IMDb-BEWERTUNG
5,4/10
3712
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuVolcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.
- Regie
- Drehbuch
- Hauptbesetzung
Carlos Múzquiz
- Dr. Velazco
- (as Carlos Muzquiz)
Pascual García Peña
- José de la Cruz
- (as Pascual Peña)
Pedro Galván
- Father Delgado
- (as Pedro Galvan)
Arturo Martínez
- Major Cosio
- (as Arturo Martinez)
Quintín Bulnes
- Lineman killed on pole
- (Nicht genannt)
José Chávez
- Train conductor
- (Nicht genannt)
Roberto Contreras
- Chumacho
- (Nicht genannt)
Fernando Curiel
- Pillo (foreman)
- (Nicht genannt)
Ángel Di Stefani
- Military man
- (Nicht genannt)
Alfonso Díaz Landa
- Military man
- (Nicht genannt)
Jaime González Quiñones
- Boy in San Lorenzo
- (Nicht genannt)
Leonor Gómez
- Villager
- (Nicht genannt)
Bob Johnson
- Narrator
- (Synchronisation)
- (Nicht genannt)
- …
Empfohlene Bewertungen
Way above average giant insect thriller, mainly due to the awesome special effects of Willis O'Brien ("King Kong" - 1933). Three set-pieces are superb: the first appearance, rather unexpectedly, of heroine Mara Corday talking to telephone linemen, who soon are under attack, then the train wreck which is terrifying and bizarre, and the final confrontation in the stadium, featuring grand editing and surprising touches. Mexico setting works well, music and sound effects are exemplary, sub-Earth sequence featuring more creatures is eerie. Title refers to the largest creature in the climax, budgetary limitations revealing a black traveling matte, still mystical, with fascinating zoom-in camera shots. Some have faulted the scorpion's "drooling" close-ups, but I find them bone-chilling. Even the main titles are innovative - alternating flashing white/black letters on white/black backgrounds, set to gripping soundtrack. Defects: some poorly-executed process shots, and the leading actors, Corday, Richard Denning, and Carlos Rivas, are hammy and unsubtle and a Corday-Denning romance occurs too late in the script, especially after all the mayhem.
When you watch films like this, you must put aside your ideas of what are or are not good special effects......if we compare all older movies with present films with modern technology, we would write off classics like "King Kong" and "Lost World" because they don't look like "Jurassic Park". Times change, computer generated effects are "in" and we sometimes forget that people like Willis O'Brien were pioneers in the fx field, working with little but their imagination and creativity. So enjoy this typical 50's Big Bug entry for what it is. I have seen it a number of times and have a little soft spot in my heart (not my head!) for it. It is full of those actors that were popping up all the time during the 50's as second leads or in "B" films. The cavern scene with the worms and scorpions is pretty damn good but that little brat Juanito needed to be scorpion bait from the beginning! Probably the funniest thing in the film is the reaction of the military men in the stadium when one of their own gets electrocuted because someone forgot to turn off the power....they just blow it off and go on. It's a fun film......just enjoy it and don't think too much.
Another stop motion classic from the atomic age. Giant scorpions awakened by volcanoes menace Mexico. You think a swarm of giant scorpions is bad, wait until you see the biggest and baddest of the bunch...The Black Scorpion!!
Willis O'Brien (the effects genius from King Kong) gets more than alittle help from Pete Peterson animating these arachnid monstrosities in all their stop-motion glory.
The effects were very well done, but unfortunately the transparent matte shots of the Black Scorpion entering Mexico City are terrible. Almost to the point where it ruins the movie. As is the constant (once or twice would be enough) close up of the scorpions face (which is a drooling animated prop). It would have been wonderful to see the Black Scorpion trashing buildings and attacking people in the city rather than a poor matte shot of the scorpion running through the streets.
Still overall a very enjoyable flick. The acting was actually pretty good compared to most of the genre films from the time.
The best scene from this film (hands down) was the descent into the underground lair of the scorpions, which also features not only a giant freaky worm, but a huge freaky looking trapdoor spider as well! The spider and worm prop were from the famous deleted "bottom of the ravine" scene from King Kong. So this is as close as you're going to get to reliving that infamous lost scene. Other great sequences include two scorpions battling the giant worm in a fight to the death, the scorpions swarming over and attacking a train at night, the Black Scorpion slaughtering the smaller scorpions, and the climatic fight between the Black Scorpion and the Mexican military in a soccer stadium.
I miss these kind of movies!
Willis O'Brien (the effects genius from King Kong) gets more than alittle help from Pete Peterson animating these arachnid monstrosities in all their stop-motion glory.
The effects were very well done, but unfortunately the transparent matte shots of the Black Scorpion entering Mexico City are terrible. Almost to the point where it ruins the movie. As is the constant (once or twice would be enough) close up of the scorpions face (which is a drooling animated prop). It would have been wonderful to see the Black Scorpion trashing buildings and attacking people in the city rather than a poor matte shot of the scorpion running through the streets.
Still overall a very enjoyable flick. The acting was actually pretty good compared to most of the genre films from the time.
The best scene from this film (hands down) was the descent into the underground lair of the scorpions, which also features not only a giant freaky worm, but a huge freaky looking trapdoor spider as well! The spider and worm prop were from the famous deleted "bottom of the ravine" scene from King Kong. So this is as close as you're going to get to reliving that infamous lost scene. Other great sequences include two scorpions battling the giant worm in a fight to the death, the scorpions swarming over and attacking a train at night, the Black Scorpion slaughtering the smaller scorpions, and the climatic fight between the Black Scorpion and the Mexican military in a soccer stadium.
I miss these kind of movies!
A volcano erupts and spits up these scorpions that are huge and prehistoric. This is the premise for The Black Scorpion, a 50's sci-fi/giant bug film. As cheesy 50's films go, this one is entertaining, if not a little slow in places. The Mexican landscape looks authentic and the scorpions themselves are pretty good when left in the hands of Willis O'Brien. But the close-ups of the creatures are a bit overused, almost to the point of becoming annoying. The scorpions kill each other off until one giant one is left to wreak his vengeance(and whet his appetite) in Mexico City. The best scene is the one when scientist Richard Denning(and his incredibly boring assistant Carlos Rivas, and annoying stow-a-way Juanito) are lowered into a giant cavern and the realm of Willis O'Brien's wonderful stop-motion animation. The rest of the film is rather predictable but still entertaining, and Mara Corday is at least pleasant to the eye as she must have had her clothing painted onto her.
One of the better Fifties science fiction entries is The Black Scorpion or scorpions to be precise. These creatures got released during a volcanic eruption and started wreaking havoc in the area around Mexico City.
Of all the monsters created by the special effects guys including the great Ray Harryhausen, the ugliest, meanest, nastiest creatures ever brought to the screen were these scorpions. They are ugly as sin, emit an obnoxious drool when on the prowl and make a noise guaranteed to scare any kid or kid at heart out of his comfortable movie seat. And they are one of the few creatures which are not either from outer space or caused by radioactivity.
When the scorpions start doing their thing, scientists Richard Denning and Carlos Rivas are in the area as is ranch owner Mara Corday. In between trying to figure out how to combat the scorpions, a little romance gets going between Denning and Corday. And there's a cute little kid around played by Mario Navarro who gets in all kinds of trouble tagging along with the scientists.
But you can mute the romance and get into the action. I guarantee you will like the scene inside the volcano where Denning, Rivas, and little Mario have to deal not only with the scorpions, but with giant earthworms and spiders. And the final battle in the Mexico City soccer stadium between the scorpion and the scientists and Mexican army is a tingler.
Of all the monsters created by the special effects guys including the great Ray Harryhausen, the ugliest, meanest, nastiest creatures ever brought to the screen were these scorpions. They are ugly as sin, emit an obnoxious drool when on the prowl and make a noise guaranteed to scare any kid or kid at heart out of his comfortable movie seat. And they are one of the few creatures which are not either from outer space or caused by radioactivity.
When the scorpions start doing their thing, scientists Richard Denning and Carlos Rivas are in the area as is ranch owner Mara Corday. In between trying to figure out how to combat the scorpions, a little romance gets going between Denning and Corday. And there's a cute little kid around played by Mario Navarro who gets in all kinds of trouble tagging along with the scientists.
But you can mute the romance and get into the action. I guarantee you will like the scene inside the volcano where Denning, Rivas, and little Mario have to deal not only with the scorpions, but with giant earthworms and spiders. And the final battle in the Mexico City soccer stadium between the scorpion and the scientists and Mexican army is a tingler.
Wusstest du schon
- WissenswertesA typical Willis O'Brien touch - in a long shot of the cage descending into the cave, a tiny stop motion bat flies across the screen. Only O'Brien would add another day's work to a scene where it would be barely noticed.
- PatzerMost likely due to budgetary issues, the voices of the opening sequence's narrator, the police radio dispatcher, the radio newscaster, and the public address announcer are all the same. Specifically, it belongs to Bob Johnson, best remembered for being heard in the opening sequence of most episodes of Kobra, übernehmen Sie (1966) ("Good morning, Mr. Phelps...").
- Zitate
Hank Scott: [after hearing an onimous noise] Ordinarily I've got nothing against moonlit nights, but I'll be glad to get by this one.
- Crazy CreditsThe Warner Bros. logo does not appear at the beginning of this movie.
- VerbindungenEdited into FrightMare Theater: The Black Scorpion (2017)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Black Scorpion?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- El escorpión negro
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen