The Girl in the Kremlin

Well Known Right-Winger and Studio Publicist, Russell Birdwell, Assisting John Wayne Promoting "The Alamo", Directed this Brutal Exploitation-Propaganda of those Evil Commies.

Dark Tone and Somber Throughout...

It Starts with a Lengthy Scene with Stalin Seated Puffing on a Pipe, Watching a Beautiful Brunette with Waist-Length Hair,

Undergoing a Shaved-Head Haircut. There is No Explanation.

Aside from the Obvious Pleasure of Stalin Getting His Kicks.

Next, it's Off to the Plastic Surgeon for Uncle Joe who is about to Fake His Own Death and High-Tail, with Half of the Soviet Treasury.

Enter Zsa Zsa Gabor in a Dual Role, Searching for Her Identical Twin, Last Seen as Stalin's Nurse in Moscow.

She Hires He-Man Lex Baxter, Ex-OSS and Now a Private Eye, to Find Her Sibling.

When Baxter Discovers that there are "Rumors" of Stalin's Switcheroo, He Joins Zsa Zsa with the Added Bonus, no not Gabor, but a Hefty Down-Payment.

There's Some Intrigue, and with the Help of a One-Armed Secret-Service Agent (Jeff Stone) and a Hiding-Out Son of Stalin (William Schallart) the Hunt is On.

Plenty of Action, Including a Brutal, Bloody Flogging of Baxter. One Gets the Impression that there are also some Deranged and Detached Minds Behind the Camera.

Intense, Low-Low Budget Movie that Delivers the Goods. However Critics and Fans seem to Loathe this Under-Ground Treasure of Sleazy Cinema from a By-Gone Era.

There's a Lot More Here than Meets the Eye.

Say Hello and Good-Bye to America's Little Friend During WWII, Uncle Joe Stalin...

Who Starved Millions of His Countrymen...Because He Could.

Worth a Watch.

"The Girl in the Kremlin" has a ridiculous premise...not quite as ridiculous as "They Saved Hitler's Brain"...but close! It seems that although it was announced to the world that Stalin died of a stroke in 1953, he did, according to this silly story, actually live on by substituting one of his doubles and then having plastic surgery! He did this, apparently, because he knew a purge was coming...and this time it was coming for him!

Despite the notion of Stalin surviving and, perhaps, one day trying to return to power being ridiculous, the film tries very hard to play it straight....and making it seem only 99% ridiculous instead of 100% ridiculous. The only trouble I had with this kitschy film was the ending...as the death scene didn't make any sense at all. See it...see what I mean.

The movie starts in the Kremlin in 1953, where Joseph Stalin (played by Maurice Manson) indulges in his fetish by watching a woman having her head shaved. He then undergoes plastic surgery, watches the people gathering to mourning his death, has the doctor who performed the surgery shot, and then vanishes from the story. For a while, anyway.

In Berlin, former OSS agent and PI Lex Barker tries to gives Zsa Zsa Gabor her money back. She hired him to track down her sister, but never mentioned that she was working in the Kremlin. After she offers him more money, he goes back to work, and decides that Stalin is still alive. But where? There's spy stuff.

I strongly suspect this is an updating of an unproduced script for just after the War, in which Hitler has been replaced by Stalin. It's strictly cheap fare from producer Albert Zugsmith, and the only names I recognize are William Schallert as Stalin's son, and DP Carl Guthrie.

I learn from history books that in 1956 the URSS' Communist Party amply criticized the doings of its former First Secretary, Joseph Stalin, died in 1953. With a perfect timing comes out in 1957 "The Girl in the Kremlin".

Back to the film: well, Stalin is not really dead. He is still alive, and plots to regain his dictatorial powers in a now (1957) slightly changed Soviet Union. This an admissible kern idea for a story for the movies: we were comfortable, to say one, with King Kong's destroying Tokyo... But I won't write about the plot: you can find an outline of it in this same site, or elsewhere. I'd like to focus on some other aspects. Here we go.

Thousands and thousands of films have been made with an underlying propaganda undercurrent, and some are very good. But when the thing is so blatant, with all the Soviets represented ab initio as pure idiots, then we are not there. It's like taking Americans (and the rest of the world of movie-goers) for just as many idiots (there undoubtedly have been many of them, and presumably there are still now), if you expect them to believe this nonsense. Paradoxically, those films, always with underlying propaganda, but serious, which treat the characters - whatever their political position - as human beings, just as a normal member of an audience considers her/himself, have the greatest effect. Assuming that something like a "normal" audience ever existed or will exist.

The first few minutes of this film emerge as one of the most exciting and moving in the history of film. After the haircut, turn off the movie and watch something else. However, don't miss the first minutes of this film. A necessary addition to any collector's library.