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Die unglaublichen Abenteuer des Herkules

Originaltitel: Le fatiche di Ercole
  • 1958
  • G
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
5,4/10
2539
IHRE BEWERTUNG
Sylva Koscina and Steve Reeves in Die unglaublichen Abenteuer des Herkules (1958)
The muscular Hercules performs his Labors, sails with the Argonauts, and romances the fair Iole.
trailer wiedergeben2:17
1 Video
47 Fotos
QuestSandalenfilmAbenteuerFantasieGeschichte

Füge eine Handlung in deiner Sprache hinzuThe muscular Hercules performs his Labors, sails with the Argonauts, and romances the fair Iole.The muscular Hercules performs his Labors, sails with the Argonauts, and romances the fair Iole.The muscular Hercules performs his Labors, sails with the Argonauts, and romances the fair Iole.

  • Regie
    • Pietro Francisci
  • Drehbuch
    • Apollonios Rhodios
    • Pietro Francisci
    • Ennio De Concini
  • Hauptbesetzung
    • Steve Reeves
    • Sylva Koscina
    • Fabrizio Mioni
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,4/10
    2539
    IHRE BEWERTUNG
    • Regie
      • Pietro Francisci
    • Drehbuch
      • Apollonios Rhodios
      • Pietro Francisci
      • Ennio De Concini
    • Hauptbesetzung
      • Steve Reeves
      • Sylva Koscina
      • Fabrizio Mioni
    • 48Benutzerrezensionen
    • 56Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 2:17
    Trailer

    Fotos47

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    Topbesetzung25

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    Steve Reeves
    Steve Reeves
    • Hercules
    Sylva Koscina
    Sylva Koscina
    • Iole, Daugher of Pelias
    Fabrizio Mioni
    Fabrizio Mioni
    • Jason
    Ivo Garrani
    Ivo Garrani
    • Pelias, King of Iolcus
    Gianna Maria Canale
    Gianna Maria Canale
    • Antea, Queen of the Amazons
    Arturo Dominici
    Arturo Dominici
    • Eurysteus
    Mimmo Palmara
    Mimmo Palmara
    • Iphitus, Son of Pelias
    Lidia Alfonsi
    Lidia Alfonsi
    • The Sybil
    • (as Lydia Alfonsi)
    Gabriele Antonini
    • Ulysses
    Aldo Fiorelli
    • Argos
    Andrea Fantasia
    • Laertes
    Luciana Paluzzi
    Luciana Paluzzi
    • Iole's Maid
    • (as Luciana Paoluzzi)
    Afro Poli
    • Chironi
    Gian Paolo Rosmino
    • Aesculapius
    • (as G.P. Rosmino)
    Willi Colombini
    • Pollux
    • (as Willy Colombini)
    Fulvio Carrara
    • Castor
    Gino Mattera
    • Orpheus
    Gina Rovere
    Gina Rovere
    • Amazon #1
    • Regie
      • Pietro Francisci
    • Drehbuch
      • Apollonios Rhodios
      • Pietro Francisci
      • Ennio De Concini
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen48

    5,42.5K
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    5bkoganbing

    The start of the Peplum productions

    Those impressive sets built in Italy for some major productions like Quo Vadis and Ben-Hur were not wasted. The Italian cinema found serious use for them with a series sand and sandal epics that lasted through the 60s. This film brought to our shores in America by Joseph E. Levine and it started a craze for these peplum films. I am told that this is the accepted term for these films, the peplum being the kind of tunics the male characters wear.

    Steve Reeves wore as little as possible the better to show off that muscular body that it took years to perfect. The success of Hercules internationally led to a series of muscle dudes from Europe mostly taking Anglo names for our markets doing films if not with Hercules in the title we would Samson, Goliath, Maciste, etc.

    The plot here interweaves several of the legends of Hercules plus the story of Jason and the Golden Fleece in which Hercules was a supporting player. Sylva Koscina plays a Greek princess and Luciana Paluzzi a couple of women who did have careers on this side of the pond will probably be the only other names we know.

    Back in 1958 this got a considerable juvenile audience. Today we get a more sophisticated Hercules from Kevin Sorbo, etc. Reeves is not the greatest actor in the world, but really who cares.
    TheVid

    A triumph of exploitation cinema and a fondly-remembered genre groundbreaker.

    Joseph E. Levine's timing when he decided to capitalize on this low-budget Italian epic was so right that it has become a legendary example of film promotion. That aside, it's amazing still how the dynamic image of Steve Reeves and a multimillion dollar saturation campaign was able to make this one of the most profitable films of it's time. That bad word of mouth didn't kill this picture's boxoffice only goes to show you that kitsch can be appreciated when it delivers, and HERCULES is colossal kitsch that delivers sensational, fetishistic, sexist spectacle in it's cheapest, most primitive form. Tastelessly tasteful.
    8Ichbin

    Not sure if anyone will read because of out-of-style Film

    I had to leave some comment because this is the first movie I remember going to see.

    After the movie I remember acting out the labors of Hercules in front of the movie-house with my friends after the show. This movie seemed to put an end to all cowboys and my other heroes Roy Rogers and Trigger. I was only 7 years old but it seems like yesterday.

    This movie was very impressive since after 42 years I still admire Steve Reeves. I understand he is still living a very healthy life even now.
    mhrabovsky1-1

    Hercules

    The movie that launched the career of muscle man Steve Reeves.... In the late 1950s Italian director Pietro Franicisi wanted to do a film about the exploits of the famous muscleman, "Hercules"...he had scoured actors all over Europe looking for a handsome, musclebound actor who could complement the role...soon his daughter who had seen Reeves in a couple of B films recommended Reeves to her father....the rest was history. Reeves was an out of work muscleman actor who reportedly took the role for about $40,000 US cash - quite a sum at the time for an unemployed actor. The rest as they say is history. When first released it was panned by the major US studios until a film producer named Joseph E. Levine took a big chance and bought all the rights to the film's USA release. After a major US advertising campaign on television and in the newspapers the film confounded the experts and for some strange reason became an international hit. The timing was right for some unknown reason for this cheaply made muscle man movie to become a hit. At the time fantasy films, such as the Seventh Voyage of Sinbad and others were big at the box office. Reeves incredible physique and handsome face were big attractions to the young boys and ladies who went to see the film. Levine hit the jackpot again when Francisi made "Hercules Unchained" a few months later after the release of "Hercules". "Hercules Unchained " made even more money, in fact an astounding amount in 1960 and became one of the year's biggest grossing films. Soon, Italian directors jumped on the bandwagon and starting churning out these muscleman epics by the dozens.....Gordon Scott, Mark Forrest,Reg Lewis, and Kirk Morris all tried to duplicate Reeves in these "epics".....and the public loved them. Reeves went on to make several more muscleman epics in the late 50s and early 60s playing Morgan the Pirate, The Thief of Bagdad, Goliath, The White Warrior, The Son of Spartacus and other muscleman epics. An odd twist to Reeves career was the fact that he reportedly turned down two roles that became international sensations: He was offered the role of James Bond by producer Cubby Broccoli and "The Man with No name" made popular by Clint Eastwood and made by Sergio Leone....for whatever reason Reeves turned the roles down....hard to understand. Reeves retired to ranching, his first love in the late 60s and raised cattle and horses until his death in 2001. The greatest physique ever seen on a man....probably the most admired bodybuilder of all time.
    6Boba_Fett1138

    Good early genre movie.

    Basically this a movie about Hercules falling into the one adventure after the other, without some times feeling an obvious connection between those events. It makes this a pretty disjointed movie to watch at times. If this movie was being made this present day in exactly the same way it would be an absolutely terrible movie but the fact that this was made in 1958 makes it a good and defining one for its genre.

    It's sometimes laughable how fake this movie is looking, for instance when Hercules is fighting a lion and later a buffalo, who are both obvious puppets in the close-up scenes with Steve Reeves. You can call it part of the charm of these old type of adventure movies but it still looks ridicules, regardless.

    But besides that all it's a rather good looking movie, with its sets costumes and of course settings. It's an Italian movie, so it features lots of beautiful landscapes.

    The story is simple and perhaps not as action filled or fast paced as it could had been but it still is an adventurous one. The swashbuckling and adventure genre had pretty much died already when it was 1958. This is a movie that obviously tries to revive a genre, with some new more 'modern' changes and elements in it. After this 'historic' and mythological movies such as "Jason and the Argonauts". "The 7th Voyage of Sinbad and "Spartacus" were made. It's hard to say if this movie influenced any of those movies but fact is that this movie was a popular one at its time, also in America. Therefor it's a really thinkable that this movie played at least some part in redefining the genre.

    Not great, most especially not by todays standards but considering the time it was made, a good genre movie that is adventurous and therefor also has entertainment value in it.

    6/10

    http://bobafett1138.blogspot.com/

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    Handlung

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    • Wissenswertes
      The roar of the dragon guarding the Golden Fleece is actually Godzilla'a roar from Godzilla - Das Original (1954) (U.S. title: "Godzilla, King of the Monsters"). Joseph E. Levine had acquired and released that film three years earlier.
    • Patzer
      When Hercules crushes the lion with his bare arms, the reverse angle shows the lion with a happy contented look on its face, obviously enjoying being snuggled.
    • Zitate

      Antea, Queen of the Amazons: My heart has reached the crossroads of destiny.

    • Alternative Versionen
      Has been available in the U.S. in three different versions.
      • (98 minutes) This has the poorest dubbing job. The Italian "fine" appears at the end.
      • (103 minutes) This version restores some footage and contains a superior dubbing job. The Italian "fine" as replaced with "The End."
      • (104 minutes) This version contains yet a third dubbing job. The main title was replaced with an animated title showing a starfield and the constellation Hercules. The bulk of the original credit sequence was moved to the end of the film. During this movie's first release in the United States in 1959, the material issued by Embassy and Warner Brothers (who handled the physical distribution) listed the running time as 107 minutes. This is still listed as the running time by most sources. The 107 minute version is believed to be the original uncut and uncensored Italian version which probably showed more flesh than was permitted on U.S. screens at the time.
    • Verbindungen
      Edited into Hercules Recycled (1994)

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 13. Januar 1959 (Westdeutschland)
    • Herkunftsländer
      • Italien
      • Spanien
    • Sprache
      • Italienisch
    • Auch bekannt als
      • Hercules
    • Drehorte
      • Titanus Studios, Rom, Latium, Italien(Studio, Italy)
    • Produktionsfirmen
      • Embassy Pictures
      • Galatea Film
      • O.S.C.A.R.
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    Box Office

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    • Budget
      • 2.000.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 30 Minuten
    • Seitenverhältnis
      • 2.35 : 1

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