Die Azteken-Mumie gegen den Menschen-Roboter
Originaltitel: La momia azteca contra el robot humano
IMDb-BEWERTUNG
2,5/10
2927
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.A mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.A mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.
Ramón Gay
- Dr. Eduardo Almada
- (as Ramon Gay)
Jorge Mondragón
- Dr. Sepúlveda
- (Archivfilmmaterial)
- (as Jorge Mondragon)
Julián de Meriche
- Comandante
- (as Julien de Meriche)
Jaime González Quiñones
- Pepe Almada
- (as Jaime Quiñones)
Ángel Di Stefani
- Popoca, the Mummy
- (as Angelo De Steffani)
Jesús Murcielago Velázquez
- El Murciélago
- (as Murcielago Velazquez)
Enrique Llanes
- Esbirro del Murciélago
- (as Enrique Yáñez)
Guillermo Hernández
- Esbirro del Murciélago
- (as Lobo Negro)
Sergio Llanes
- Esbirro del Murciélago
- (as Sergio Yáñez)
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I have watched this movie twice in the past six months (what I go through so you don't have to).The first viewing left me half crazed and babbling.The second viewing at 5am on a rainy morn was a little better.I only screamed in agony once.
Seems Pocona (The Aztec Mummy)had the hots for a certain Aztec Princess who was"supposed to keep her maiden".Obviously they gave each other the business and were put to death for it.(Now that is severe!).But before they are the film tries to put us to death with a screeching Aztec ceremony.The singing will make your ears bleed.
Anyhow there is the usual reincarnation nonsense. Not to mention a treasure map on a breastplate & bracelet guarded by that swathed slob,Pocona.By this time Pocona looks like he's been on a 2000 year bender and is after the defilers of his tomb.His groans & moans sounds like he has a bad case of Montezuma's revenge(or he read the script for this movie).That will make your breath stink.
An evil Dr Von Krupp appears wanting the Aztec treasure(possibly to finance acting lessons & screenwriting classes for cast & crew).He is called The Bat because in The Curse Of The Aztec Mummy he wore a bat like cape, hat and something like a ski mask over his face.Guess it's better than the Laughing Fat Man.
The Bat in typical mad scientist fashion wants to rule the world. He stresses this by rolling his eyes,laughing maniacally and chewing the scenery.He has cobbled together an invincible robot.Looks like the 'bot was made from a garbage can, a chandelier and the grill of a 1957 Buick.This will make your eyes bleed.A company even takes credit for making this tin can!
Well the mighty showdown between Pocona and the Robot takes place in the Mummy's new crypt having been made homeless earlier.
About half of this movie is culled from "La Aztec Momia"never released in the US in its original form but in a chopped atrocity from Jerry Warren(see my review on "Attack Of The Mayan Mummy") and "Curse Of The Aztec Mummy".The robot is frankly stupid as are most of the characters.If that and the plot doesn't make you howl with laughter nothing will.
My first impression was so bad it would have gotten a one. But after seeing "Mayan Mummy"(which is a movie deserving of being burned) and watching "Robot" again, it garners a 3.You have to watch this with no expectations at all. Then it can be naively pleasant.
Seems Pocona (The Aztec Mummy)had the hots for a certain Aztec Princess who was"supposed to keep her maiden".Obviously they gave each other the business and were put to death for it.(Now that is severe!).But before they are the film tries to put us to death with a screeching Aztec ceremony.The singing will make your ears bleed.
Anyhow there is the usual reincarnation nonsense. Not to mention a treasure map on a breastplate & bracelet guarded by that swathed slob,Pocona.By this time Pocona looks like he's been on a 2000 year bender and is after the defilers of his tomb.His groans & moans sounds like he has a bad case of Montezuma's revenge(or he read the script for this movie).That will make your breath stink.
An evil Dr Von Krupp appears wanting the Aztec treasure(possibly to finance acting lessons & screenwriting classes for cast & crew).He is called The Bat because in The Curse Of The Aztec Mummy he wore a bat like cape, hat and something like a ski mask over his face.Guess it's better than the Laughing Fat Man.
The Bat in typical mad scientist fashion wants to rule the world. He stresses this by rolling his eyes,laughing maniacally and chewing the scenery.He has cobbled together an invincible robot.Looks like the 'bot was made from a garbage can, a chandelier and the grill of a 1957 Buick.This will make your eyes bleed.A company even takes credit for making this tin can!
Well the mighty showdown between Pocona and the Robot takes place in the Mummy's new crypt having been made homeless earlier.
About half of this movie is culled from "La Aztec Momia"never released in the US in its original form but in a chopped atrocity from Jerry Warren(see my review on "Attack Of The Mayan Mummy") and "Curse Of The Aztec Mummy".The robot is frankly stupid as are most of the characters.If that and the plot doesn't make you howl with laughter nothing will.
My first impression was so bad it would have gotten a one. But after seeing "Mayan Mummy"(which is a movie deserving of being burned) and watching "Robot" again, it garners a 3.You have to watch this with no expectations at all. Then it can be naively pleasant.
"RVAM"'s reputation preceded it. I first heard of it in one of those Medved style movie books, "The 50 Worst Movies Ever" or "The Golden Turkey Awards", or something like that. Every review of the film basically said that this movie was so bad that it would make you bleed from the eyes to watch it. So when the Exposed Film Society finally got around to showing it, I was anticipating the kind of cathartic experience that only a true cinematic stinker can provide.
However, "Robot" wasn't really all that bad.
Oh, this is definitely a "Z" film through and through. Some of the voice dubbing (as is usually the case for K. Gordon Murray imports) is awfully cheesy, and the movie itself seems to be structurally something of a Frankenstein, since a huge chunk of it seems to be footage from a previous "Aztec Mummy" movie, narrated with a voice-over by the leading man. A dead giveaway: anytime the question "Then what happened?" is asked more than twice in the dialog, you are looking at reassembled footage put together with little regard for plot coherence or momentum. In RVAM, "Then what happened?" or "What happened then?" is uttered at least four times in the 1st hour.
Even without the structural problems, the plot and dialog don't translate well to an older American audience. For instance, as the hero explains (and explains and explains) the back-story. he includes a remark about Doctor Krupp, "a doctor who suddenly turned into an evil master criminal" and began his quest for the treasure that the Aztec mummy guards. No background, no explanation, he just "suddenly turned evil". Obviously, this was aimed at a pretty undiscriminating audience.
The clincher, though, is the "Robot", the supposed "showcase" of this movie. This Robot is the worst robot special effect since "Undersea Kingdom" or even "Santa Claus Vs. The Martians". Compared to this hunk of junk, the Tin Man from the "Wizard Of Oz" looked like the Terminator chassis that chased Linda Connor through the foundry in T2. The Aztec Mummy himself is well designed and executed; he's recognizably undead, familiar enough to look like a mummy, and yet distinct from the "Boris Karloff" bandage collection familiar to most American audiences. But whoever designed the Robot in this followup had no feel for the concept...or no budget. They could at least have given him some knees, for heaven's sake.
In addition, the titular battle is terribly executed and lasts less than 60 seconds. (I've seen shoving matches on junior high playgrounds that are more convincing.) Then the movie basically just stops. That seems a bit of a rip off considering the amount of time the movie spends building up to the battle itself.
In spite of all these problems, the movie isn't horrible or incompetent the way a Coleman Francis film or a Larry Buchanan film was. Compared to "Monster A-Go-Go" or "Attack of The Eye Creatures", "RVTAM" is like a Coppola film. It's just kind of dull and boring and silly. The actors are competent (in a mannered B movie way) and reasonably photogenic; Dr. Krupp, in particular seems to be having a wonderful time as he leers and plots and capers about in his cape and "Phantom Of the Opera" suit. I often found myself rooting for him, in spite of his being the villain.
Anyway, I've seen much, much worse. File this with "Samson Vs The Vampire Women", under "interesting Mexican juvenile oddities".
However, "Robot" wasn't really all that bad.
Oh, this is definitely a "Z" film through and through. Some of the voice dubbing (as is usually the case for K. Gordon Murray imports) is awfully cheesy, and the movie itself seems to be structurally something of a Frankenstein, since a huge chunk of it seems to be footage from a previous "Aztec Mummy" movie, narrated with a voice-over by the leading man. A dead giveaway: anytime the question "Then what happened?" is asked more than twice in the dialog, you are looking at reassembled footage put together with little regard for plot coherence or momentum. In RVAM, "Then what happened?" or "What happened then?" is uttered at least four times in the 1st hour.
Even without the structural problems, the plot and dialog don't translate well to an older American audience. For instance, as the hero explains (and explains and explains) the back-story. he includes a remark about Doctor Krupp, "a doctor who suddenly turned into an evil master criminal" and began his quest for the treasure that the Aztec mummy guards. No background, no explanation, he just "suddenly turned evil". Obviously, this was aimed at a pretty undiscriminating audience.
The clincher, though, is the "Robot", the supposed "showcase" of this movie. This Robot is the worst robot special effect since "Undersea Kingdom" or even "Santa Claus Vs. The Martians". Compared to this hunk of junk, the Tin Man from the "Wizard Of Oz" looked like the Terminator chassis that chased Linda Connor through the foundry in T2. The Aztec Mummy himself is well designed and executed; he's recognizably undead, familiar enough to look like a mummy, and yet distinct from the "Boris Karloff" bandage collection familiar to most American audiences. But whoever designed the Robot in this followup had no feel for the concept...or no budget. They could at least have given him some knees, for heaven's sake.
In addition, the titular battle is terribly executed and lasts less than 60 seconds. (I've seen shoving matches on junior high playgrounds that are more convincing.) Then the movie basically just stops. That seems a bit of a rip off considering the amount of time the movie spends building up to the battle itself.
In spite of all these problems, the movie isn't horrible or incompetent the way a Coleman Francis film or a Larry Buchanan film was. Compared to "Monster A-Go-Go" or "Attack of The Eye Creatures", "RVTAM" is like a Coppola film. It's just kind of dull and boring and silly. The actors are competent (in a mannered B movie way) and reasonably photogenic; Dr. Krupp, in particular seems to be having a wonderful time as he leers and plots and capers about in his cape and "Phantom Of the Opera" suit. I often found myself rooting for him, in spite of his being the villain.
Anyway, I've seen much, much worse. File this with "Samson Vs The Vampire Women", under "interesting Mexican juvenile oddities".
... although the more surreal aspects of this movie might slip by them. I can imagine a theater full of Mexican kids forty years ago just loving this stuff. The production level is on a par with the lesser Saturday Matinée serials of the 40s and 50s, and much of the film is footage from an earlier Aztec mummy film used as flashback, but what the hell. My favorite scene: the villain and two henchmen are stopped in a cemetery by the night watchman who holds them at gunpoint --- and proceeds to stand there doing nothing while one of the goons, in plain sight, calmly walks around behind him and conks him cold with a blackjack. The mind reels! Later on the poor chump gets fried by the radioactive clampers of the titular robot and runs screaming into the night, smoke pouring from the blanket draped over his shoulders, while the camera holds on him for an impossibly long time. A grungy black and white acid trip of a movie.
This film has two of the most devious characters ever to enter Mexican cinema: Dr. Krupp,who is as evil as he is fat, and his hapless sidekick Bruno. Dr. Krupp IS actually quite the evil genius. During a flashback in the film, we find that he is clever enough to disguise himself as pro wrestling bad guy The Bat(who would ever suspect a mad scientist could be a pro wrestler?!? It's pure genius!!)and escapes the Aztec Mummy and his own snake pit trap(He was probably very happy that built that secret escape and had his keys with him). And Bruno is one of the few VERY loyal sidekicks I've ever seen in any film. The guy puts up with being punched by the Aztec Mummy, having acid thrown into his face and becoming deformed, and tolerating a boss who thinks he's a wrestler. Besides in the dubbed version, Bruno delivers the classic line "You devil! You devil!" better than anyone!
Despite having a very pretty leading lady (Rosita Arenas, one of my boy-crushes), the acting and the direction are examples of what NOT to do while making a movie.
Placed in southern Mexico, Popoca, the Aztec Mummy (real Aztecs, by the way, DID not made mummies) has been waken up by the lead characters and starts making trouble in Mexico City suburbia, during the first movie (The Aztec Mummy). In this second part, the leading man and woman want to find th mummy and put it in its final resting place (a fireplace would have been my first choice...)
Into this appears The Bat, a criminal master-mindless stereotype of a criminal genius who creates a "human robot" (some idiot inside a robot SUIT) to control Popoca and (get this) take over the world. The final match between the robot and the mummy is hilarious, some of the worst choreography ever witnessed. The funniest part is that this movie was made and released by a serious Mexican movie studio!
The acting is just as awful hearing the movie in Spanish as it is in English (they dubbed the over-acting!). You should watch this movie through MST:3000. The comments are even funnier.
Placed in southern Mexico, Popoca, the Aztec Mummy (real Aztecs, by the way, DID not made mummies) has been waken up by the lead characters and starts making trouble in Mexico City suburbia, during the first movie (The Aztec Mummy). In this second part, the leading man and woman want to find th mummy and put it in its final resting place (a fireplace would have been my first choice...)
Into this appears The Bat, a criminal master-mindless stereotype of a criminal genius who creates a "human robot" (some idiot inside a robot SUIT) to control Popoca and (get this) take over the world. The final match between the robot and the mummy is hilarious, some of the worst choreography ever witnessed. The funniest part is that this movie was made and released by a serious Mexican movie studio!
The acting is just as awful hearing the movie in Spanish as it is in English (they dubbed the over-acting!). You should watch this movie through MST:3000. The comments are even funnier.
Wusstest du schon
- WissenswertesThe first half of this film is a retelling of the two previous films in the trilogy, La momia azteca (1957) and Der Fluch der aztekischen Mumie (1957), using an ample amount of stock footage from both films.
- PatzerThe Aztecs practiced cremation, not mummification. The Incas were the Mesoamerican culture who practiced mummification.
- Alternative VersionenThere are two different US versions of this film: One is the American International Pictures print with the original atmospheric music score (complete with classical music pieces), and during the climactic fight between Popoca and the Human Robot, Popoca had a scary, menacing voice (ie. groaning and roaring). Another is the 1964 rerelease by Young Horror Club of America, with a completely redone (and loopy) music score, somewhat different title cards, and the voice of Popoca (in said climactic fight) was replaced with a faint high-pitched voice (which sounded more like he was yawning). This latter version was seen in the public domain. Both versions had the exact same dubbing done for US producer K. Gordon Murray by Manuel San Fernando (intended for AIP's version).
- VerbindungenEdited from La momia azteca (1957)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Robot vs. The Aztec Mummy
- Drehorte
- C.L.A.S.A. Studios, Mexiko(as Clasa Studios)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 5 Min.(65 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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