse's Mouth?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- The Horse's Mouth
- Drehorte
- Wormwood Scrubs Prison, Du Cane Road, East Acton, London, England, Vereinigtes Königreich(exteriors Gulley Jimson leaving prison)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Des Pudels Kern (1958) officially released in India in English?
Antwort