Liebe, Brot und 1000 Küsse

I came to this film 65 years after it was made. Sophia Loren is a phenomenon, and if you watch "The Life Ahead" before you watch this, her extraordinary contribution to world cinema is even more apparent. This is Italy less than a decade after the end of World War II, yet the film is apolitical and concentrates on the lives of real people trying to make their way in a nation that suffered enormously from war but also from its own delusions and acquiescence to the "charms" of fascism.

Aesthetically pleasing, kind of boring. Sophia and her boyfriend have issues haha.

I remembered seeing it on Italian TV as a child and even then I liked it, seeing it again yesterday, I thought it wouldn't resist the test of time, instead, I throughly enjoyed it.... for all the qualities you don't see in films nowadays, (especially in modern Italian films).

Briefly, a tale of a cultivated(Vittorio de Sica), educated, charming middle-aged womanizing, newly installed chief of the traffic police (complete with resplendid uniform including white gloves), whom on arriving at his long lost native Sorrento , finds his family home occupied/squatted by a beautiful fishmonger (sofia Loren, at her most splendid).While starting procedures of evicting her he also starts courting her, with poetic citations, charming one liners and complements, inducing the jealousy of her semi - boyfriend/suitor.Complicating matters further, the haunty, aloof but good looking noble woman owner of the house where Vittorio is temporarily living , falls for Vittorio.But all this happens in a semi comic and humorous vein...after all it's a romantic comedy. The film ends with a typical happy ending...but the whole film is held up by the old world charms of Vittorio de Sica....Sofia loren acted well too.

I sometimes wonder if its possible nowadays to make a remake of this film, ....but sometimes I feel it wouldn't work....no female nudity,no profanitites, no sex, and no vulgarities...while I feel I'm in a minority in appreciating good taste, it seems not so with, modern day film or/and TV producers who always want to 'modernize' their 'art' with the aforementioned charateristics. A real pity,... perhaps a new film style could be a return to class and good taste.

Vittorio de Sica is retiring from the Caribinieri, returning to Sorrento to become head of the Police Department. He comes equipped with an elderly governess, a brother who is a priest, and a great variety of uniforms, all with white gloves. What he lacks is a place to live. His family apartment has been occupied since the War by Sophia Loren, a widowed fishwife. She has a boyfriend with whom she fights a lot. This does not, of course, prevent her from coming on to de Sica, who easily loses his head over women -- it's Loren, who wouldn't? -- to keep the apartment and get her boyfriend a job with the police. The boyfriend objects to her methods. Meanwhile, de Sica is staying at the home of Lea Padovani, a highly religious and insanely repressed woman, as a favor to the priest.

I have the feeling that the movie's length of 110 minutes, although long for a comedy, is trimmed. Miss Padovani's sequences seem rather abrupt and Miss Loren, while startlingly beautiful, gives a performance that is rather harsh and monotonous; it's true she was only 20 when she made this, but she soon showed herself a capable farceur and actress of considerably greater range. Perhaps the producer and director simply lacked confidence in her abilities.

Despite these misgivings, this is a good comedy, mostly because of de Sica, who plays his well-written role of a mature and intelligent man who becomes a gibbering poet at the sight of a beautiful woman, with the beautiful freedom of a true clown.

I don't know, this Sorrento scandal seemed pretty mild to me. There's a small town and Sophia Loren is in the town and so more than one person wants to be with Sophia Loren and there are some sort of comedic moments and then it kind of ends.

It gets by because Loren had star power, and because it's a colorful film that makes good use of its seaside setting. I guess to some extent, I appreciated how drama-free it was, with little sentimentality or forced tension/conflict later in the film. It really just felt like it was trying to be a fairly gentle comedy about some love-related chaos, and a little escapism as a result.

It's not essential and probably won't be memorable in time (to me), but it felt like it did what it wanted to do. Scandal in Sorrento isn't really ambitious at all, from what I can tell, but it does succeed at being decent. That's more than can be said for some movies, and I do also want to go a tiny bit easier on this one because of its age.