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Die einschneidenden Abenteuer von Leutnant Frank Ballinger, einem Mitglied des M-Trupps der Chicagoer Polizei, einer Eliteeinheit zur Verbrechensbekämpfung.Die einschneidenden Abenteuer von Leutnant Frank Ballinger, einem Mitglied des M-Trupps der Chicagoer Polizei, einer Eliteeinheit zur Verbrechensbekämpfung.Die einschneidenden Abenteuer von Leutnant Frank Ballinger, einem Mitglied des M-Trupps der Chicagoer Polizei, einer Eliteeinheit zur Verbrechensbekämpfung.
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The opening scene was one of the best in TV history. Every week you saw the grille of Lee's '53 Ford come wheeling around a city corner and the words 'M SQUAD' flashing onto the screen as the car is coming into full view. It got you ready for a great police adventure with a character that could only be played by someone of Marvins' persona. He had the tough guy role down to a science - better than Clint Eastwood, Telly Savalas or Jack Lord.
Marvin had a way of speaking to the criminal element (or anyone he didn't like for that matter) that caused them to stop and reflect on the probable outcome of an escalated confrontation with him. As a kid, I tried to copy that poker face and steady sure voice that caused the bad guys to back down. Never quite got the hang of it; there will only be one Lee Marvin.
Hoping that some day these episodes are reproduced - it was TV at its best.
Marvin had a way of speaking to the criminal element (or anyone he didn't like for that matter) that caused them to stop and reflect on the probable outcome of an escalated confrontation with him. As a kid, I tried to copy that poker face and steady sure voice that caused the bad guys to back down. Never quite got the hang of it; there will only be one Lee Marvin.
Hoping that some day these episodes are reproduced - it was TV at its best.
Straight out of the James M. Cain hard boiled school of crime fiction (minus the sex, of course) this was TV by men for men. Each episode began and ended with a pithy remark or two by the hero/narrator Detective-Leut. Frank Ballinger about "my town"--Chicago, that is.
Oddly, this fifty-plus year old series can still provide insights and observations that seem fresh, about police work, about human nature in general. The tough, minimalist dialog contains lines that make you want to write them down for future use.
Lee Marvin is perfect. He was only mid-thirties when this series was shot but looks somewhat older, or anyway more mature, with his lived-in face and prematurely white hair. Marvin personifies toughness but he's no Steve McQueen. That is, he can handle a line of dialog articulately, use his voice like a woodwind, yet lose none of his manliness.
The only aspect of the character of Lieut. Ballinger that is a bit unrealistic is his almost monkish attitude toward women--imposed on the character due to the prevailing broadcast standards of the time. In this series women are mostly trouble, or else the grieving widow of a police officer or the wife of a criminal, astonishingly naive about what her man really does.
Without all the technical advances of today's television production, this show accomplished more with just tight writing, solid acting and straightforward directing.
Oddly, this fifty-plus year old series can still provide insights and observations that seem fresh, about police work, about human nature in general. The tough, minimalist dialog contains lines that make you want to write them down for future use.
Lee Marvin is perfect. He was only mid-thirties when this series was shot but looks somewhat older, or anyway more mature, with his lived-in face and prematurely white hair. Marvin personifies toughness but he's no Steve McQueen. That is, he can handle a line of dialog articulately, use his voice like a woodwind, yet lose none of his manliness.
The only aspect of the character of Lieut. Ballinger that is a bit unrealistic is his almost monkish attitude toward women--imposed on the character due to the prevailing broadcast standards of the time. In this series women are mostly trouble, or else the grieving widow of a police officer or the wife of a criminal, astonishingly naive about what her man really does.
Without all the technical advances of today's television production, this show accomplished more with just tight writing, solid acting and straightforward directing.
M Squad is probably the only true film noir TV show ever shot. It was done with low camera angles and the most intense black and white photography with surprising lighting. As few shades of gray as possible were used. It needs to be viewed on a b/w TV for the full effect. It is an important work, and if the series still exists, it should be shown on PBS. Very intense drama. A good antidote to the sugary sweet shows like (two of my true favorites) Leave it to Beaver and Father Knows Best. Good shows, but the fifties were nasty, and the TV shows that you find on G4 or Nick are just not representative. It was a show that made the viewers uncomfortable, I have read. I a very thankful that my parents never took those parental rating seriously (yes, they had them then).
Lee Marvin became and remains one of my favorite actors because of this series. As a kid I eagerly awaited Friday nights at 9:00 (EST) on NBC. Frank Ballinger always got the bad guy, and we got to hear some really cool music along the way. The late fifties and early sixties were a golden age for TV cop shows and TV music -- this show was one of the main reasons. After much travail, I have managed to obtain a rare videocassette of two episodes, and even rarer, a copy of a CD reissue of the sound track LP. Great stuff! The "Police Squad!" opening credit sequence, and the characters of Frank Drebin and his boss, were lifted (lovingly, I am sure) from this show.
I remember M-Squad when it first came on. I was 15. Lee Marvin was a "no nonsense" cop much like Dan Matthews and Steve McGarrett. Lee Marvin was as good being good as he was good being bad. I think that Police Squad is based on this show. I have the original LP from the tv show that I bought 40 years ago and copied it and still play the tape in my car. The background jazz music was terriffic.
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- WissenswertesThe show was inspired by the exploits of legendary Chicago crime fighter Detective Superintendent Joseph Morris. Detective Lieutenant Frank Pape, who worked for Morris, served as a Technical Advisor on the show, without getting credit, however, because of his active status within the Chicago Police Department, which banned police moonlighting.
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Lt. Frank Ballinger: [spoken in voiceover near beginning of each episode, as he tells audience about a recently committed crime] My name is Frank Ballinger, detective-lieutenant, M Squad, a special detail of the Chicago police.
- VerbindungenFeatured in Discovering Film: Lee Marvin (2015)
- SoundtracksM Squad
(theme 1957-1958)
Written by Stanley Wilson
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Details
- Laufzeit30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 4:3
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