Straße der Sünderinnen

Officer Dean (George Montgomery) is taking over the beat, and he's not making any friends on his very first day. The thugs are testing him, to see what they can get away with. Leon (Nehemiah Persoff) is the antagonist, the "business man", who really does run a legit business. But he also runs a few businesses that aren't so clean, even selling booze to under age kids. Dean is determined to shut him down and clean up the street. It comes across as a documentary, like dragnet, but it's a little too on the nose. Everything is overdone. The kids overact, the punk kids are dressed a little too clean as they break the law. Dean doesn't even make an effort to get along with the kids from the very first day. And it all goes exactly as expected. There's going to be big showdown at some point. It's just fair to middlin. Montgomery had a long successful career, acting and even directed a few things. Since Persoff had so many early roles in tv, he managed to skip many of the "uncredited" roles that actors get as they claw their way to the lead. He was frequently the second banana, playing parts on both sidess of the law. Persoff himself has an interesting story on wikipedia. Story by Philip Yordan. Directed by Bill Berke. No oscars, but was successful in film and tv series. Died young at 54. This one was made in the late 1950s, when all the studios were making films on the rough, gritty, city life.

Novice cop George Montgomery starts his beat on a street uptown. Bar owner Nehemiah Persoff controls the neighborhood of drunks and delinquents. He and Montgomery tangle, and when Geraldine Brooks jumps off the ledge of her apartment while Montgomery and her ex-husband are present, Montgomery is suspended.

It's a fast-paced little programmer, and Persoff is terrific as the guy who came out of the gutter and didn't travel far. It's well produced on a cheap budget, but like most of Montgomery's vehicles in this period, it was designed to make a profit without doing much for anyone's career.

This camp classic deserves more recognition. Rookie cops tries to get the underbelly of society to play by the rules. They resist. "Get your ticket writing fingahs offa me!" The homeliest leading lady in movie history and Geraldine Brooks had come a long way down from her Warner Bros. Starlet days a few years ago.

Law abiding citizens today will yearn for tame 1950s criminalovs. I love sanitized 1950s Hollywood. The hookers wear pearls.

Director William Berke was referred to as "The King of the B's" for his prolific output of low-budget movies. In one of his last films, Street Of Sinners, he worked with equally prolific actors George Montgomery, Nehemiah Persoff and Geraldine Brooks.

Montgomery is a by-the-book cop who is working a new beat. Persoff is the proprietor of a lounge that serves drinks to minors, handles illegal bets and engages in sex trafficking. Brooks, convincingly, plays one of the victims to Persoff's devilish ways.

Montgomery's cop is given the lone hero treatment, but Persoff has all the contacts downtown that prevent him from being brought to justice.

The film moves briskly through its plot points and even pays attention to character development.

It all feels too remedial, but if you're a lover of 50s crime films you'll find a certain lure to the movie particularly because of the performances by the leads.

John (George Montgomery) is a rookie cop about to start his first beat. However, he is quite naive and knows little about the neighborhood and the hood who runs it. Leon (Nehemiah Persoff) is a small-time mobster who has connections in City Hall....and for years, folks have ignored Leon. But while at first Leon seems like a minor crook who isn't doing much harm, his influence goes far beyond just serving liquor to underage kids in his bar. Can John manage to stand up to Leon and both keep his job AND not get his head blown off as well? And, can John effect change when his fellow officers don't seem to care?

Despite the film initially seeming pretty cheesy and stiff, the film improves as you watch. It soon becomes tense and exciting....and leads to a dandy finale. Well made and very well written.

By the way, believe it or not, Persoff turns 102 this August. Good luck to a fine, fine actor....and he sure plays an excellent villain!