Die Augen des Satans

The concept, though not brilliant, could have worked -- but the amateurish treatment spoils the effort. While conducting field work in the desert, scientist John Agar encounters a huge floating brain which turns out to be a sadistic, power-hungry alien name Gor, a fugitive from it's home planet. The alien can become translucent and fade into Agar's body, controlling him while it uses its telekinetic powers and delights in the pleasures of human flesh. But it has to come out every twenty hours to `re-oxygenate' (?). Admittedly the alien is not badly designed (the brain has strange glowing eyes with no pupils).

Whenever Gor/Agar is using his telekinetic powers, Agar's eyes become shiny black orbs (an nice bit of makeup). Gor/Agar demonstrates his mental powers of destruction for a group of generals and diplomats by `willing' an atomic explosion to occur in the nearby desert (great stock footage of buildings being destroyed by shock waves and heat flashes). Then Gor/Agar orders them to put Earth's population to work creating a space fleet so he can return to his own planet and conquer it.

Meanwhile, a second alien name Vol comes to Earth to save it from Gor. To spy on Gor, Vol takes control of Agar's dog. Vol/dog elicits the aid of Agar's fiancé (lovely Joyce Meadows). She's glad to help, because she already knew SOMETHING was wrong with Agar after he turned kinky and tried to rape her on a lawn chair.

Beware: the finale is a short and unexciting struggle between Agar (armed with an ax) and the floating Gor brain. And Agar's closing line to his fiancé' is painfully stupid. When she tries to tell him that a good-guy alien has been in control of the dog, John doesn't believe her. He just laughs and says, `Oh, honey -- that imagination of yours!'

If you're absolutely desperate for a 1950s sci-fi flick you haven't already watched to death, this one might be worth watching -- but only to laugh at.

The first time I ever saw or heard of BRAIN FROM PLANET AROUS, I was twelve and it was shown on "Creature Features." When I first saw it, I thought it was kind of cheap, but I enjoyed it. Years later I heard of its bad reputation but I had my memories of it not being all that bad. Seeing it again as an adult, I actually found much the films ludicrousness entertaining. Not just that, I was surprised by the films slightly unusual premise: the alien brain named Gor bent on taking over the Earth is a criminal. The rest of the Arousians are like Vol- a policeman from Arous sent to arrest the evil Gor - basically peaceful. It's slightly unusual for a film from this period for the alien invader to be portrayed as not representative of his race. The idea of alien police man stalking an alien criminal (as a previous commentator in this forum has noted) has turned up in few science fiction novels. This plot also shows up in the excellent 1987 thriller THE HIDDEN.

While the films special effects are cheap, they are no better or worse than those in most other programmer films made on this budget from the same period. The film does has some really ludicrous moments already mention by previous reviewers. Some complaints mentioned in this forum are unjustified and seem to be the result of straining. Like the commentator who complained about bodies not decaying. It's absurd, but it is the kind of mistake that turns up all the time even in "good" movies.

One of the films main problems is John Agar. As film historian and 50's science fiction expert Bill Warren has pointed out, John Agar tries, but he can't pull it off. When he becomes possessed and tries to be evil, he comes across more as comical than menacing. If a much better actor was cast, perhaps this film might be more highly regarded. I think a good example would be to compare Agar's performance to that of Lew Ayers in DONOVAN'S BRAIN (See my entry on that film). DONOVAN'S BRAIN has a similar theme: evil disembodied brain bent on world conquest takes over the body of a scientist. Ayers was convincing, Agar is not.

Perhaps the strangest thing about this film is that when it first came out, reviewers dismissed it as a "routine programmer" "conventional science fiction" and "just another double bill shocker." Regardless of what you think of this film, I'm sure you will agree those words certainly don't apply to BRAIN FROM PLANET AROUS.

Till next time...Your Old Pal Jim.

That's right--"The Brain From Planet Arous" is _indeed_ John Agar's best science-fiction movie...but that's not saying very much. While it is undoubtedly _cheap_ (the giant alien brains in their natural form look a lot like balloons!), and while the storyline is sheer goofiness bordering on surrealism (one of the brains inhabits the body of a dog!), it _is_ somehow fun to watch, in spite of (or more likely because of) its low-budget limitations. And John Agar IS fun to watch; you can tell that he's doing his best here--in the scenes where he's possessed by the evil brain, he had to wear some very uncomfortable silver contact lenses--but the odd, yet by-the-numbers script doesn't give him much to work with. Still, if you're willing to put your own brain on hold for a little while, you might get a kick out this movie.

My friend, who's a John Agar fan, clued me in on this. I saw it on video the other night. It's one of those movies that is so bad, that it's pretty good (or at least not a complete waste of time). I especially like the scene where Agar's character, while driving a jeep through the desert, crashes into a huge rock that he couldn't possibly have missed, then says something like "well, I guess we walk from here." The ending is completely beyond belief; you have to see it to believe anyone would end a movie like that.

Now this is the ultimate in 50s low budget drive-in outer space silliness. A rogue Brain from planet Arous comes to Earth to overtake body of an good boy atomic scientist and (surprisingly) conquer the Earth! Later, second Brain arrives to stop him, overtaking the body of poor doggie. Special effects look like the ones from Attack of the 50ft Woman (see-through monsters etc.) and the plot is similarly goofy. John Agar´s performance as an atomic scientist turned fiend is overacted as ever, which but adds to whole goofiness of the film. Recommended to any 50s B-movie fan.