Füge eine Handlung in deiner Sprache hinzuEx-outlaw Will Sabre wants an honest life under the alias Dan Tomlinson but his old gang, under new leader Dunsten, wants him back for a new string of armed robberies.Ex-outlaw Will Sabre wants an honest life under the alias Dan Tomlinson but his old gang, under new leader Dunsten, wants him back for a new string of armed robberies.Ex-outlaw Will Sabre wants an honest life under the alias Dan Tomlinson but his old gang, under new leader Dunsten, wants him back for a new string of armed robberies.
- Larry
- (as Donald Barry)
- Jones
- (as Al Wyatt)
- Burt
- (as Red Morgan)
- Mr. Blaisdell
- (Nicht genannt)
- Posse Member
- (Nicht genannt)
- Townsman
- (Nicht genannt)
- Townsman
- (Nicht genannt)
- Townsman
- (Nicht genannt)
- Posse Member
- (Nicht genannt)
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On his way back to his hometown and girl, Judy (Ann Robinson), Dan picks up 10-year-old Robbie (Bobby Clark (I)) whose father has been killed. Dan gets a job as a bank teller and suspicion falls on him when a hold-up occurs and he doesn't use his guns. And, on top of that, Dunston and his former gang plants evidence to make it appear as if Dan cooperated with them.......wait, a minute, haven't we seen this before? A reformed outlaw comes to town, gets a responsible position (such as sheriff or stage guard or maybe even a bank teller---the reel west was getting really whimpy by 1956), and his old gang shows up, makes off with whatever is the most valuable and easiest to haul off...and the ex-outlaw is left to take the blame?
Well, by cracky and by gum, we indeed have...like in 1937'S TWO GUN LAW and 1939's THE THUNDERING WEST with Charles Starrett and 1932's Texas GUN FIGHTER with Ken Maynard and 1930's THE LONE RIDER with Buck Jones...and Universal trotted it out for Johnny Mack Brown in MAN FROM MONTANA...and Maynard liked it so much he used it again at Columbia in 1935 and in a 1940 Colony production and, all in all, it is probably the third most-recycled plot in the western-film genre.
No problem with the always-good George Montgomery filling in for the likes of Jones, Starrett, Maynard and Brown,or Bob Steele or Jack Perrin or Tom Tyler in other versions but Steve Brodie falls way short of the menace of Harry Woods or Dick Curtis.
Writer Louis Stevens shows once again what he lacked in originality, he more than made up for in total recall of plots that had been used before. In this instance, many times.
Standard western about an outlaw trying to reform is a competent heartwarming little programmer that features a fine performance from George Montgomery, who expresses desperation as an ex-outlaw trying to bury his past; his interactions with the boy comes across natural and a reason for him to reform. Apart from the emotional content, there's some lively gunplay and a really callous main villain. Just wished that it was in colour, though.
Nifty Little Saddle Soap that utilizes that 50's Plot Point that Post-War Baby-Boomers got there Handle. It's all about Kids ("Shane", "The Rifleman"). This one isn't too Sappy and the Cast makes it Appealing and Heartwarming.
Guns Ablaze and the Solution has an Optimistic, Forgiving Attitude about Gangster Reform for a Sunny Conclusion. Enjoyable, Fast-Paced Western that should Please Fans of the Genre.
Brodie Steals the Show as a Nasty Creep and the rest of the Seasoned Cast Help things stay on course. The Kid, who just Lost His Dad, shows some Intelligence and Attitude that Rivals the Grownups and does Not Diminish the Grit of the Movie.
Standard 50s Oater as per formulaic story, but it's spiritedly played and it's not without emotional hefts. Story has Montgomery as Will Sabre, who has had enough of the outlaw life and quits the gang that are titled in his name. Only the gang wont let him quit and he has 30 days to change his mind or else! Not good since under an alias he's landed a nice job in Durango, become a surrogate father to an orphan, and if he can stay straight he'll get the hand of his honey, Judy (Robinson).
It starts with a callous murder and from there we are in no doubt that the one time Sabre Gang, now the Dunsten (Brodie) Gang, are bad dudes and Will Sabre (alias Dan) has his hands full from a number of angles. It's the various active threads that keep the pic from falling into mediocre hell, with Montgomery finding believable chemistry with both Robinson and young Clark. Action scenes are well staged, the Simi Valley and Chatsworth locales are nicely present and Gertsman's crisp black and white photography is most pleasant.
No surprises in store but this is above average and better than the plot would suggest. 6.5/10
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- WissenswertesIn 1957 United Artists released this as a double feature with Chicago vertraulich (1957).
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Dunston: Smart guys, all of ya! For twenty dollars, he tells us which way Will Sabre went... well, he could tell somebody about us for twenty more.
[to man he just shot in the back]
Dunston: Will Sabre thinks he's the last of the fast guns, but we know different, you and me. Ashes to ashes, friend.
[kicks dirt onto the man's face]
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- Erscheinungsdatum
- Herkunftsland
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- Gun Duel in Durango
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- Laufzeit1 Stunde 13 Minuten
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- Seitenverhältnis
- 1.37 : 1