Liebe, Brot und 1000 Küsse

Always the female feud, and the dispute for men, who for the most part are quite unattractive, and I am not only referring to beauty, but also to character, and here we have a womanizer, except for this unpleasant detail, it is a good film ... certainly it is not worthy of oblivion ... I liked the outcome, and at that time women being beaten by loved ones was normal, since they have a "happy ending" together... Cool...

Aesthetically pleasing, kind of boring. Sophia and her boyfriend have issues haha.

I don't know, this Sorrento scandal seemed pretty mild to me. There's a small town and Sophia Loren is in the town and so more than one person wants to be with Sophia Loren and there are some sort of comedic moments and then it kind of ends.

It gets by because Loren had star power, and because it's a colorful film that makes good use of its seaside setting. I guess to some extent, I appreciated how drama-free it was, with little sentimentality or forced tension/conflict later in the film. It really just felt like it was trying to be a fairly gentle comedy about some love-related chaos, and a little escapism as a result.

It's not essential and probably won't be memorable in time (to me), but it felt like it did what it wanted to do. Scandal in Sorrento isn't really ambitious at all, from what I can tell, but it does succeed at being decent. That's more than can be said for some movies, and I do also want to go a tiny bit easier on this one because of its age.

With all the praises that Sophie Loren received throughout her long career, I expected more. Her role (like all the female roles of the film) is stereotyped at excess. Plus, she overplays it.

The dialogues always explain to the viewer visual jokes. I found that incredibly annoying and unnecessary.

Vittorio De Sica's role is why I don't give this film a lower-rating. In fact, his character is the only one that feels really like a character, he has depth and real psychological evolution. But, make no mistake, I'm not saying that his performance was brilliant.

The third part of the Maresciallo adventures trilogy is quite different from the previous two in being in colour and cinemascope, and replacing Gina Lollobrigida with Sophia Loren in a completely different environment. The Maresciallo returns to his native town Sorrento by the sea between Naples and Capri as a Comandante and is immediately exposed to new amorous adventures and perils, one being the crude fisherwoman Sophia Loren, who has occupied his home, and the other being a pious saint in the opposite direction (the lovely Lea Padovani). Sophia already has a boyfriend with a temper good enough to fight with anyone, so Sophia will not be easily convinced, although flattered by de Sica's undeniable gentlemanly advantages. The film is not on par with the two previous ones but the more enjoyable for its beauty and colours and wonderful environment. The dialog becomes second to the cinematography and rather banal intrigue, while the dialog is the backbone and core of the previous two. You lack Gina's tempestuous and very down to earth temperament, while Sophia Loren is more stylish but less convincing as a fisherwoman. Vittorio de Sica though is optimal as always.