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Die Azteken-Mumie gegen den Menschen-Roboter

Originaltitel: La momia azteca contra el robot humano
  • 1958
  • Approved
  • 1 Std. 5 Min.
IMDb-BEWERTUNG
2,5/10
2923
IHRE BEWERTUNG
Die Azteken-Mumie gegen den Menschen-Roboter (1958)
EntsetzenScience-Fiction

Füge eine Handlung in deiner Sprache hinzuA mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.A mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.A mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.

  • Regie
    • Rafael Portillo
  • Drehbuch
    • Guillermo Calderón
    • Alfredo Salazar
  • Hauptbesetzung
    • Ramón Gay
    • Rosita Arenas
    • Crox Alvarado
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    2,5/10
    2923
    IHRE BEWERTUNG
    • Regie
      • Rafael Portillo
    • Drehbuch
      • Guillermo Calderón
      • Alfredo Salazar
    • Hauptbesetzung
      • Ramón Gay
      • Rosita Arenas
      • Crox Alvarado
    • 66Benutzerrezensionen
    • 27Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos15

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    Topbesetzung19

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    Ramón Gay
    Ramón Gay
    • Dr. Eduardo Almada
    • (as Ramon Gay)
    Rosita Arenas
    Rosita Arenas
    • Flor Almada…
    Crox Alvarado
    Crox Alvarado
    • Pinacate
    Luis Aceves Castañeda
    Luis Aceves Castañeda
    • Dr. Krupp
    Jorge Mondragón
    • Dr. Sepúlveda
    • (Archivfilmmaterial)
    • (as Jorge Mondragon)
    Arturo Martínez
    • Tierno
    Emma Roldán
    Emma Roldán
    • Maria, the housekeeper
    Julián de Meriche
    • Comandante
    • (as Julien de Meriche)
    Salvador Lozano
    Jaime González Quiñones
    • Pepe Almada
    • (as Jaime Quiñones)
    Ángel Di Stefani
    • Popoca, the Mummy
    • (as Angelo De Steffani)
    Adolfo Rojas
    • The Human Robot
    Jesús Murcielago Velázquez
    • El Murciélago
    • (as Murcielago Velazquez)
    Enrique Llanes
    • Esbirro del Murciélago
    • (as Enrique Yáñez)
    Guillermo Hernández
    • Esbirro del Murciélago
    • (as Lobo Negro)
    Alberto Yáñez
    • Esbirro del Murciélago
    Firpo Segura
    • Esbirro del Murciélago
    Sergio Llanes
    • Esbirro del Murciélago
    • (as Sergio Yáñez)
    • Regie
      • Rafael Portillo
    • Drehbuch
      • Guillermo Calderón
      • Alfredo Salazar
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen66

    2,52.9K
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    Empfohlene Bewertungen

    rixrex

    A whopper of a grade Z movie

    Got this DVD because I remembered watching these flicks as a kid on late night spookfests in the 60s. Usually I fell asleep, now I know why. Pretty slow moving and lacking in action. Generally a rehash of the 1st two Aztec Mummy films with a little addition of the Robot creation. Looks like a really poor interpretation of a Universal monster compilation. The sequences pulled from the original AZTEC MUMMY look pretty good though. This one is kind of what a 12 yr old kid with a super 8 camera might try to do, with a little help from mom and dad who know nothing about making a movie. And they probably would think it was good, too. One redeeming quality, lots of eerie night shots for mood.
    3lemon_magic

    Contrary to popular opinion, it won't make you want to gouge your eyes out...BUT...

    "RVAM"'s reputation preceded it. I first heard of it in one of those Medved style movie books, "The 50 Worst Movies Ever" or "The Golden Turkey Awards", or something like that. Every review of the film basically said that this movie was so bad that it would make you bleed from the eyes to watch it. So when the Exposed Film Society finally got around to showing it, I was anticipating the kind of cathartic experience that only a true cinematic stinker can provide.

    However, "Robot" wasn't really all that bad.

    Oh, this is definitely a "Z" film through and through. Some of the voice dubbing (as is usually the case for K. Gordon Murray imports) is awfully cheesy, and the movie itself seems to be structurally something of a Frankenstein, since a huge chunk of it seems to be footage from a previous "Aztec Mummy" movie, narrated with a voice-over by the leading man. A dead giveaway: anytime the question "Then what happened?" is asked more than twice in the dialog, you are looking at reassembled footage put together with little regard for plot coherence or momentum. In RVAM, "Then what happened?" or "What happened then?" is uttered at least four times in the 1st hour.

    Even without the structural problems, the plot and dialog don't translate well to an older American audience. For instance, as the hero explains (and explains and explains) the back-story. he includes a remark about Doctor Krupp, "a doctor who suddenly turned into an evil master criminal" and began his quest for the treasure that the Aztec mummy guards. No background, no explanation, he just "suddenly turned evil". Obviously, this was aimed at a pretty undiscriminating audience.

    The clincher, though, is the "Robot", the supposed "showcase" of this movie. This Robot is the worst robot special effect since "Undersea Kingdom" or even "Santa Claus Vs. The Martians". Compared to this hunk of junk, the Tin Man from the "Wizard Of Oz" looked like the Terminator chassis that chased Linda Connor through the foundry in T2. The Aztec Mummy himself is well designed and executed; he's recognizably undead, familiar enough to look like a mummy, and yet distinct from the "Boris Karloff" bandage collection familiar to most American audiences. But whoever designed the Robot in this followup had no feel for the concept...or no budget. They could at least have given him some knees, for heaven's sake.

    In addition, the titular battle is terribly executed and lasts less than 60 seconds. (I've seen shoving matches on junior high playgrounds that are more convincing.) Then the movie basically just stops. That seems a bit of a rip off considering the amount of time the movie spends building up to the battle itself.

    In spite of all these problems, the movie isn't horrible or incompetent the way a Coleman Francis film or a Larry Buchanan film was. Compared to "Monster A-Go-Go" or "Attack of The Eye Creatures", "RVTAM" is like a Coppola film. It's just kind of dull and boring and silly. The actors are competent (in a mannered B movie way) and reasonably photogenic; Dr. Krupp, in particular seems to be having a wonderful time as he leers and plots and capers about in his cape and "Phantom Of the Opera" suit. I often found myself rooting for him, in spite of his being the villain.

    Anyway, I've seen much, much worse. File this with "Samson Vs The Vampire Women", under "interesting Mexican juvenile oddities".
    2InzyWimzy

    Mexican Mayhem

    Ah, such an original title for a very shoddy film. The dubbing is hilarious since the voices and mouths never seem to match. As a result, I had no idea what was going on as I watched this mess unfold. There are flashbacks within the flashbacks and no real time takes place until towards the very end. The Aztec ceremony had me laughing. I rewinded it twice and got the best ab workout ever. The singing Aztec lady is comic naturale and the dancing and costumes are a hoot. Some guy gets a face full of acid, there's a lot of fighting, you have no idea who any character is (not that I really cared), and it's a whole noir mess. Oh, and the actual fight doesn't happen for awhile, so during the movie feel free to get up, take a nap, take a trip. You won't miss anything exciting.
    NotoriousNate

    Some of the best film bad guys ever!

    This film has two of the most devious characters ever to enter Mexican cinema: Dr. Krupp,who is as evil as he is fat, and his hapless sidekick Bruno. Dr. Krupp IS actually quite the evil genius. During a flashback in the film, we find that he is clever enough to disguise himself as pro wrestling bad guy The Bat(who would ever suspect a mad scientist could be a pro wrestler?!? It's pure genius!!)and escapes the Aztec Mummy and his own snake pit trap(He was probably very happy that built that secret escape and had his keys with him). And Bruno is one of the few VERY loyal sidekicks I've ever seen in any film. The guy puts up with being punched by the Aztec Mummy, having acid thrown into his face and becoming deformed, and tolerating a boss who thinks he's a wrestler. Besides in the dubbed version, Bruno delivers the classic line "You devil! You devil!" better than anyone!
    2Eliks

    This movie is a pure fun, even if you're not into b-flicks

    I am a big fan of bad horrors, cheap horrors, b movies, and all that bottom 100 movies, and I do not deny those are the worst stuff ever to enter the big screen, or even your home video for that matter. Some of them, e.g. the infamous Manos The Hands of Fate, are truly bad, and watching them, especially on your own without any friends and beer around, is a torture for a good cinema taste.

    La Momia Azteca Contra El Roboto Humano, however, was not that bad. Well, of course it's BAD - it's silly, dated, corny, cheap, etc., there's an Aztec mummy, a tin robot, a fat masked villain, a mad scientist, Mexican mobsters, etc. the montage is poor, the lines, well, let's say the lines are not theatrical, the FX and SFX are the best what the Mexican low budget production could've offered, etc. etc. Still, the movie is FUN. it's so bad it makes you laugh cheerfully for an hour time. Sure it depends on one's sense of humor, however I'm pretty sure La Momia should teach any newcomers to this kind of cinema how to enjoy it. Please note: the movie lasts for about an hour, and I think it's just enough time of silliness one is able to easily digest.

    There's also another thing - watching La Momia can give you a clue what was the whole SF/Horror genre concept back in the fifties, when you compare it to the present day Matrix era of cinema entertainment. I think it also shows how both the industry and the audience evolved, due to the fact the watches like La Momia still attract full house in the theaters for some special shows (movies like this are special alright), and very often receive a standing ovation.

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    Handlung

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    • Wissenswertes
      The first half of this film is a retelling of the two previous films in the trilogy, La momia azteca (1957) and Der Fluch der aztekischen Mumie (1957), using an ample amount of stock footage from both films.
    • Patzer
      The Aztecs practiced cremation, not mummification. The Incas were the Mesoamerican culture who practiced mummification.
    • Alternative Versionen
      There are two different US versions of this film: One is the American International Pictures print with the original atmospheric music score (complete with classical music pieces), and during the climactic fight between Popoca and the Human Robot, Popoca had a scary, menacing voice (ie. groaning and roaring). Another is the 1964 rerelease by Young Horror Club of America, with a completely redone (and loopy) music score, somewhat different title cards, and the voice of Popoca (in said climactic fight) was replaced with a faint high-pitched voice (which sounded more like he was yawning). This latter version was seen in the public domain. Both versions had the exact same dubbing done for US producer K. Gordon Murray by Manuel San Fernando (intended for AIP's version).
    • Verbindungen
      Edited from La momia azteca (1957)

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 9. Januar 2017 (Deutschland)
    • Herkunftsland
      • Mexiko
    • Sprache
      • Spanisch
    • Auch bekannt als
      • The Robot vs. The Aztec Mummy
    • Drehorte
      • C.L.A.S.A. Studios, Mexiko(as Clasa Studios)
    • Produktionsfirma
      • Cinematográfica Calderón S.A.
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    Technische Daten

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    • Laufzeit
      1 Stunde 5 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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