Glut unter der Asche

Peyton Place has all the drama for its day and still remains top entertainment after 60 years. Great acting from a cast that have mostly left us today but they have left behind a magnificent drama from a mesmerising book.

"Peyton Place" was historically very interesting cause it was virtually the first miniseries in movie theaters.After viewing it,you 've got the strange feeling of having been told ten stories or to have seen ten or twelve episodes of a miniseries.

Adapted from a bestseller which spawned a -real-TV miniseries this time- in the sixties,Dorothy Malone and Mia Farrow replacing Turner and Diane Varsi ,it is the granddaddy of the soap opera miniseries we've been seeing for all those years.Classy soap opera indeed.

Although the McKenzie (Turner and Varsi) are in the center of the plot,you can hardly call them "main characters"."Peyton Place" is made of many subplots which interfere or don't.It depicts life in a small provincial town where the main danger is gossips.The fear that" people will talk" is everywhere mainly if ,like Constance ,Serena and her mother you have secrets to conceal.Doctor Matthew Swain 's final speech deals with the talk of the town.

A soap opera maybe ,but one which depicts a not so rosy world: child abuse was not a subject movies often broached in the late fifties.My favorite scene is very short and might seem to some very down to earth: the drunkard's boy licks the home made cakes of the picnic,then stuffs himself with hot dogs and watermelon which he washed down with plenty of cola.This is not a comic relief,it makes you think:this boy is miserable,because ,even if the monster is away,he knows there's a crack in the mirror at home.Psychologically,they call that "compensation".

My favorite character is Russ Tamblyn's.Although many of the problems of PP are dated now,his is still around today: the shy boy,whose mother is over possessive ,who does believe he is "a sissy,a coward" and who thinks he will never know a girl's true love because he is too gauche.There are plenty of them even now.

Peyton Place is no masterpiece but it is really an entertaining film.

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Imitation of life Douglas Sirk 1959

Rebel without a cause Nicholas Ray 1955

Okay, so I wasn't alive in the 50s. But my father certainly was.

He recommended this movie to me, and I have to say -- I was impressed.

It represents one of the few mainstream films of the era that presented day-to-day life as it really was. Peyton Place is a movie that strips away the candy-coated exterior which surrounds many a 50s film, and shows the raw and flawed lives of people who are struggling with issues that viewers in today's society can still relate to.

Although a different genre, it wasn't until I delved deeper into Film Noir that I discovered more films that presented an edgier and raw window into the world of the 40s and 50s. I appreciate a writer or director that has the guts to risk losing viewers by insisting on honest presentation of culture or events.

This film is worth a look.

Grace Metalious' explosive best-selling novel is given the Hollywood treatment in 1957's "Peyton Place". Devoid of so much of the nonsense that has been known to permeate other melodramas, "Peyton Place" is a beautifully filmed, effective film that uncovers the hidden scandals of a quaint, New England town. With fine acting, score and cinematography, this screen classic translates well from its literary heritage. And the film's unraveling of the town's secrets is handled well - building up like a ball of snow as each successive scandal is unearthed.

We meet the townspeople from the point-of-view of Allison Mackenzie(Diane Varsi), the sweet and sheltered daughter of Constance(Lana Turner). Constance struggles to be a good mother and community member, while rebuffing the advances of handsome school principal, Michael Rossi(Lee Philips). On the other side of the tracks live Constance's housekeeper whose daughter, Selena(Hope Lange), struggles as a victim of abuse by her own step-father. In the midst of these primary plots are several other tales revolving around sex, love and the war. No one is immune to the reveal of secrets, which have a domino effect all across town.

"Peyton Place" shook the foundation of Hollywood's censorship board by exposing such taboo topics as sexual abuse and abortion, but not once does it come off as exploitative. On the contrary, the film is firmly grounded in emotion and genuine feeling. And while the movie straddles the line of good taste, a plot involving the war effort and its effect on the young men of Peyton Place proves to be profound. Lana Turner does her job well as the repressed mother. In fact, heated passion can be sensed underneath her aloof, icy-cold exterior - a chill factor even more effective 2 years later in "Imitation of Life". And the incredibly good-looking Lee Philip is a perfect match the screen beauty. But it is really with the sensitive performances of Diane Varsi and Hope Lange that this film gains its legs. And Lloyd Nolan cannot be overlooked as the town's warm-hearted doctor. "Peyton Place" could have been a heaving, overblown showcase, but instead made its way into becoming an important melodrama that has stood the test of time.

A sheer number of society issues this film covered is staggering, and it was done in warm and kind way, with great scenario and good performances from the actors. The only sad thing is that most of the themes they covered are still taboo and unresolved in 2020. Really enjoyable film, glad I had the chance to watch it!