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Clorinda, die Sarazenin

Originaltitel: La Gerusalemme liberata
  • 1957
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
5,2/10
138
IHRE BEWERTUNG
Sylva Koscina and Francisco Rabal in Clorinda, die Sarazenin (1957)
AbenteuerActionDramaGeschichte

Füge eine Handlung in deiner Sprache hinzuSEE- The Dance of the seven orgies! SEE- The duel to the death with 100-pound battle axes! SEE- The seduction of Renaldo, the White Knight, by the dark daughter of Damascus! SEE- The mammoth... Alles lesenSEE- The Dance of the seven orgies! SEE- The duel to the death with 100-pound battle axes! SEE- The seduction of Renaldo, the White Knight, by the dark daughter of Damascus! SEE- The mammoth battle between Heathens and Knights for the Holy Sepulcher! SEE- Assault towers and batte... Alles lesenSEE- The Dance of the seven orgies! SEE- The duel to the death with 100-pound battle axes! SEE- The seduction of Renaldo, the White Knight, by the dark daughter of Damascus! SEE- The mammoth battle between Heathens and Knights for the Holy Sepulcher! SEE- Assault towers and battering rams breach the walls of the Holy City! SEE- Men turned into human torches by the fla... Alles lesen

  • Regie
    • Carlo Ludovico Bragaglia
  • Drehbuch
    • Sandro Continenza
    • Annalena Limentani
    • Frederica Nutter
  • Hauptbesetzung
    • Francisco Rabal
    • Sylva Koscina
    • Gianna Maria Canale
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,2/10
    138
    IHRE BEWERTUNG
    • Regie
      • Carlo Ludovico Bragaglia
    • Drehbuch
      • Sandro Continenza
      • Annalena Limentani
      • Frederica Nutter
    • Hauptbesetzung
      • Francisco Rabal
      • Sylva Koscina
      • Gianna Maria Canale
    • 6Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos8

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    Topbesetzung22

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    Francisco Rabal
    Francisco Rabal
    • Tancredi d'Altavilla
    Sylva Koscina
    Sylva Koscina
    • Clorinda
    • (as Silva Koscina)
    Gianna Maria Canale
    Gianna Maria Canale
    • Armida
    Rik Battaglia
    Rik Battaglia
    • Rinaldo d'Este
    Philippe Hersent
    • Goffredo di Buglione
    Andrea Aureli
    Andrea Aureli
    • Argante
    Alba Arnova
    Alba Arnova
    • Harem Dancer
    Nando Tamberlani
    Nando Tamberlani
    • Pietro - L'eremita
    Cesare Fantoni
    Cesare Fantoni
    • Aladino
    Edoardo Toniolo
    • Raimondo da Tolosa
    Carlo Hintermann
    • Dilone
    Ugo Sasso
    • Gernando di Norvegia
    Leonardo Bragaglia
    • Achille Sforza
    Fedele Gentile
    • Il comandante del presidio
    Giulio Battiferri
    • L'ambasciatore mussulmano
    Fernando Ghia
    • Uno scudiero di Ronaldo
    Teresa Ferrone
    • Angelica
    • (as Terry Ferrone)
    Joe Kamel
    • Regie
      • Carlo Ludovico Bragaglia
    • Drehbuch
      • Sandro Continenza
      • Annalena Limentani
      • Frederica Nutter
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen6

    5,2138
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    Empfohlene Bewertungen

    6Bunuel1976

    THE MIGHTY CRUSADERS (Carlo Ludovico Bragaglia, 1958) **1/2

    This made for a belated addition to a Bragaglia peplum trilogy that also incorporated the lesser QUEEN OF BABYLON (1954) and THE FOUR MUSKETEERS (1963). However, it was not watched under congenial circumstances given the English dubbing (though the print emerges as reasonably handsome) as well as the panning-and-scanning. Besides, some abrupt plot development throughout indicates the version I acquired (running 88 minutes) was slightly trimmed since the IMDb gives its full-length as 95.

    The film itself is quite good and decidedly literate, though perhaps not enough to do justice to Torquato Tasso's epic poem "La Gerusalemme Liberata" (which was also the picture's original title). The narrative unfortunately resorts to contrived romantic situations, and we even get two for the price of one – involving Christian males (Francisco Rabal and Rik Battaglia) and Muslim ladies (Sylva Koscina and Gianna Maria Canale). That said, the teaming of Luis Bunuel regular Rabal (in atypical hero mode) and Koscina (who also gets in on the action!) is ideal; interestingly, the tragic finale has the two unwittingly engage in a duel and one of them ends up killing the other! Genre stalwart Canale, on the other hand, treads familiar i.e. duplicitous territory.

    The film obviously elicits comparison with the likes of THE CRUSADES (1935) and KING RICHARD AND THE CRUSADERS (1954) and actually falls somewhere in between in both approach and effect (being also decidedly sober in comparison with most entries within this field!). Portions of the main theme by Roberto Nicolosi felt oddly familiar: I am sure it was used in some Mexi-Horror that I watched earlier this year, or else was in a trailer gallery included on the disc containing a couple of them, but I cannot for the life of me tell just which one! Anyway, the finale has Christians gathered victoriously atop a hillside in reverent prayer (accompanied by angelic chorus) and capped with Christ's cross appearing fleetingly in the skies.
    falmoury

    I have the promo-reel : glorious cinemascope !

    I have put the hand of a bunch of promo-reels (running time of each one is 2' average) put on a VHS, with a good video report, in English speaking version for most of them and in French for at least one of them (I have not checked all of them since I got this treasure VHS by a cinephilic miracle) , of almost 40 Italian westerns, peplums, medieval, pirates, jungle, horror, thriller, polizioti, etc. movies shot between 1955 and 1986 but most of them covering 1960-1970. Amazing treasure. Most of them are not pan & scanned and offers cinemascope. Some of them are 1.66 and 1.66 = 16/9. Among them, the promo-reel (2' approximatively) of this Carlo Ludovico Bragaglia, one the great peplum directors, starring Sylva Koscina and the sultry Gianna Maria Canale... : when such a movie will be restaured and offered in full running time. The promo-reel that I just looked at gives me a deep will to see more of it. Directing work is classic, cinemascope picture beautiful, landscapes and scenery somptuous ! This one is a Medieval and violent story about crusades.
    5ulicknormanowen

    Love crusade

    It seems that the crusade has lost its raison d'être ; to redeem his soul,Godefroy De Bouillon had heeded pope Urban the Second's call : to free the Christ's tomb from the infidels ; after the victory , chivalrous Godefroy claimed they fought for justice ;the religious side is almost passed over in silence ,which is amazing ,all the same! There are more fights and more love affairs than hints at the Holy Sepulcre .

    Most of the plot is invented from start to finish : Tancrède De Hauteville did exist and he did urge the crusaders to spare their enemies' lives (which he tells the absolutely implausible female warrior Clorinda in the movie) for, unlike their attitude in the screenplay ,the occident men massacred too. Jerusalem was defended by Egyptians Fatimides.

    The movie is an entertaining swashbuckler ,but should not be taken seriously .The adventures of Renaldo D'Este seem taken by force from another "historical" movie " Rolando e i paladini di Francia "(1956) , in which the Saracens sent a "secret weapon" ,a gorgeous girl to cause dissension among their enemies ( Gianna Maria Canale replacing Rossana Schiaffino, Rik Battaglia is charmed in both films)

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    Details

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    • Erscheinungsdatum
      • 31. Oktober 1958 (Westdeutschland)
    • Herkunftsland
      • Italien
    • Sprache
      • Italienisch
    • Auch bekannt als
      • Jerusalén liberada
    • Produktionsfirma
      • MAX Film
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    Technische Daten

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    • Laufzeit
      • 1 Std. 37 Min.(97 min)
    • Seitenverhältnis
      • 2.35 : 1

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