Boy meiner Träume

Playboy Danny Churchill (Harve Presnell) causes yet another scandal for his father and his company. A girl is threatening to sue. His father sends him away to remote Cody College in Nevada. He almost drives into postal worker Ginger Gray (Connie Francis) and falls for the fallen rider.

I don't know how many horse riding mail person there are especially in a place with roads. I only know Harve Presnell as an old veteran actor and he's good (not here). His boy scout personality can't sell the playboy character. I also know Connie Francis, but mostly as a singer. Her acting is questionable. So, this is an odd pairing to begin with. I could never guess that Harve could sing. The movie is a reworking of Girl Crazy while retaining the George and Ira Gershwin music. It's all a mess with a lot of random performances. The movie would follow a Louis Armstrong performance with a long Pepper Davis comedy bit. The central story is not that compelling. This is left to a lot of interesting but somehow wrong musical performances. For example, Connie Francis does a long number but is stuck sitting in her car surrounded by head-bopping boys. She is literally just sitting there and nobody is dancing. It's weird staging and it's not the only time. Just when they seem to be going traditional, they send in Herman's Hermits and again it's weird. The kids need to be slow-dancing that song. It's all rather messy and weird and maybe that's why it's fascinating.

This is the third film version of the Gershwins' Broadway hit, "Girl Crazy". The songs "Embraceable You", "Bidin' My Time", "But Not for Me", "Treat Me Rough", and "I Got Rhythm" have been retained from the original score. Added to this are specialty numbers written by or for Connie Francis, Sam the Sham and the Pharaohs, Herman's Hermits, Louis Armstrong, and Liberace. The idea of Louis and Liberace in the same movie is enough for a viewing. The screenplay merely suggests the original libretto. Connie Francis and Harve Presnell are acceptable musical comedy leads. The most interesting aspect of the film for comedy buffs is the stand-up specialty by the comedy team of Davis and Reese. They do an interview with a boxer routine which is reminiscent of, but not a copy of, the fighter routines done by Martin and Lewis and Allen and Rossi. Davis has some spark as a comedian, but Reese is an interchangeable straight man. He's not Bud Abbott, George Burns, Dean Martin, or even Duke Mitchell! This is one of the very few screen appearances of Liberace, and he is hysterical. I wonder if he knew he was that funny! Louis Armstrong is as welcome as ever and Joby Baker is wasted in his comic side-kick role. The film is an interesting mix of trying to integrate 30s musical comedy with rock 'n roll. It really doesn't work, but I give the film makers A for effort.

Just watched this cheezy-corny musical comedy on DVD disc. Made in the mid-'60s when the British Invasion was taking hold of Rock-'n'-Roll, When the Boys Meet the Girls took advantage of that by booking Herman's Hermits who not only perform one of their hit songs but also one of the George-Ira Gershwin tunes, "Bidin' My Time". Based on George and Ira's Broadway success-"Girl Crazy"-which had previously been a Mickey Rooney-Judy Garland movie, this wasn't too bad a remake with Connie Francis playing the Judy part and Harve Presnell the Mickey one. They make a fine duo when singing "But Not for Me" or "I Got Rhythm" the latter with a chorus of dancers. We also get Sam the Sham and the Pharaohs, and-for, I guess, the more middle-aged audience stumbling into this-Louis Armstrong and Liberace! Quite an uneven mix but if one's game, it's quite enjoyable. Also liked Sue Ann Langdon as a sexy blonde wanting to marry Presnell, Fred Clark as a potential buyer, and-since I always like to cite a player from my favorite movie, It's a Wonderful Life, in another one-Frank Faylen as Ms. Francis' father. Also amused at some of the undercranking of chase scenes. So on that note, I say When the Boys Meet the Girls is worth a look. P.S. The drummer in Louis' band is one Danny Barcelona who-in an earlier film performance I watched on a Netflix disc called Louis Armstrong and Friends 1962-the Great Satchmo introed as his Filipino wonder though I just found out he was actually born in Hawaii.

Harmless time-waster about the appealing Connie Francis and her father who open a new night club, which gives Sue Ane Langdon, Liberace and others an excuse to show off their musical talents.

Considering that this was produced by the famously cheapjack and incompetent Sam Katzman, and is one of the 1960s MGM musicals often cited as contributing to the death of the genre, this halfhearted updating of "Girl Crazy" isn't as bad as I'd suspected. Plenty of Gershwin and a surprising amount of the never-good original book are left intact (though Herman's Hermits insist on singing "I'm biding my time/ 'Cause that's the kind of guy I AM," ruining the rhyme), and some amusingly incongruous guest stars -- Liberace, Louis Armstrong -- are thrown in. Heaven knows Connie Francis can't act, but she does fine by "But Not for Me" and "Embraceable You," and opposite her, Harve Presnell is strong-voiced, virile, and more at ease with acting than most tenors. There's a typical mid-'60s supporting cast featuring Fred Clark, Joby Baker, and Sue Ann Langdon (a good comedienne, but not here). Of course it's over-lit and underwritten and cheap-looking, but there's one honest production number for "I Got Rhythm," and the painted backdrops and fast-motion photography contribute some fun cheesiness. An amiable time-waster.