High School Hellcats

Essentially it's a classic exploitation film from the 50's. Good girl hanging with the wrong crowd in order to fit in, toss in a little romance, and some inevitable violence. Overall, a classic film for those in love with the 50s. amazing fashion, and perfectly representing the era. Also quite in line with traditional film noir acting. if you can't take film noir, you WILL hate every minute of this movie. If you can however appreciate the style, you'll love every second of it. Great as a comparison to our modern culture. highly recommended. Extremely quotable. It's also a short film, so it doesn't drag on or move too slowly, which is nice. If you're into rockabilly or 50's subculture, it's a must see, otherwise, i'd probably pass it by.

New high school student, Joyce Martin (Yvonne Lime) is just trying to get along. Unfortunately, she's on the radar of the troublemaking, all-female gang of the title.

Poor Joyce gets into some trouble of her own by violating the school's "no slacks" policy! Luckily, she meets the dreamy Mike Landers (Brett Halsey) at the local malt shop. Alas, he seems powerless against the magnetic pull of the gang gals!

Unbeknownst to Mike or Joyce's oblivious parents, she's falling ever deeper into the dark netherworld of THE HIGH SCHOOL HELLCATS!

They smoke! They drink! They steal! They wear slacks!

Soon, Joyce is running with the pack, much to Mike's chagrin. Will Joyce ever return to her goody-three-shoes ways, or will she follow these hellions on their road to perdition?

This is a fantabulous, drive-in ready, AIP release! A gift from the gods for lovers of the "Juvenile Delinquent" sub-genre!...

SUSANNE SIDNEY as "Dolly Crane" - see the pun in the name - steals the movie with her misplaced values (prides herself on teaching new girls how to steal). Would I be going too far to suggest there is a subliminal lesbian sado-masochist message in this campy romp? If ever I saw Freudian images, it was Dolly constantly playing with her knife, throwing it (which opened the credits) and gouging a tree while the "new" girl is ordered to make a date with another's girl boyfriend.

Joyce's dad spends most of his waking hours with his nose buried in a newspaper, complaining about nothing in particular, and using a suspicious amount of time commenting on his daughter's lipstick color and states of undress. Mama likes to play bridge and then come home to prepare her culinary specialty, Swanson's Turkey Roll with Assorted Vegetables and Asparagus Upside Down Cake TV dinner. Is it any wonder only child Joyce is drawn to the local high school girl group, the Hellcats. The Hellcats specialize in such deep criminal depravities as smoking, drinking, wearing slacks, and shoplifting $1.98 earrings from the local five and dime. Ma Barkers they ain't. But eventually something serious enough does happens that it makes Joyce have second thoughts about the path she is on.

Not quite funny enough to be camp, not quite bad enough to be a total waste, this is another in the series of where did the parents go wrong with their teens and thank goodness it only takes one death to turn things around. Not bad for the genre and entertaining for those who enjoy watching a lot of nose cone bras maneuvering around in tight spaces. And since it only runs 69 minutes, you don't feel too guilty, having spent such a short amount of time watching it.

Yvonne Lime is the new girl in school, and on her first day, she meets the Hellcats, an all-girl gang lead by Jana Lund. Lund tricks Lime into wearing slacks to school the next day, which is not allowed. (!!!) Having proven that she has guts, Lime is initiated and joins the gang and starts living wildly. It's all fun until a girl falls down the stairs and dies, and Lime turns against the gang with the help of her stand-up boyfriend Brett Halsey and sympathetic teacher Rhoda Williams.

This flick was one of two juvenile delinquent pics produced by Buddy Rogers (Mary Pickford's husband) and Ferde Grofe Jr. (son of film composer Ferde Grofe) for A. I. P. It's like a slightly inferior versions of the films Roger Corman was turning in during the same period. It's fun, but nothing to get excited about.