IMDb-BEWERTUNG
6,0/10
2029
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuShortly after a giant robot destroys a village, aliens from outer space arrive offering friendship. Will the people of Earth tie these two events together?Shortly after a giant robot destroys a village, aliens from outer space arrive offering friendship. Will the people of Earth tie these two events together?Shortly after a giant robot destroys a village, aliens from outer space arrive offering friendship. Will the people of Earth tie these two events together?
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For the first fifteen minutes of "Chikyu Boeigun" (known in USA as "The Mysterians"), nothing happens. Scientist poking around a forest fire site comes face to face with a giant, metallic bird like monster. Then this film takes off, becoming more and more exciting. After the monster ravishes a village, the military kills it. We discover it's from the planet Mysteriod, and citizens of that planet are setting up a base here on Earth. The rest of the film concerns the battles betwen the Earth and The Mysterians. A bunch of Inoshira Honda's touches abound. There's a doomed hero (Ahikio Hirata) literally going on a kamikaze mission through the alien base, the plea for all nations to drop their petty squabbles and join forces to save the Earth, and wall to wall giant monster/spaceship excitement. Musician Akira Ifukube's score is militaristic, throbbing, and perfect. While "Gojira" is the best Japanese sci-fi classic, "The Mysterians", a candy coated treat is a close second, being the most fun.
Trivia note: Musician Akira Ifukube invented the famous Godzilla roar.
Trivia note: Musician Akira Ifukube invented the famous Godzilla roar.
This is a pretty decent invasion film. This time around, Honda seems to have been inspired by the films "War of the Worlds" and "The Day the Earth Stood Still" and does a good job in conveying a lot of themes that pretty much permeate a lot of his films, fear of nuclear war and the world unifying for a common cause. Also, Akihiko pretty much built on his portrayal of the tragic hero that sacrifices himself at the end to save humanity and did his usual good job.
The only complaint I have about the film is the fact that the appearance of Moguera takes place too early in the film and his destruction is much too early. They do return him to the end, but I would have preferred to see him as the weapon of last resort that the aliens use to try to deliver the crushing blow. Other than that, this is a pretty good movie.
The only complaint I have about the film is the fact that the appearance of Moguera takes place too early in the film and his destruction is much too early. They do return him to the end, but I would have preferred to see him as the weapon of last resort that the aliens use to try to deliver the crushing blow. Other than that, this is a pretty good movie.
When Godzilla with its American scenes with Raymond Burr made it to the USA it started a run of Japanese science fiction that lasted well over a decade. When I was a lad I well remember the TV commercials for this film and how I just had to go see it.
60 years later The Mysterians holds up rather well. A group of aliens arrive and demand a small tract of land for use. We have to grant it because these folks are way technologically superior to us earthlings. But when a big robot starts doing to Japan what live monsters usually do it's time to resist.
What I remember best from this was the rather quick end the USA and the USSR terminate the Cold War to fight these aliens. They also start researching and move quickly up the scale in weaponry.
They are a mysterious group these Mysterians. We never do see their faces.
It's always been a pet theory of mine that a lot of cultural differences will melt rather quickly if earth ever did face an alien invasion. The Mysterians is one of those few films that support that thesis.
I wish they'd show this thing. Back in my younger days after its theatrical release it was constantly on local TV in New York City.
60 years later The Mysterians holds up rather well. A group of aliens arrive and demand a small tract of land for use. We have to grant it because these folks are way technologically superior to us earthlings. But when a big robot starts doing to Japan what live monsters usually do it's time to resist.
What I remember best from this was the rather quick end the USA and the USSR terminate the Cold War to fight these aliens. They also start researching and move quickly up the scale in weaponry.
They are a mysterious group these Mysterians. We never do see their faces.
It's always been a pet theory of mine that a lot of cultural differences will melt rather quickly if earth ever did face an alien invasion. The Mysterians is one of those few films that support that thesis.
I wish they'd show this thing. Back in my younger days after its theatrical release it was constantly on local TV in New York City.
There's something endearing about this movie. The plot is good, casting is good (with so many pretty faces, no wonder the Mystery guys wanted to come to earth), and even the score (by Akira Ifukube) remains in your head long after you see the movie. But above all there's a special atmosphere about this movie that won't let you forget it any time soon.
Mogera (Of Godzilla vs Space Godzilla fame almost 40 years later) makes its debut in this movie, and it started its career as weapon of the aliens not a giant UN transformer robot.
Once the fact that the Mysterians showed themselves, earth defense force ( thus the movie's Japanese title Chikyu Boeigun ) musters up all its plans for super weapons and goes on the offensive against the Mysterians (who've shacked up in Japan even before they got official permission from them ).
If military technology can catch up with the aliens so quickly as in this movie, we won't have any problems. In reality from what I understand, we're not even near parity.
Special effects are good, and weapons looks cool (Designed by famous Japanese sci-fi artist Shigeru Komatsuzaki. They have kind of a retro look which still works today) which all adds up to make this movie one of Toho's best.
It's one of a kind movie, and highly recommended to watch.
Mogera (Of Godzilla vs Space Godzilla fame almost 40 years later) makes its debut in this movie, and it started its career as weapon of the aliens not a giant UN transformer robot.
Once the fact that the Mysterians showed themselves, earth defense force ( thus the movie's Japanese title Chikyu Boeigun ) musters up all its plans for super weapons and goes on the offensive against the Mysterians (who've shacked up in Japan even before they got official permission from them ).
If military technology can catch up with the aliens so quickly as in this movie, we won't have any problems. In reality from what I understand, we're not even near parity.
Special effects are good, and weapons looks cool (Designed by famous Japanese sci-fi artist Shigeru Komatsuzaki. They have kind of a retro look which still works today) which all adds up to make this movie one of Toho's best.
It's one of a kind movie, and highly recommended to watch.
Although best known for their Godzilla series, Japan's Toho Studios made many other sci fi and fantasy films. This was the first of many that would be about aliens from another world invading Earth {that idea would be later incorporated into quite a few Godzilla films}. It's dated in some respects but still pretty good fun and must have seemed quite impressive at the time of it's western release. Before that the only major film that dealt with alien invasion on a "full scale,open war" kind of level was The War Of The Worlds, and The Mysterians attempts even more, if not quite succeeding, in the way of spectacle.
The first half hour is terrific, the characters are briefly introduced, strange things happen and a large bird-like robot goes on the rampage in Godzilla fashion. After this,things go downhill a little bit, too much time is taken up with meetings and the lengthy battle scenes between the aliens and the humans are a bit static and go on a little too long. Nevertherless there is a charming toy-like nature to these scenes, as various futuristic weapons are employed against the invaders.
Special effects are occasionally poor {watch out for the awful superimposed explosions} but generally better than most Hollywood sci fi films of the time. Filmed in very garish colour {which particularly highlights the alien's costumes} and with a tremendous main march theme by Akira Ifikube, the Mysterians has it's dull bits, but is still worth watching for some childish fun. Toho would perfect the alien invasion idea two years later with the incredible Battle In Outer Space.
The first half hour is terrific, the characters are briefly introduced, strange things happen and a large bird-like robot goes on the rampage in Godzilla fashion. After this,things go downhill a little bit, too much time is taken up with meetings and the lengthy battle scenes between the aliens and the humans are a bit static and go on a little too long. Nevertherless there is a charming toy-like nature to these scenes, as various futuristic weapons are employed against the invaders.
Special effects are occasionally poor {watch out for the awful superimposed explosions} but generally better than most Hollywood sci fi films of the time. Filmed in very garish colour {which particularly highlights the alien's costumes} and with a tremendous main march theme by Akira Ifikube, the Mysterians has it's dull bits, but is still worth watching for some childish fun. Toho would perfect the alien invasion idea two years later with the incredible Battle In Outer Space.
Wusstest du schon
- WissenswertesShortly before his death in 1993, director Ishirô Honda was said to have mentioned that this was his favorite of all his films.
- PatzerIn the American version, director Ishirô Honda is mistakenly credited as Inoshiro Honda.
- Zitate
Ryoichi Shiraishi: The tragedy of the Mysterians is a good example for us! Don't use science in the wrong way!
- Alternative VersionenIn the original japanese version but edited out for the US release, during the final battle there is a brief scene with a second Mogera (the giant robot). Also, the ending is slightly different.
- VerbindungenEdited into Die Rückkehr des King Kong (1963)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 975.000 $
- Laufzeit1 Stunde 29 Minuten
- Seitenverhältnis
- 2.35 : 1
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