Die Totengruft des Dr. Jekyll

Or, perhaps skids is more like it. How did John Agar get such wretched work as this in between films with John Wayne? (All right, I suppose most Wayne films are schlock, too.)

But, this is Dr. Jekyll's daughter. And he looks silly as her husband. This is a ridiculous Universal wanna-be, complete with a family estate and curse. The whole werewolf explaination for this curse is very contrary to Robert Louis Stevenson's original conception.

But, the werewolf ploy is not enough. DAUGHTER...is so boring, that I defy anyone to sit through it twice. I was in a coma by the time the end finally came.

Gloria Talbott rules, though. She is the quintessential mid-50's scream queen. She always played an able woman, but it always took a man by her side to work things out in the end(this time it is Agar). Talbott's appearances in this film and, THE CYCLOPS(the same year) cemented her image into many a Saturday-matinee patrons' mind.

Is this before or after Agar divorced Shirley Temple? This is certainly not the most pickled he looked(he looks more bleary-eyed in his later, Larry Buchanan period), but he looks just a little too cheery in some scenes. Maybe he was happy that the filming would soon be over.

I was glad when DAUGHTER OF DR. JEKYLL was over. Unless you're a Gloria Talbott fan, skip it.

Most of the time this movie is creepy and decently shot reminding me at best of "Night of the Hunter" and at worst of atmospheric fog machine filled horror. I thought of "Night of the Hunter" during the scene where the Daughter waits outside her father's tomb while in the same shot we see the big village man carving a stake. Very ominous. That said, the stake death is the worst I've seen.

The technique of superimposing one shot over another for action/dream sequences worked well in my opinion, but others may find it unoriginal. Monster make-up and blood effects were pretty good. Over all the movie is serious with a comic moment I liked with the Monster showing obvious joy as he views a women in her night clothes through an open window. The narration at the beginning and the Monster's ridiculous line don't fit the mood of the picture.

Not to be confused with "Dr. Jekyll and Sister Hyde" (1972) or "Dr. Jekyll and Ms. Hyde" (1995), "Daughter of Dr. Jekyll (1957) is a moderately interesting quickie from legendary Poverty Row director Edgar G. Ulmer. In this one, Gloria Talbott--who would find the role for which she is perhaps most fondly remembered in the following year's "I Married a Monster From Outer Space"--learns, on her 21st birthday, that she is the eponymous daughter of the infamous scientist. This causes her and her fiancé, 1950s sci-fi stalwart John Agar, some understandable angst, especially when a series of murders commences in the nearby village... To be painfully honest, there really is nothing much to this movie, but Ulmer directs with so much panache, and Talbott, as usual, is so pretty and appealing, that these two elements put the film over. Especially effective are two surrealistic nightmare episodes suffered by Talbott, as well as Ulmer's use of fog and swirling mist; his cloud-covered moon shots are a real thing of beauty, too. On the down side, we have a surprise ending that is not much of a surprise, and a plot that would have us believe that Jekyll's alter ego Hyde was really a bloodsucking werewolf! This film is certainly not the horror masterpiece that Ulmer's "The Black Cat" (1934) turned out to be. Still, it IS fun, and this DVD is as crisp and clean looking as can be. Modern-day interviews with Agar and with Ulmer's daughter make for nice extras, too.

Not one of Edgar G. Ulmer's best, but I'm glad they saw fit to release this one on DVD. However, if you're looking for another little Ulmer classic like BLUEBEARD (1944) or DETOUR (1945), you'd better look somewhere else 'cause this ain't it.

Gloria Talbott, the daughter of the late Dr. Jekyll, is slowly being hypnotized and pumped full of drugs into believing that she is the killer of a couple of women who were found near her late father's estate. She is slowly being driven mad by the real killer who wants her to take the blame for it.

Of course she isn't the one because she's the heroine and we can't have the heroine turn out to be a bad guy. This is the 50s, after all.

We also have John Agar as the Talbott's fiancée and Arthur Shields as the weirdo who is the executor of the late Dr. Jekyll's estate. They don't really add much of anything to all this beyond chewing up some film time. That is, until the very last 5 minutes of the film.

But what's really a bummer is that the killer is revealed in the very first flashback of the film, so why Ulmer threw away the element of surprise is a real mystery. I guess you'll just have to see it for yourself.

And considering the fact that Allied Artists didn't always use the best of film stock, the digital remastering looks as good as can be expected for a low budget film like this. No more excessively grainy prints to look at.

I'll give it a 4 out of 10 for at least being worth a look, especially if you're into Ulmer's films like I sometimes am.

Technically this should be listed under "Goofs" as it not so much a review. While watching the film I noticed during the two scenes that occur around the breakfast table if you look out the window, just past the fake foliage, you will notice late 1950's cars whisking by on an obviously very busy street. The story is set on an isolated wooded estate 20 years after the death of Dr. Jekyll which should put this in the early 1900's. Gloria Talbott is seen wearing a corset and a bustle with high button boots and John Agar wears a striped jacket like those worn by barber shop quartets. Obviously there should not be sedans whizzing by the estate. The only reason I wanted to see this film was due to the participation of Gloria Talbot-a real 50's fave and quite the knockout. She did not disappoint.