Sein Colt war schneller

Making his way home to Texas, Tom Buchanan stops off at the little town of Agry for rest and refreshments. Quickly finding that the town is run by the family Agry itself, Buchanan falls foul of one of them straight away. His problems are further compounded when he steps in to stop a young Mexican from taking a beating. Something that finds him on the end of a rope with things looking rather grim.

How you fare with Buchanan Rides Alone may depend on how many (if any) Budd Boetticher and Randolph Scott collaborations you have seen prior. For this adaptation of Jonas Ward's novel "The Name's Buchanan" is lighter in tone than their other well regarded pieces. Not to decry this as a standalone picture of course, but although it's part of the "Ranown" cycle, it's a long way from the more "Adult Western" richness of The Tall T, Ride Lonesome and Comanche Station for example. Conversely the other way is also true, if this is the first one you sample from the duo, and you enjoy it, well you may not take to the deeper themed, harsher other films in their cannon.

Buchanan Rides Alone gets in a does a job without any fuss or boring filler play. Randolph Scott as Buchanan clearly is enjoying adding a bit of comic zip to proceedings, with Boetticher evidently happy to keep things smooth for the one hour and twenty minutes running time. Fine support comes from Barry Kelley, Tol Avery and the irrepressible L.Q. Jones, whilst Lucien Ballard was the obvious and right choice to photograph the Old Tuscon location. Not one to take too seriously, but enough drama to keep one interested, and certainly one that gives notice to what a fine and undervalued performer Randy Scott was. 6.5/10

I'm familiar with Scott's work and am a fan. This film doesn't quite fit in with films like The Tall T, Ride Lonesome, Decision at Sundown etc. Scott shares the screen with lots of supporting characters- LQ Jones, Craig Stevens and all the Agry men. The film opens with Scott happily heading to West Texas via Agry after a profitable Mexican run. He just wants food, probably something of a binding nature and drink. What no women? Only one woman here of interest- Barbara James uncredited as Nina the judge's Mexican housekeeper. Scott has barely any interaction with any females-Jennifer Holiday. Our Scott stands for loyalty, bravery, a fair fight, love of your belt, gun and Texas. I'll give him that. There is no compelling villain here as the Agry's are a bunch of double dealing B movie bumblers. Amos Agry reminds me of a young Andy Devine. Scott is good as a very relaxed murder defendant in a back barroom courtroom. This flick therefore falls toward the lower rung of the RS canon IMHO. I'd see it again, but I'd be riding lonesome.

High quality Boetticher western that succeeds on almost every front.

Scott is first class, less taciturn than usual and displaying a gift for wry humour not always evident in his performances. The supporting cast is well above average and Barry Kelley, Tol Avery and Peter Whitney, in particular, are all excellent, playing their parts to near perfection.

The scenery, both in and out of the town is wonderfully evocative - cacti to die for! - the guitar music is hauntingly beautiful and the colours are bright and pleasing.

If I have a criticism at all, it is that the plot is a little too convoluted - too many twists and counter twists - but, in the face of so much that is good, this is but a minor quibble.

Incidentally, the only women in the production have such tiny roles, they are not even named in the cast list. So no-one "gets the girl" this time round!

While the western genre is not my favourite one of all film genres (not sure which one is my favourite due to trying to appreciate them all the same), there is a lot of appreciation for it by me. There are a lot of very good to great films, with the best work of John Ford being notable examples.

One of seven films director Budd Boetticher made with lead actor Randolph Scott in the late 50s (a great pairing), 'Buchanan Rides Alone' is a fun worthwhile film, very interesting too for being tonally different, that doesn't disgrace either of them, both in fact are fairly well served. It is far from one of their best collaborations, for me it is one of their weaker ones but only because 'Seven Men from Now' and 'The Tall T' particularly set a high standard. It is of good interest though and doesn't deserve to be overlooked.

'Buchanan Rides Alone' has flaws. It does at times get over-complicated and the ending is rushed and underplayed, perhaps ridiculous too.

The film does lack the depth of characterisation that Boetticher/Scott's best outings had, with the villains being rather one-dimensional.

However, Scott has fun and is very likeable here, of his films with Boetticher it's with 'Buchanan Rides Alone' that contains the most likeable main character. The supporting cast are not quite on the same level but do give above average performances if never quite standing out properly, with only Craig Stevens not quite fitting.

What is immediately noticeable and intriguing about 'Buchanan Rides Alone' is its tone. Instead of the tense and elegiac tones from their other films, this adopts a more cheerful and humorous edge, with a snappy, lean (with no ramble or fat to distract) and often very funny script and lively pacing where the film never gets dull. The story is compelling and entertains and intrigues, although for my tastes as said there is a little too much going on and clarity suffers.

Boetticher directs efficiently and the music fits very nicely, having presence but never getting over-bearing. 'Buchanan Rides Alone' is a great looking film, the photography in particular being beautiful to watch.

Summarising, a fun ride and worth a look. Boetticher and Scott did better though. 7/10 Bethany Cox

The fourth collaboration between Boetticher and Scott does not quite measure up to its predecessors but is enjoyable enough. Scott plays an easy-going stranger passing through a town run by a dastardly family. Of course, he has a run-in with the family and ends up in jail. Stevens, who played Peter Gunn on a popular TV series that started the same year as this film came out, plays a somewhat shady character here. L.Q. Jones, who made a career out of playing nasty villains, gets to play a clean-cut good guy here. Unlike the previous films in this series, this one has no female characters; it would have perhaps benefited from having a love interest for Scott.