IMDb-BEWERTUNG
6,3/10
1341
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDuring the 1950s, a man's car trip from L.A. to Texas turns into a Cold War espionage drama after his car breaks down and he accepts a lift from a stranger.During the 1950s, a man's car trip from L.A. to Texas turns into a Cold War espionage drama after his car breaks down and he accepts a lift from a stranger.During the 1950s, a man's car trip from L.A. to Texas turns into a Cold War espionage drama after his car breaks down and he accepts a lift from a stranger.
Karl Ludwig Lindt
- Kissel
- (as Karl Lindt)
John Frederick
- Sheriff
- (as John Merrick)
Leonard Bremen
- Collision Shop Owner
- (Nicht genannt)
Sidney Clute
- Mechanic
- (Nicht genannt)
Ken Curtis
- FBI Agent Jim Anderson
- (Nicht genannt)
Harry Hines
- Motel Owner
- (Nicht genannt)
Tom McKee
- Man from Sanitarium
- (Nicht genannt)
Bert Stevens
- Motorcycle Cop
- (Nicht genannt)
Empfohlene Bewertungen
Do you remember "the thirty-nine steps"?Do you remember Robert Donat and Madeleine Carroll chained together by handcuffs ?Sterling Hayden and Ruth Roman (who was in Hitchcock's "strangers on a train") have the same misadventure;besides,the doctor and the nurse who "take care" of Mrs Nicholson recall Claude Rains and his mother poisoning Ingrid Bergman in "notorious".It goes without saying that "5 paces to danger" is Hitchcockesque to the core.The plot is bizarre but the two leads make a good pairing and the film ,which begins as a road movie ,then features an almost irrelevant flashback in Germany to continue as a spy thriller ,is rather entertaining.Best scene comes at the end when they visit the so called Kessel in the base: we feel something odd in the air and the bag is a good trick.
This is a clever directing job to make a film noir mystery into a good film.
Film noir often stumbled from being too Hollywood, with heroes and heroines automatically acting creepy just for the sake of acting creepy.
Here, we get the opposite. The best mysteries have the woman being the "woman of mystery", because that is part of being a woman, while being a man means having your mystery come out of your very straight forward approach.
Sterling Hayden often acted gruff for the sake of acting gruff. A modern day guy who thought there was always a camera on him.
But here he acts more like a believable man from the fifties, or any era before the twenty first century.
He becomes the "everyman" who is introduced to a mysterious world, which involves espionage.
The CIA and FBI are put in a likable light, which doesn't go over well with those who like the post 1965 cliché. Being 1957, this goes under the old cliché, which really wasn't around long enough to be a cliché. That's why such CIA and FBI characters are still fresh, and in the long run, more believable than the silly assassins of today.
What helps here is a great atmosphere. We get some road, and not too much of the cars. We have a few pit stops, and changing scenery, which makes this flow very well.
Film noir often stumbled from being too Hollywood, with heroes and heroines automatically acting creepy just for the sake of acting creepy.
Here, we get the opposite. The best mysteries have the woman being the "woman of mystery", because that is part of being a woman, while being a man means having your mystery come out of your very straight forward approach.
Sterling Hayden often acted gruff for the sake of acting gruff. A modern day guy who thought there was always a camera on him.
But here he acts more like a believable man from the fifties, or any era before the twenty first century.
He becomes the "everyman" who is introduced to a mysterious world, which involves espionage.
The CIA and FBI are put in a likable light, which doesn't go over well with those who like the post 1965 cliché. Being 1957, this goes under the old cliché, which really wasn't around long enough to be a cliché. That's why such CIA and FBI characters are still fresh, and in the long run, more believable than the silly assassins of today.
What helps here is a great atmosphere. We get some road, and not too much of the cars. We have a few pit stops, and changing scenery, which makes this flow very well.
We first meet John Emmett (Sterling Hayden) when he's having his car towed. He says he is from LA and is going on vacation and to see relatives in Texas. We never find out what he does, or why he seems to have some money, or for that matter hear from or see anybody he knew separate from this plot. He is impulsive enough to just sell his broken but rather expensive car for cash - but he does dicker for price - and he is impulsive enough to accept Ann Nicholson's (Ruth Roman's) offer to share a ride with her as far as Santa Fe and share the driving although she is a total stranger.
From that point the suspense ratchets up as John is first confronted by a nurse who is working for Ann's psychiatrist who says Ann has just had a nervous breakdown and needs to be watched, and is stopped by cops who say Ann is wanted for murder, and then hears Ann say she actually has military plans she smuggled out of East Germany that she needs to deliver to some old family friend who is working for the government in Santa Fe. John is very trusting about all of this when it comes to Ann, and you wonder why he doesn't insist they go to the police right away but he doesn't.
From that point it is a swirl of people who could be spies or could be on the side of the US government, or maybe Ann really is crazy, and the tension and suspense never lets up.
Eddie Muller of TCM's Noir Alley said he'd like to think that Hayden's rather unexplained character is actually Johnny Clay from "The Killing", which he made right before this film, having escaped the cops and on his way to a new life. I found the film very suspenseful and engaging, even if you have to suspend your beliefs on how somebody would act in John Emmett's position.
From that point the suspense ratchets up as John is first confronted by a nurse who is working for Ann's psychiatrist who says Ann has just had a nervous breakdown and needs to be watched, and is stopped by cops who say Ann is wanted for murder, and then hears Ann say she actually has military plans she smuggled out of East Germany that she needs to deliver to some old family friend who is working for the government in Santa Fe. John is very trusting about all of this when it comes to Ann, and you wonder why he doesn't insist they go to the police right away but he doesn't.
From that point it is a swirl of people who could be spies or could be on the side of the US government, or maybe Ann really is crazy, and the tension and suspense never lets up.
Eddie Muller of TCM's Noir Alley said he'd like to think that Hayden's rather unexplained character is actually Johnny Clay from "The Killing", which he made right before this film, having escaped the cops and on his way to a new life. I found the film very suspenseful and engaging, even if you have to suspend your beliefs on how somebody would act in John Emmett's position.
Definitely a sleeper film, "5 Steps to Danger" teams Sterling Hayden with Ruth Roman in a quirky journey that I found fascinating, traveling the road movie route with a fun ride.
Writer-director Henry Kesler (who worked as associate producer on several Bogart movies) is not well-known, but put a lot of style into this movie. It playfully keeps one guessing as the viewer is put into the shoes of Hayden, quite convincing as an ordinary guy thrust into an unusual sort of "instant" codependency with Roman who is either a damsel in distress or perhaps a murderer.
He is constantly faced with decisions whether to help her and believe her tall tale about delivering her late brother's ICBM secrets from the Russians to a German scientist now working in America, while evading evil forces trying to stop her. From scene to scene, you don't know whether Ruth is truthful, deceitful or just plain crazy, but there's never a doubt that Sterling will rise to the occasion and save the day.
Writer-director Henry Kesler (who worked as associate producer on several Bogart movies) is not well-known, but put a lot of style into this movie. It playfully keeps one guessing as the viewer is put into the shoes of Hayden, quite convincing as an ordinary guy thrust into an unusual sort of "instant" codependency with Roman who is either a damsel in distress or perhaps a murderer.
He is constantly faced with decisions whether to help her and believe her tall tale about delivering her late brother's ICBM secrets from the Russians to a German scientist now working in America, while evading evil forces trying to stop her. From scene to scene, you don't know whether Ruth is truthful, deceitful or just plain crazy, but there's never a doubt that Sterling will rise to the occasion and save the day.
Stranded in a small California town after experiencing car trouble, vacationing John Emmett is spared the tedium of bus travel when he has a chance meeting with Ann Nicholson-who offers him a lift if he'll agree to split the driving duties to Santa Fe. He soon learns that Ann is actually a patient recovering from a nervous breakdown, however, and a simple little road trip blossoms into a Cold War nightmare as the couple are ensnared in a web of mystery involving vital national security secrets!
Directed by Henry Kessler, Danger also features several familiar classic TV faces among its supporting cast: Werner Klemperer, a two-time Emmy winner as Colonel Klink on Hogan's Heroes, portrays a psychiatrist, and daytime drama doyenne Jeanne Cooper (The Young and the Restless) is Roman's concerned nurse. Stir in uncredited contributions from Sidney Clute (Cagney & Lacey) and Ken Curtis (Gunsmoke), and you have in 5 Steps to Danger a crackling good suspense thriller that will keep you guessing to the very end!
Directed by Henry Kessler, Danger also features several familiar classic TV faces among its supporting cast: Werner Klemperer, a two-time Emmy winner as Colonel Klink on Hogan's Heroes, portrays a psychiatrist, and daytime drama doyenne Jeanne Cooper (The Young and the Restless) is Roman's concerned nurse. Stir in uncredited contributions from Sidney Clute (Cagney & Lacey) and Ken Curtis (Gunsmoke), and you have in 5 Steps to Danger a crackling good suspense thriller that will keep you guessing to the very end!
Wusstest du schon
- WissenswertesFilmed before, but released after Ruth Roman's fateful trip aboard the luxury liner, Andrea Doria. The ship collided with another and sank on July 26, 1956. Miss Roman and her young son were among the survivors. During their rescue, they became separated and she arrived in New York before her son did. She was hounded by the press and paparazzi while she waited for her son's ship to arrived at the dock.
- PatzerAt the motel where Ann and John have a handyman bring them food and a hacksaw, there is no lock on the door to their room - not a chain or deadbolt or even a lock in the doorknob.
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Details
Box Office
- Budget
- 500.000 $ (geschätzt)
- Laufzeit
- 1 Std. 21 Min.(81 min)
- Farbe
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