Düsenjäger

There is great colour footage of F-86, F-80, B-36 and Bell X aircraft here interspersed with utterly ridiculous lines and a bizarre plot. Typically paper thin film making from Howard Hughes with big stars, high production values and zero aspiration towards making a decent movie. How some reviewers can say Wayne acts well in this film beats me! Janet Leigh is gorgeous though...

Unless you're willing to concede that the the movie was made as a farce, which I don't happen to believe, then the plot and acting are one cringeworthy moment after another, starting with Janet Leigh's improbably striptease after landing her Soviet fighter at a US airbase, not that there's anything wrong with her stripping, of course. The improbabilities pile on higher and deeper to the point that being probable is no longer even the point and you just don't care anymore.

That said, the true star of this movie is the period hardware, some of it seldom seen anywhere else. The scene of the night interception of the Convair B-36 showed an early model in flight in such detail that if you look closely you can see that the retractable weapons, usually seen retracted on this rather rare machine, are extended. Also other fighters of the era are portrayed including the Bell X-1 that fills in for the Soviet parasite fighter that is actually the rocket plane that Chuck Yeager flew on the world's first supersonic flight. If you are an aviation enthusiast I highly recommend this movie. If you are fan of The Duke or are looking for action adventure or suspense entertainment, pass this one by, it's not for you.

I waited a long time to see this movie, now I have and I must say I found it better than I had reason to expect. It is a fast moving comedy with many really funny scenes. Could it be this was the first movie that made fun of the Cold War? Could it be it was shelved for years for that reason (maybe the war in Corea made it inopportune to laugh about such matters)? Josef von Sternberg, steeped in German Expressionism, would be the last director you'd expect to helm a movie that at first sight seems to be an older version of Top Gun. But things are set straight very soon as it becomes evident that this is supposed to be a comedy in the vein of something by Ernst Lubitsch or Billy Wilder. Ninotchka comes to mind, and in a way - a hilarious way - Janet Leigh as the (intentionally?) grounded Russian jet pilot is in the footsteps of Greta Garbo here. So John Wayne as American jet pilot is a reticent, rather shy Melvyn Douglas. In his part you'd rather expect Cary Grant, and Wayne does seem to be slightly embarrassed throughout the movie.

Vivacious Janet Leigh's physical assets are highlighted as much as possible and with great success. There is a nice striptease scene in which she gets out of her cute white overalls, and each time she starts peeling off a new layer of clothing - woooosh - a jet plane is heard diving down. It's really a hoot. Soon she reappears in the American's war room in a neatly pressed Red Army uniform, full of medals and fruit salad (she must have stashed it somewhere in that jet plane of hers). Soon she and Wayne are off to Palm Springs, so that she can see what the Commies are missing. Wayne, in turn, gets a whiff of Socialist reality later on, as he accompanies the Russien pilot he sort of married back home. It's grim and Stalag-like, of course.

There is a lot of aerial footage in Jet Pilot and it is high quality material that still fascinates. A lot of elegant acrobatics is performed and filmed from different angles. But even the jets are well embedded in the comedy this movie ultimately is. One of the scene I liked best: Janet Leigh escapes. She runs to a jet with its – er – engine already running, pushes away the ladder and dashes of as if it were a little sports car or some getaway after a heist in a gangster movie. It's unparalleled and one of many laughs Jet Pilot offers.

So-so film was held up for 7 years , before being finally released , being spoiled by an absurd story , though saved only by the impressive flying scenes . It deals with Air Force Col. Jim Shannon (John Wayne) is tasked to escort a defecting Soviet pilot Lt. Anna Marladovna Shannon / Olga Orlief (cute-pie spy played by attractive Janet Leigh) who is scheming to lure Shannon to the USSR . Maj. Gen. Black (Jay C. Flippen) and Maj. Rexford (Paul Fix) assign Shannon to survey Anna , but things go wrong . Later on , they marry , but our protagonist suspects she is a spy planted to find out US secrets . Then Shannon pretends defect with her back to Russia to watch what he can find out , but they again flee .

This romantic comedy packs thrills , one-dimensional heroics , comic-strip dialogue , spy-game , ludicrous screenplay and a lot of sky-shattering scenes that are flashily breathtaking . Intimate as well as spectacular WWI airplane movie with an agreeable cast , overwhelming aerial scenes , though including a silly romance . It is one of the Greatest Air Spectacle of the Jet Age but it has a ridiculous plot that relies heavily on an ridiculous love story . This is an entertaining as well as showy Dramedy about relationship between two pilots as well as a tough commanding officer determined to improve efficiency , interwoven with nice aerial footage ; it was so big it took years to make with an inestimable help from the US Air Force , still taking advantage of Chuck Yeager's 1947 supersonic flight for publicity , offered his services as a stunt pilot . This was apparently one of the first films in which the US Air Force during the Cold War was featured , including spectacular aircrafts , such as : first Bell X-1 , Glamorous Glennis , Boeing EB-50A Superfortress , serial 46-0007 ,B-36 , F-94 Starfire F-80 Shooting Star , prototype Northrop XP-89 Scorpion ,Lockheed T-33As , B-36B by a Lockheed F-94A Starfire , among others . It appeared in a number of films afterward , notably Bombers B-52 (1957) , A gathering of eagles (1963) , Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb (1964), and By Dawn's Early Light . Amiable acting by John Wayne , in real life a staunch anti-communist, who shambles through the action with a permanent sympathetic grin , he plays a jet pilot in charge of Alaskian Air Force base who falls in love with a defecting pilot , a gorgeous Janet Leigh . Support cast is frankly excellent , such as Jay C. Flippen , Paul Fix , Richard Rober , Hans Conried and brief appearances by Bill Erwin , James Brown , Mamie Van Doren , Kenneth Tobey and Denver Pyle .

Brilliant cinematography in Cinemascope and Technicolor by Winton Hoch , John Ford 's usual cameraman , shot on location , the filming for the Russian air base was done at George Air Force Base, a World War II air base with many of its wartime structures still intact, giving the base a primitive appearance . Thrilling as well as rousing musical score by Bronislau Kaper . The film was produced by RKO in 1950 which was owned by Howard Hughes, although this was shot in the fifties , it took seven more years to be released because Hughes couldn't keep his hands off it . As he intended to show off the latest in aircraft technology in 1950 , when this film was shot . By the time it was released to the public, in 1957 , the aircraft featured were already obsolete . The picture was regularly directed by Josef Von Sternberg . His commercial breakthrough was Underworld (1927), a prototypical Hollywood gangster film . With The Last Command (1928), starring the equally strong-willed Emil Jannings , von Sternberg began a period of almost a decade as one of the most celebrated artists of world cinema . Both his film career and his personal life were transformed in the making of Blue Angel (1930). Chosen by Jannings and producer Erich Pommer to make Germany's first major sound picture, Von Sternberg gambled by casting Marlene Dietrich . Josef , subsequently , directed her in various prestigious pictures as Dishonored , The Devil Is a Woman , Blonde Venus , The Scarlet Empress and the greats hit : Shanghai Express ; being Jet pilot his last film .

As ludicrous as the narrative and dramatics are, this movie has some of the best, even wonderful, jet-age aerial scenes ever filmed. All in color, too!

Forget the story, discard any literary seriousness..., for genuine vintage military aircraft buffs, the flight footage alone is more than worth the price. Also has great shots of aircraft on the ground. It's like a historical (occassionally hysterical) air museum in motion.

The fact that it avoided grainy/phony stock shots, that the aerial footage was shot especially for this movie, that Chuck Yeager performed much of the stunt flying, and that there is actual original footage of the Bell X-1 in flight, makes this movie a true gem for military aviation buffs.

For Paul Frees fans, his brief appearance is incredibly energetic.

Oddly, the DVD is letterboxed, but the 1950 production (with a delayed 1957 release) was shot before the widescreen era, and should have been uncropped full-screen on video.

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