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"Night Passage" is one of a series of westerns made by the venerable James Stewart for Universal in the 50's and 60's. This one is directed by James Neilson rather than Anthony Mann but is nonetheless an above average western.

Grant McLaine (Stewart) has been wondering from place to place over the past five years earning his living by singing songs and playing the accordion. McLaine had been fired by the railroad for appearing to have helped his outlaw brother, The Utica Kid (Audie Murphy) escape justice five years earlier. The railroad is being robbed of their payrolls by Whitey Harbin (Dan Duryea) and his gang. Railroad boss Kimball (Jay C. Flippen) rehires McLaine to guard the next payroll. Along the way McLaine learns that the Utica Kid is a part of Whitey's gang.

McLaine befriends a boy, Joey (Brandon DeWilde) as he is being chased by surly villain Concho (Robert Wilke). Later, the train on which they are traveling is held up by the gang and Kimball's wife Verna (Elaine Stewart) is taken captive. After being pistol whipped by Concho, McLaine recovers and trails the gang to their hideout. There he poses as the person bringing the ransom money while meeting up with his brother. Will blood be thicker than water? You'll have to wait until the final showdown.

The film is beautifully photographed and the railroad setting provides for many scenic moments. The Stewart character doesn't quite have the edge that he would have had in a Mann film, however ANY film with James Stewart is worth your time. Murphy playing in an rare "A" level movie does okay as the all in black gunfighter. Duryea is at his usual sneering slightly mad best as the chief villain.

Of the supporting players, Olive Carey (widow of Harry Carey) has a delightful bit as a muleskinner named Miss Vittles. Dianne Foster appears as Murphy's girl, "Charlie" and Paul Fix and Ellen Corby are hilarious as the Feeneys. In addition to Wilke, Duryea's gang includes Jack Elam and Chuck Roberson. For nostalgic TV fans Herbert Anderson (Dennis the Menace) and Hugh Beaumont (Leave It To Beaver) have small roles as well.

Worth your while.

This is the Western that director Anthony Mann backed away from, claiming that the script was too weak. Was he justified in doing so? How does "Night Passage" measure up when compared with the Mann Westerns? Is it as good?

Let's look at the positives first. The scenery, filmed in the Colorado Rockies, is magnificent, on a par with the best of Mann's Westerns. As for action, there is plenty of it, climaxed with a great shootout. The cast is experienced, many of them veterans from previous Mann efforts. No big difference here.

Audie Murphy stands tall as the Utica Kid. He is introduced to the screen dramatically, framed against the sky dressed all in black as he pulls up his horse to look down upon the train that will soon be relieved of its precious cargo. Back at the outlaw hideaway, he sits back in quiet amusement as he goads mercurial boss Whitey Harbin (Dan Duryea), knowing how far he can push and when to back away. Definitely the most interesting character.

However, "Night Passage" falls down in two very important areas, the treatment of the leading man and the strength of the overall script.

Mann's heroes are emotionally scarred, bordering on hysteria and total breakdown before finally getting the upper hand. James Stewart's Grant McLaine never comes close to reaching that point, even though he has plenty of things to fret about; his brother is an outlaw, he lost his job with the railroad after helping his brother escape and he can't find another job. He contents himself playing the accordion and singing for small change and we can never really get the feel of his deep resentment.

Mann's Westerns are lean and taut, with no superfluous dialog and no wasted scenes. Director James Nielson, on the other hand, gets sidetracked, allowing himself to engage in the kind of tomfoolery that director John Ford was sometimes wont to do. At the railroad camp, workers, who we never see working, dance to McLaine's accordion playing until that degrades into a wild free-for-all. Ford could pull off this kind of thing; Nielson is less successful.

To sum up and answer the question, this Western doesn't quite measure up to those of Mann's, but it's not bad either. It can be enjoyed as entertainment as long as one doesn't look for great character depth. Whether Anthony Mann could have made it something more will forever be a matter of conjecture.

Beautifully photographed, atmospheric western that takes a while to build up under James Neilson's direction--he took over from Anthony Mann, who was fired after clashing with star James Stewart--but ends with a slam-bang finale. Stewart and Audie Murphy work well together, with Stewart as a railroad employee entrusted with getting a payroll past a gang of train robbers, and Murphy his brother who's a member of the gang. Dan Duryea excelled at playing sadistic villains with a twisted sense of humor who actually got a kick out of their work, and he does another good job of it here. A solid supporting cast including Jack Elam, Robert J. Wilke and Herbert Anderson contributes to the film's enjoyability, along with some spectacular mountain scenery. While no masterpiece, it's a good, satisfying western with a catchy little ditty sung by, of all people, Stewart. Check it out.

Hearing James Stewart play the accordion and sing is probably not the most pleasant part of this film. Great actor, bad singer. World War II Congressional Medal of Honor winner Audie Murphy, not usually recognized as a top acting talent, turns in the best performance in this film and he and Stewart are surrounded by a cast of great character actors. "Night Passage" was the first U.S. film produced in Technirama, a superior large format wide screen system developed by Technicolor, Inc., and the photography is extremely good. Worth a look.

Jimmy Stewart plays a former railroad worker who accepts a small job from his former employer; To carry a large sum of money aboard a train to make sure it reaches it's destination. He gets robbed, and by someone he has a past with.

Very predictable and by and large a very typical American western. The story is familiar and practically transparent, but it's got the irresistibly appealing Stewart to carry it. The film is also incredibly beautiful to look at. I read somewhere that this was the first film to be shot in 2.35:1 framing, a very wide screen format, and it works beautifully. With all these insanely vivid colors and the huge scenery depicted here, one could freeze many frames here and hang them on a wall. It's that beautiful at times.

Verdict; Solid, above average American western. Still like those Italian westerns more.