IMDb-BEWERTUNG
6,5/10
2652
IHRE BEWERTUNG
Zurück in seiner Heimatstadt findet ein ehemaliger Marschall sein Haus von einer jungen Frau bewohnt, die als Fischfrau arbeitet.Zurück in seiner Heimatstadt findet ein ehemaliger Marschall sein Haus von einer jungen Frau bewohnt, die als Fischfrau arbeitet.Zurück in seiner Heimatstadt findet ein ehemaliger Marschall sein Haus von einer jungen Frau bewohnt, die als Fischfrau arbeitet.
- Auszeichnungen
- 3 wins total
Empfohlene Bewertungen
Always the female feud, and the dispute for men, who for the most part are quite unattractive, and I am not only referring to beauty, but also to character, and here we have a womanizer, except for this unpleasant detail, it is a good film ... certainly it is not worthy of oblivion ... I liked the outcome, and at that time women being beaten by loved ones was normal, since they have a "happy ending" together... Cool...
I came to this film 65 years after it was made. Sophia Loren is a phenomenon, and if you watch "The Life Ahead" before you watch this, her extraordinary contribution to world cinema is even more apparent. This is Italy less than a decade after the end of World War II, yet the film is apolitical and concentrates on the lives of real people trying to make their way in a nation that suffered enormously from war but also from its own delusions and acquiescence to the "charms" of fascism.
Vittorio de Sica is retiring from the Caribinieri, returning to Sorrento to become head of the Police Department. He comes equipped with an elderly governess, a brother who is a priest, and a great variety of uniforms, all with white gloves. What he lacks is a place to live. His family apartment has been occupied since the War by Sophia Loren, a widowed fishwife. She has a boyfriend with whom she fights a lot. This does not, of course, prevent her from coming on to de Sica, who easily loses his head over women -- it's Loren, who wouldn't? -- to keep the apartment and get her boyfriend a job with the police. The boyfriend objects to her methods. Meanwhile, de Sica is staying at the home of Lea Padovani, a highly religious and insanely repressed woman, as a favor to the priest.
I have the feeling that the movie's length of 110 minutes, although long for a comedy, is trimmed. Miss Padovani's sequences seem rather abrupt and Miss Loren, while startlingly beautiful, gives a performance that is rather harsh and monotonous; it's true she was only 20 when she made this, but she soon showed herself a capable farceur and actress of considerably greater range. Perhaps the producer and director simply lacked confidence in her abilities.
Despite these misgivings, this is a good comedy, mostly because of de Sica, who plays his well-written role of a mature and intelligent man who becomes a gibbering poet at the sight of a beautiful woman, with the beautiful freedom of a true clown.
I have the feeling that the movie's length of 110 minutes, although long for a comedy, is trimmed. Miss Padovani's sequences seem rather abrupt and Miss Loren, while startlingly beautiful, gives a performance that is rather harsh and monotonous; it's true she was only 20 when she made this, but she soon showed herself a capable farceur and actress of considerably greater range. Perhaps the producer and director simply lacked confidence in her abilities.
Despite these misgivings, this is a good comedy, mostly because of de Sica, who plays his well-written role of a mature and intelligent man who becomes a gibbering poet at the sight of a beautiful woman, with the beautiful freedom of a true clown.
Wusstest du schon
- WissenswertesFinal film of Clara Crispo.
- VerbindungenFeatured in Legendy mirovogo kino: Sophia Loren
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