IMDb-BEWERTUNG
5,4/10
3666
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuVolcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.Volcanic activity frees giant scorpions from the earth who wreak havoc in the rural countryside and eventually threaten Mexico City.
- Regie
- Drehbuch
- Hauptbesetzung
Carlos Múzquiz
- Dr. Velazco
- (as Carlos Muzquiz)
Pascual García Peña
- José de la Cruz
- (as Pascual Peña)
Pedro Galván
- Father Delgado
- (as Pedro Galvan)
Arturo Martínez
- Major Cosio
- (as Arturo Martinez)
Quintín Bulnes
- Lineman killed on pole
- (Nicht genannt)
José Chávez
- Train conductor
- (Nicht genannt)
Roberto Contreras
- Chumacho
- (Nicht genannt)
Fernando Curiel
- Pillo (foreman)
- (Nicht genannt)
Ángel Di Stefani
- Military man
- (Nicht genannt)
Alfonso Díaz Landa
- Military man
- (Nicht genannt)
Jaime González Quiñones
- Boy in San Lorenzo
- (Nicht genannt)
Leonor Gómez
- Villager
- (Nicht genannt)
Bob Johnson
- Narrator
- (Synchronisation)
- (Nicht genannt)
- …
Empfohlene Bewertungen
Volcanic activity in Mexico frees an enormous variety of scorpion from entombment in the Earth. The beasts proceed to terrorize the locals, and it's up to macho geologists Hank Scott (Richard Denning) and Arturo Ramos (Carlos Rivas) to help save the day. Naturally, Hank also has to spend whatever spare moment he's got romancing rancher Teresa Alvarez (Mara Corday).
You're assured a reasonably good time with 1950s genre perennials Denning ("Creature from the Black Lagoon") and Corday ("Tarantula") as the stars, and with Willis O'Brien of "King Kong" fame doing the stop motion animation of the creatures. Now, granted, it's slow to start, tends to get dialogue heavy at times, and the romantic subplot also helps slow down the pace while the movie should be building to a peak. But "The Black Scorpion" hits its stride at the beginning of the middle third, once the creatures make their appearance. If you're anything like this viewer, you'll be laughing with appreciation every time they make an appearance. (Especially when they're shown in close-up. I, for one, wasn't aware that scorpions drooled this much.) The highlight has to be the big set piece when Hank and Arturo descend into the scorpions' lair and encounter not just the arachnids, but a tentacled worm that was originally intended for use in the "ravine bottom" sequence in "King Kong". Some of the special effects are dodgy, but that doesn't apply to O'Briens' work, which is impressive as always.
Denning, Rivas, and Corday are engaging leads who receive capable support from supporting players Mario Navarro (as the annoying tag along kid Juanito), Carlos Muzquiz (as Dr. Velazco), Pedro Galvan as Father Delgado, and Arturo Martinez as Major Cosio. Navarro is appealing, but he's required to play a kid who only succeeds at putting himself in harms' way in his attempts to "help".
Not among the best "giant creepy crawlie" features of the 1950s, but it's still pretty good fun, with an appropriately rousing finale.
Seven out of 10.
You're assured a reasonably good time with 1950s genre perennials Denning ("Creature from the Black Lagoon") and Corday ("Tarantula") as the stars, and with Willis O'Brien of "King Kong" fame doing the stop motion animation of the creatures. Now, granted, it's slow to start, tends to get dialogue heavy at times, and the romantic subplot also helps slow down the pace while the movie should be building to a peak. But "The Black Scorpion" hits its stride at the beginning of the middle third, once the creatures make their appearance. If you're anything like this viewer, you'll be laughing with appreciation every time they make an appearance. (Especially when they're shown in close-up. I, for one, wasn't aware that scorpions drooled this much.) The highlight has to be the big set piece when Hank and Arturo descend into the scorpions' lair and encounter not just the arachnids, but a tentacled worm that was originally intended for use in the "ravine bottom" sequence in "King Kong". Some of the special effects are dodgy, but that doesn't apply to O'Briens' work, which is impressive as always.
Denning, Rivas, and Corday are engaging leads who receive capable support from supporting players Mario Navarro (as the annoying tag along kid Juanito), Carlos Muzquiz (as Dr. Velazco), Pedro Galvan as Father Delgado, and Arturo Martinez as Major Cosio. Navarro is appealing, but he's required to play a kid who only succeeds at putting himself in harms' way in his attempts to "help".
Not among the best "giant creepy crawlie" features of the 1950s, but it's still pretty good fun, with an appropriately rousing finale.
Seven out of 10.
Giant scorpions are unearthed by an earthquake and threaten to attack New Mexico. By the numbers script, but the acting is (surprisingly) good...it's just that the script is VERY dull. And when the giant scorpions (and worms and spiders) are on screen the movie is fantastic. These creatures look terrifying (the close ups of the scorpions' face are not pleasant) and the stop motion animation is superb. So...dull except when the monsters are on screen. Worth seeing for monster fans.
A volcano erupts and spits up these scorpions that are huge and prehistoric. This is the premise for The Black Scorpion, a 50's sci-fi/giant bug film. As cheesy 50's films go, this one is entertaining, if not a little slow in places. The Mexican landscape looks authentic and the scorpions themselves are pretty good when left in the hands of Willis O'Brien. But the close-ups of the creatures are a bit overused, almost to the point of becoming annoying. The scorpions kill each other off until one giant one is left to wreak his vengeance(and whet his appetite) in Mexico City. The best scene is the one when scientist Richard Denning(and his incredibly boring assistant Carlos Rivas, and annoying stow-a-way Juanito) are lowered into a giant cavern and the realm of Willis O'Brien's wonderful stop-motion animation. The rest of the film is rather predictable but still entertaining, and Mara Corday is at least pleasant to the eye as she must have had her clothing painted onto her.
By the late 1950s, filmmakers must have been running out of insects that they could mutate and transform into giant monsters. Audiences had already been treated to such fare as "Them" (giant ants), "Tarantula" (spiders), "The Monster From Green Hell" (wasps), "The Beginning of the End" (grasshoppers), "The Deadly Mantis" (praying mantises), et al. All of which, I suppose, left scorpions. Hence, "The Black Scorpion," in which a Mexican volcano belches forth a slew of the title nasties to terrorize the countryside. This film, a poor man's "Them" but still better than some of the others just named, features impressive stop motion FX from master Willis "King Kong" O'Brien (although close-ups of the scorpions' slavering countenances are pretty ridiculous looking), realistic-looking shots of a countryside shadowed by that smoldering volcano, and a formulaic 1950s monster script. It also boasts three exceptional scenes: a descent into the subterranean lair where the scorpions and other giant creepy-crawlies dwell; a scorpion attack on a speeding railway car; and the final battle, in a sports arena, between the last surviving arachnid and the Mexican army. Mara Corday, who also starred in "Tarantula," here adds some nice eye candy, and '50s sci-fi stalwart Richard Denning is his usual sturdy self. All in all, not a bad time killer...and, on this DVD incarnation, with some nifty extras, too.
This little gem from Warner Brothers is actually a pretty good movie for it's time and genre. The basis of the story is that 2 scientists, one American, one Mexican, head to Mexico to study an erupting volcano. What they find however, is nest underground of huge scorpions that are terrorizing Mexico City. The special effects are good for the era, the scorpion drools and makes scary sounds. The acting is so-so, Richard Denning overacts at times, and the relationship with the ever lovely and B movie horror queen Mara Corday, is not well developed, and the little Mexican boy "Juanito" is nothing short of annoying. But overall the story works helped by the great special effects and the good storyline. A fun movie to watch on a rainy Saturday night.
Wusstest du schon
- WissenswertesA typical Willis O'Brien touch - in a long shot of the cage descending into the cave, a tiny stop motion bat flies across the screen. Only O'Brien would add another day's work to a scene where it would be barely noticed.
- PatzerMost likely due to budgetary issues, the voices of the opening sequence's narrator, the police radio dispatcher, the radio newscaster, and the public address announcer are all the same. Specifically, it belongs to Bob Johnson, best remembered for being heard in the opening sequence of most episodes of Kobra, übernehmen Sie (1966) ("Good morning, Mr. Phelps...").
- Zitate
Hank Scott: [after hearing an onimous noise] Ordinarily I've got nothing against moonlit nights, but I'll be glad to get by this one.
- Crazy CreditsThe Warner Bros. logo does not appear at the beginning of this movie.
- VerbindungenEdited into FrightMare Theater: The Black Scorpion (2017)
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