Füge eine Handlung in deiner Sprache hinzuSet against the picturesque springtime in Paris, the President of France's daughter marries a buttoned down cabinet official, but after her new husband starts stepping out behind her back, t... Alles lesenSet against the picturesque springtime in Paris, the President of France's daughter marries a buttoned down cabinet official, but after her new husband starts stepping out behind her back, the young bride takes off for the Riviera.Set against the picturesque springtime in Paris, the President of France's daughter marries a buttoned down cabinet official, but after her new husband starts stepping out behind her back, the young bride takes off for the Riviera.
- L'ambassadeur
- (as Harry Max)
- Le général
- (as Marcel Pérés)
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It's an admittedly light piece but it's incredibly charming. While some may fault it as a product of it's time, I found that completely enjoyable. Worthy of a rental.
Brigitte Bardot acted naturally ,with a drawling voice and a roguish look ,and this "Petit Je Ne Sais Quoi " which made her THE greatest French sex symbol of all time;she did know she was hot and very attractive but she did never take it too seriously;she already showed her love for animals in the scene when she pampered the dog;Charles Boyer was aging at the time and was too old for a prince charming.
As for her hubby in the film,Henri Vidal,this is one of the saddest stories in the history of the French cinema:addicted to heroin since he was 17,although he tried detox ,he had only two years left to live ;he was to meet again BB in "Voulez-Vous Danser Avec Moi"with the same director (Boisrond), his final role (1959).
What makes this movie, is its slapstick - from beginning to end. 'Parisienne's' story only serves to get these effects right. Your special attention for its ending, when Brigitte irresistably invites her viewers to keep her secret a secret.
When you settle on your sofa in the weekend, weary and tired after a week's hard work, 'Une Parisienne' is the right movie to make you feel better.
This film is your true & well worked-out light comedy, with a good and coherent story. Set in France's government circles in the late 1950's, it entertains from beginning to end. Providing many amusing twists & turns and some slapstick -- all acted out by at least three starring leads, including Bardot.
"Une Parisienne" (= French for "female inhabitant of Paris") focuses on telling a story, not on showing Brigitte Bardot. Brigitte serves the plot very well by using her talent for acting in light comedies.
When you settle on your couch on a Friday-night, tired and weary from a week's slaving away, just turn on "Une Parisienne". This film will make you feel better.
As you might guess, the film revolves around Bardot, and she is in so many scenes designed to titillate that it's comical. Let's see, there's the buxom, lusty secretary wearing a tight sweater, the girl sneaking up to a hotel to start an affair with no strings attached, the bride taking off her gown and walking around in lingerie, and the disinterested woman who can be aroused to passion with kisses on the back of the neck. She's also in a low cut red evening dress, trying to seduce another man into an affair by getting down on her hands and knees, later takes a bath, lifting her legs skyward out of the tub, runs around in a towel, and presents breakfast in bed in a shirt and apron. The object of her affections is played by Henri Vidal, and the man she pursues to make him jealous is 58-year-old Charles Boyer. He jets her off to Nice for a swim, so we see her emerging from the sea in a bikini, then dancing seductively with him in a small café.
Bardot is gorgeous and immortalized in this movie, even if it is over-the-top. I might have liked it even more for going all the way in its over-the-top-ness, if that makes any sense. There are countless shots which are just fantastic, including one in front of a set of mirrors, reminiscent of Marilyn Monroe in 'How to Marry a Millionaire". I did like the open acknowledgment of affairs, which is so very French, but how the film points out they have to be conducted in the right way, with sensitivity and decorum, and the jealousy that even then may arise. It's not high art, and it's definitely not politically correct, but ooh la la, this one is a guilty pleasure.
Wusstest du schon
- WissenswertesThe airplane used is the Morane-Saulnier MS.755 Fleuret, a prototype French two-seat jet trainer designed and built by Morane-Saulnier. It failed to gain any orders but was developed into the larger four-seat MS.760 Paris. The one and only prototype was registered F-ZWRS, in the movie it is shown as F-WZRS.
- Zitate
Le policier motard: Brigitte Laurier, like the president of the council.
Brigitte Laurier: I'm his daughter.
Le policier motard: That's still no reason to run a red light.
Brigitte Laurier: Please hurry, Officer. I'm running after the man I love.
Le policier motard: Don't ever run after a man. That's a sure way to lose him.
Brigitte Laurier: I know, but I can't help myself.
- Alternative VersionenBeing a French-Italy co-production, the film has two original titles: "La Parigina" in Italy, and "Une Parisienne" in France, spoken in Italian and French, respectively. The film premiered end 1957, and was dubbed in English for the international markets as "La Parisienne" early 1958. The official VHS and DVD releases (PAL system), from René Château are also titled "La Parisienne" but have the original French dialogue and English subtitles. The pre-title sequence was omitted from the video release, but it exists from an earlier TV broadcast.
- VerbindungenFeatured in Erinnerung an die Unterentwicklung (1968)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- La Parisienne
- Drehorte
- Avenue des Champs-Élysées, Paris 8, Paris, Frankreich(car chase, scene between Motorcycle Officer and Brigitte Marnier.)
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Box Office
- Budget
- 450.000 $ (geschätzt)
- Laufzeit1 Stunde 26 Minuten
- Farbe
- Seitenverhältnis
- 1.33 : 1