Kronos

This movie reflects the cold war tensions of the fifties and captures the history of that time period on film. The movie is interesting for its presentation of modern age technology of its' time and the wonders that technology would bring. Movie goers who have been spoon-fed on modern digital animations and graphics will have no appreciation for the effort that went into this movie. This is obviously no academy award winner; however, one must view this film in its' proper context. A thoroughly enjoyable movie. 8 out of 10.

Kronos is slightly different from other 1950's/Atomic age sci fi's as the 'monster' that threatens the world in this one is a massive robot, Kronos. This was released on video in America as part of the excellent Science Fiction Gold collection, of which I have a copy.

A giant object crashes into the ocean and turns out to be a flying saucer. Scientists are sent to investigate, but one of them gets possessed by an alien and starts acting strange. At the same time, something strange rises out of the ocean and turns out to be a giant robot, Kronos. Two of the scientists land on top of it by helicopter to examine it. It then starts going on the rampage, destroying everything in its path. A nuclear bomb is dropped on it to try to destroy it, but this makes things worse as Kronos uses nuclear energy to get stronger. A method is found to destroy it in the end though and turns out to be a success.

For a low budget movie, the special effects are quite good and the music score is rather creepy.

The movies stars 50's sci fi regulars Jeff Morrow (This Island Earth), Morris Ankrum (Invaders From Mars), John Emery (Rocketship XM), Robert Shayne (Teenage Caveman) and Morrow's love interest is played by Barbara Lawrence. Morrow, Ankrum and Shayne also appeared together in The Giant Claw, made the same year as Kronos, 1957.

This movie is a must for fans of 1950's sci fi, like me.

Rating: 3 and a half stars out of 5.

As must always be kept in mind while viewing classic SF cinema, one cannot and should not extricate a film from its historical context. Kronos is no exception. This is 1950's SF movie making at its marginal budgetary best.

Certainly the storyline taxes credibility, involving alien possession of humans, but the ETs at least have a practical purpose for invading than just doing it out of spite. Plus, the dirty work isn't accomplished with sundry flying saucers and blaster rays, but by a huge robot.

The acting is an uneven mixture of serious and melodramatic that oddly adds to the dark overtones of the fims early scenes. The dialogue, littered with quasi-scientific jargon, flows at near poetic tempo.

Ultimately, it is the clever resourcefulness of our nuclear-scientist heroes that wins the day. Now that has to be worth watching!

Speaking of an energy crisis— if that energy-sucking alien from outer space had had its way, we'd have been using hand-crank generators back in 1957. Good thing Jeff Morrow (Dr. Gaskell) was around in those days. His strong-jaw cleverness defeated a lot of alien plots— The Creature Walks Among Us (1956), The Giant Claw (1957). Here, he figures out how to zap the zapper, after it stomps all over the Southwest sucking up energy. And he does it in a way that makes all the nonsense seem believable. Should be a place in sci-fi heaven for actor stalwarts like him. Ditto, the great Morris Ankrum (Dr. Stern). No alien epic of the 50's would be complete without his general-president-doctor-professor, or a thousand other expert authority roles. Okay, my hormones require also mentioning Barbara Lawrence who really looks good in a swim suit, even if she hasn't much to do except distract Morrow and a few thousand boozy guys like me at those long ago drive-in's.

Actually, this is a pretty good enemies-from-outer-space flick. Special effects are mostly convincing even if the monster resembles a Lego Land creation, while the smoking-debris final frame looks like a gum wrapper in an ashtray. Director Neumann had an interesting, if erratic, career, piloting such sci-fi classics as Rocketship X-M (1950) and The Fly (1958) and such turkeys as Mohawk (1956) and Son of Ali Baba (1952). I guess he needed something imaginative like science fiction. Anyway, the movie's smoothly done with a few chills and a lot of good 50's fun.

Yep, it's black & white and low budget but the film has great ideas and is executed incredibly well for the small amount of money they had to work with. The score by Bert Shefter and Paul Sawtell is probably the best the duo ever wrote. In fact, the title theme was so good it was re-worked for IT, THE TERROR FROM OUTER SPACE. Some people have said they think that cartoon animation was used for walking shots of KRONOS. I think it is stop-motion model animation, especially since Gene Warren is one of those credited for special effects and stop-motion was his specialty. Regardless of how it was achieved, KRONOS is about as much fun as they get. The special effects, while dated-looking now were as good as anything else you would see at the time it was released. I love this film which fortunately, has been preserved on an excellent widescreen DVD. The film has an enduring quality about it and never ceases to entertain me no matter how many times I see it. If you just like to have a plain old good time watching a movie, then I highly recommend KRONOS.