Esther Costello

Very strange and violent tale of a lonely wife (Joan Crawford) who travels the world seeking some meaning because her estranged husband (Rossano Brazzi) has abandoned her. In the Irish village of her birth, a local priest steers her toward a girl who was traumatized in an explosion. The girl is blind and deaf and lives like an animal with a local hag. Crawford decides to try to help the girl but becomes attached and takes her to America.

Part "Miracle Worker" and part "Elmer Gantry" (this film predates both), "The Story of Esther Costello" wavers between instructional (how to teach the blind- deaf) and exploitive (how to bilk the public). An odd film for 1957 and Crawford's last starring film of the 50s. She wouldn't return to the screen until "What Ever Happened to Baby Jane?"

Well 53-year-old Crawford looks great and turns in a solid performance. Brazzi plays the snaky husband who turns out to be much more rotten than you'd guess. Heather Sears plays Esther as though she is a disciple of Jennifer Jones as Bernadette. Ron Randell is good as the crabby press agent; Lee Patterson is good as the boy friend; Bessie Love (one of Crawford's silent-film pals from 1920s MGM) is funny as a gallery patron; Fay Compton plays the head nun; Dennis O'Dea is the priest; Estelle Brody plays Tammy; John Loder is a friend. Good cast in a solid but too-long film.

The violent ending is quite jarring and unexpected.

This not always believable story is really riveting after a slow start, and a cheesy development but the second part is really worth...Some elements in this plot could remind MIRACKE WORKER, which has a total different plot. I did not remember of this feature directed by David Miller, and I don't think it is that widely known either; such a shame. I also thought it was inspired by true events, and not a novel. But who cares? Because I loved MIRACLE WORKER - again - I am glad to have discovered this film for the second time; how could I forget it? Joan Crawford has here a role that suits her so much.

The first part is the most interesting : it may reminds you of Montgomery Clift , as a private taking in a young child and teaching him English to communicate with him at the end of WW2 ("the search");most likely Anne Bancroft (Annie Sullivan) and her pupil Patty Duke (Helen Keller )in Arthur Penn's masterpiece "the miracle worker"(which had not been yet made) .

They hint at Helen Keller and this fictitious story may have been partly inspired by her real story ;Helen Keller spent her whole life helping her fellow men,collecting funds to create schools ,a true heroine of the last century.

But ,as soon as Mrs Landi's '(Crawford) husband (Rossano Brazzi ) appears , it's downhill all the way ;acting becomes pure camp and the story is guaranteed to net nothing but horse laughs .Only Heather Sears ,the ugly duckling turned into a swan , preserves her dignity ;an extra star fo her.

Shot in the United Kingdom and the continent, The Story Of Esther Costello seems to be a hybrid production of The Miracle Worker and Johnny Belinda. Heather Sears's performance in the title role might have been worthy of Oscar consideration had not Jane Wyman already won an award playing a deaf mute.

Joan Crawford plays a wealthy American who is separated from her husband Rossano Brazzi and touring Ireland, specifically the village of her birth. While there the village priest Denis O'Dea introduces Joan to Sears who is deaf, blind, and mute. In a prologue we see why she is that way, as a child she found a cache of gunpowder and grenades left over from the Rebellion which explodes killing her mother and leaving her as she is.

Eventually Joan takes Heather from the squalid conditions she's living in courtesy of her aunt Maureen Delaney and gives her the Helen Keller treatment. When Sears becomes a celebrity of sorts, Brazzi reenters the picture see the cash cow Sears has become what with the charities organized in her name.

A rather unbelievable 'cure' for Sears mars what could have been a much better drama. The players all perform well, particularly Crawford who is in her best Mildred Pierce mode as an adoptive mother to a much more appreciative child than Ann Blyth.

Definitely one for Joan Crawford fans.

Leonard Maltin said that the movie was often "unintentionally funny." Sure, I find rape hilarious. I meant that in a sarcastic way, mind you. I don't know why Mr. Maltin found this film funny, because it isn't. It is about a blind, deaf, and dumb girl named Esther and the way she adapts to society with the aid of a wealthy socialite named Margaret Landi. Joan Crawford and Heather Sears are incredible in their respective roles of Margaret and Esther. Miss Crawford did an amazing job, very unlike anything else she did. I highly recommend this film.