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The Big Country was passed over by the professional critics as being empty, ernest, and not enough sweep to be called a true epic. Well, I remember seeing The Big Country and was properly swept off my feet by the grand scale of the Big Country, the death feud between Burl Ives and Charles Bickford, the shaky and doomed romance between Gregory Peck and the spoiled Carroll Baker and the quiet understanding between Peck and the lovely Jean Simmons, but most of all, the thing that propelled me to see The Big Country over and over was the magnificant score by Jerome Moross. Sure, I could site many scores that have aided films to glory, Max Steiner for The Letter, Maurice Jarre for Lawrence of Arabia, Miklos Roza for an excellent score for a weak epic Land of the Pharaohs, and Hans Zimmer for an excellent score for a great epic Gladiator but I still say that for a western you can't get any better than the magnificant score for The Big Country. The sweep and majesty and the quiet moments of Jerome Moross's music sets the tone for this truly underated movie. United Artist released the music on LP and I wore mine out along with my neighbors complaints, I now own an excellent CD produced by SILVA SCREEN which I can't wear out. All in all see The Big Country on your big screen in Widescreen and give yourself a real treat. Who needs Giant?

A delightful movie with particularly strong characters that pound the silver screen (in a good way)

No one actor steals the show making for a balanced film without any downturns.

Beautifully shot and excellently paced.

Great western :)

When Jim McKay (Gregory Peck) stepped off the stagecoach in the open range of the West, Steve Leech (Charlton Heston) was already his excellent rival and adversary...

Steve - Major Terrill's strong right arm - was in love with the beautiful Pat (Carroll Baker) daughter of his boss, who intends to marry the innocent handsome Captain...

Soon than expected, McKay discovered a bitter blood feud between the Terrills, owner of a huge ranch, and the Hannasseys, simple mountain men..

Extreme hatred united the two families, the two cattlemen Major Terrill (Charles Bickford) and Rufus Hannassey (Burl Ives).

Julie Maragon (Jean Simmons) was a strategic factor in the conflict... She was the key to supply water... Both, Terrill and Hannassey wanted her part of land to have their cattle watered, but she always said 'no' to either... Why not to say 'yes' now to Jim McKay! Julie was touched by his honesty, a quality she admired in a man...

Jim, a perfect gentleman - suffering humiliation since his arrival to the big country - grew to unlike Pat's ideas and manners which were in a primitive set of values... He became aware of Julie as a sensitive woman, an understanding human being with great heart...

When Julie is kidnapped by the Hannassey, McKay goes to meet Rifus... He wins esteem and consideration from the old man but fails to refrain a hostile confrontation between the two selfish, inflexible old barons...

"The Big Country" is distinguished by its magnificent landscapes... The high, wide and impressive buggy ride spread out a lavish, sumptuous scale of the State of Texas as never has been carried to the silver screen..

The film is about land and its influence and power over people... A story that can occur everyday in every country, zone and family... The love, the hatred, the war for land, for power, for water rights... always for an asset!

Gregory Peck is outstanding as the calm anti-traditional hero, balancing a deed of bravery, strength and endurance...

Jean Simmons is a big leading lady at that time, big enough to the 'Big Country.'

Carroll Baker, famous as the thumb-sucking child-wife in "Baby Doll," is Charles Bickford's willful daughter, acting according to his law and dictate...

Charlton Heston confirms a favorable impression by giving an excellent account as the grinning, menacing rival in love with the land and with McKay's attractive fiancée...

Burl Ives - Winner of the Academy Award as Best Supporting Actor in the film - is impeccably cast as the gray-haired patriarch of a shameful, indecent, discourteous clan...

Charles Bickford (1891-1967) could play as easily the sincere man of virtue ("Duel in the Sun") as the dishonest villain... His generous character and his stubborn face fitted him perfectly to such roles as the proud misguided patriarch led by false and mistaken ideas in the range against Burl Ives...

Chuck Connors (1921-92) is always remembered for his success on T.V. notably in "The Rifleman" series (58-63). Here he plays the heavy coward, the rude and vulgar, the hypocrite impolite noisy disorderly son...

Directed by William Wyler, "The Big Country" is a spectacular Western featuring a brilliant cast at top shape...

If you like big action, big fights, big love, don't miss it!

As a rule, I don't like westerns. This isn't because I'm a city slicker (though now, I do live in a city). I grew up in rural Eastern Oregon where "real" cowboys still herd their cattle through the center of town in John Day, Oregon. My stepfather owned a 10,170 acre cattle ranch. After being raised among "real" cowboys, the Hollywood versions tend to leave me flat. The Big Country was an exception.

Jim McKay (Gregory Peck) introduced us to a different kind of man, far different than most stereotypical men of the Wild West. If I were to compare McKay's character to any other film character, it would be Ghandi. He's a man who doesn't feel obliged to seek the approval of others ... a man who believes that violence doesn't need to be used to solve problems. His secret ride of Old Thunder, making Ramon (Alfonso Bedoya) swear to keep quiet regardless of the outcome, set the tone for McKay's character. His later secret fight with Steve Leech (Charleton Heston), making him swear to keep quiet regardless of the outcome, cemented that tone. This was a REAL man whose opinion of himself was not dependent upon anyone else's opinion ... in stark contrast to anyone else in the film outside of Julie Maragon (Jean Simmons). As Ramon said, "Such a man is very rare."

Outside of McKay, my #2 favorite character in the film was Rufus Hannassey (Burl Ives). I found nothing about him distasteful considering he was a character whose back was against the wall ... whose livelihood was threatened. The things he did make perfect sense in such a situation. His only flaw was his obvious poor parenthood. He really blew it with Buck (Chuck Connors) and Buck's siblings were of the same ilk.

I'm so glad that MGM/UA finally released the widescreen version in 2001. This is a film that deserves such a presence. It may not be playing in theaters anymore but seeing it in any other display size takes so much away from it. I've seen the pan/scan version before and will never go back.

One note. The full listing of writing credits for the film adaptation is lacking. "Ambush In Blanco Canyon," originally serialized in a magazine, was later novelized into "The Big Country" by Donald Hamilton ... and Hamilton also worked on the adaptation as well as Leon Uris ("Topaz," "Exodus," "Gunfight At the OK Corral," etc.).

This epic film was not lacking for anything. It had the best writers, the best actors, the best musical score, and the best scenery of any other film of its time ... western or otherwise. And the film remains one of my favorite films of all time.

As several characters state in the film, "This is a big country" and THIS is a BIG MOVIE. It screams out for widescreen viewing. Many of the characters are largely and broadly drawn with big strokes (stubborn Peck, fiery Baker, resentful Heston, righteous Simmons, imperious Bickford, cantankerous Ives and slithering Connors) yet they all are dwarfed by the huge landscape. Tall men, horses, trees and houses are all presented as so many ants on an ant hill in many of the images. The film has a compelling story and intriguing interpersonal relationships and rivalries which are all enhanced by this larger than life approach. The landscape is sometimes awe-inspiring, notably in the Blanco Canyon scenes near the end of the film. Peck is appropriately straight-laced and uncomfortable in this rough & tumble setting, lovely Simmons is a likable heroine and Baker is an effective daddy's girl with misplaced affections. Connors acquits himself very nicely as a thoroughly detestable punk. Heston comes off extremely strong in this film. He's completely at home and was probably never more handsome (check out the scene in which he's roused from his bed by Peck!) He makes the most out of this secondary role. Bickford and Oscar-winning Ives make a great pair of adversaries...almost makes one wish for a prequel to see what got these two so riled up (but today's filmmakers couldn't be counted upon to do it in a tasteful, classy way.) Memorable scenes include the taunting of Peck by Connors and his brothers, Ives grand entrance into Bickford's house and an almost legendary fight scene between Heston and Peck. All of the above are raised to an even higher plane of excellence by what must be one of the greatest musical scores in film history (western or otherwise.) Jerome Moross composed several themes (the opening title is the best known) which put this film into a whole new category of enjoyment. The score stands alone as a beautiful listening experience and paired with the images in this film, it is amazing. It occasionally seems intrusive, yet knows when to keep quiet as well. The Oscar that year went to Tiompkin's "Old Man and the Sea", but it seems astonishing that anything could have bested this score. The film's only real flaw is slight overlength, but nothing really stands out as aching to be cut! Maybe just bits and pieces....but, really, the story just takes it's time and builds to some stirring moments.